"David Orr is no starry-eyed cheerleader for contemporary poetry; Orr’s a critic, and a good one. . . . Beautiful &amp; Pointless is a clear-eyed, opinionated, and idiosyncratic guide to a vibrant but endangered art form, essential reading for anyone who loves poetry, and also for those of us who mostly just admire it from afar." —Tom Perrotta 
Award-winning New York Times Book Review poetry columnist David Orr delivers an engaging, amusing, and stimulating tour through the world of poetry. With echoes of Francine Prose’s Reading Like a Writer, Orr’s Beautiful &amp; Pointless offers a smart and funny approach to appreciating an art form that many find difficult to embrace.

Beautiful & Pointless: A Guide to Modern Poetry

Orr, David

Arts & Photography

Harper

BEAUTIFUL & POINTLESS

Perennial

A cultural “biography” of Robert Frost’s beloved poem, arguably the most popular piece of American literature “Two roads diverged in a yellow wood . . .” One hundred years after its first publication in August 1915, Robert Frost’s poem “The Road Not Taken” is so ubiquitous that it’s easy to forget that it is, in fact, a poem. Yet poetry it is, and Frost’s immortal lines remain unbelievably popular. And yet in spite of this devotion, almost everyone gets the poem hopelessly wrong. David Orr’s The Road Not Taken dives directly into the controversy, illuminating the poem’s enduring greatness while revealing its mystifying contradictions. Widely admired as the poetry columnist forthe New York Times Book Review, Orr is the perfect guide for lay readers and experts alike. Orr offers a lively look at the poem’s cultural influence, its artistic complexity, and its historical journey from the margins of the First World War all the way to its canonical place today as a true masterpiece of American literature. “The Road Not Taken” seems straightforward: a nameless traveler is faced with a choice: two paths forward, with only one to walk. And everyone remembers the traveler taking “the one less traveled by, / And that has made all the difference.” But for a century readers and critics have fought bitterly over what the poem really says. Is it a paean to triumphant self-assertion, where an individual boldly chooses to live outside conformity? Or a biting commentary on human self-deception, where a person chooses between identical roads and yet later romanticizes the decision as life altering? What Orr artfully reveals is that the poem speaks to both of these impulses, and all the possibilities that lie between them. The poem gives us a portrait of choice without making a decision itself. And in this, “The Road Not Taken” is distinctively American, for the United States is the country of choice in all its ambiguous splendor. Published for the poem’s centennial—along with a new Penguin Classics Deluxe Edition of Frost’s poems, edited and introduced by Orr himself—The Road Not Taken is a treasure for all readers, a triumph of artistic exploration and cultural investigation that sings with its own unforgettably poetic voice. Praise for The Road Not Taken: “The most satisfying part of Orr’s fresh appraisal of ‘The Road Not Taken’ is the reappraisal it can inspire in longtime Frost readers whose readings have frozen solid. The crossroads between the poet and the man is where Frost leaves his poems for us to discover, turning what seems like a fork in the road into a site of limitless potential.” —The Boston Globe

The Road Not Taken: Finding America in the Poem Everyone Loves and Almost Everyone Gets Wrong

Literature & Fiction

History & Criticism

Penguin Publishing Group

A collection of reviews and essays by David Orr, the New York Times poetry columnist and one of the most respected critics in America today, his best work of the past fifteen years in one place Poetry is never more vital, meaningful, or accessible than in the hands of David Orr. In the pieces collected here, most of them written originally for the New York Times, Orr is at his rigorous, conversational, and edifying best. Whether he is considering the careers of contemporary masters, such as Louise Glück or Frederick Seidel, sizing up younger American poets, like Matthea Harvey and Matthew Zapruder, or even turning his attention to celebrities and public figures, namely Oprah Winfrey and Stephen Fry, when they choose to wade into the hotly contested waters of the poetry world, Orr is never any less than fully persuasive in arguing what makes a poem or poet great—or not. After all, as Orr points out in his introduction, “Poetry is a lot like America, in the sense that liking all of it means that you probably shouldn’t be trusted with money, or scissors.” Orr’s prose is devoted to common sense and clarity, and, in every case, he brings to bear an impeccable ear, an openhandedness of spirit, and a deep wealth of technical knowledge—to say nothing of his shrewd sense of humor. As pleasurable as it is informative, Orr’s journalism represents a high watermark in the public discussion of literature. You, Too, Could Write a Poem is at heart a love note to poetry itself.

You, Too, Could Write a Poem

Essays & Correspondence

Penguin??Books

David Orr's new volume of poetry collects dozens of his strongest, most moving works poems with a social conscience, displaying a deeply profound appreciation for the simple everyday pleasures in life. In this book, aptly titled Poetry, Mr. Orr's subjects are diverse as he brings the same passion and enthusiasm to each of his sharply observational works. Whether the poet is writing eloquently on "Clouds," "Music," or a "Butterfly," his words connect with a reader, offering much food for thought. Some of Mr. Orr's poems are powerful through the format of their brevity and clear-eyed view of the world. In "Losses" he writes of a particularly painful death in the family; in "The Preacher" he offers spiritual guidance; while in "Widowers" he captures the nature of one's memory when it comes to thoughts of a loved one who has passed away. Regardless of the genre or format, the poetry of David Orr enchants while providing an emotional journey that is sure to resonate with his readers.

Poetry

Vantage Pr

“David Orr is an authentic iconoclast. His criticism is exuberant and original. Dr. Johnson, my critical hero, urged us to clear our mind of cant. Orr has cleared his. He will enhance the perception of his readers.” ―Harold Bloom
“A poetry critic and poet himself, David Orr’s work often explores a gray area of literary professionalism and process. A columnist for the New York Times Book Review. . . . Orr shows himself to be a reader interested in cutting through noise, particularly with the realities of writing and publishing in a popular culture.” ―Ploughshares
In his wry debut collection of poetry, celebrated critic David Orr ponders the dark underworld of the ordinary, as he traverses the suburban gothic landscape of modern America. Orr finds and names what’s at the core of being human: sorrow, kindness, familial love, and memory. The poems are playful, fashioned of fables, familiar objects, and the supernatural, inviting every reader to enter in.
From “The Abduction”:
. . . Later, he would wake each night screaming In helpless confusion, but at the time There was just the sun, the beach, the sun, the saltwater And dark forms being kind. Only a month After the incident, having lost the skill Of knowing what was real, he walked Into headlights he had thought were his wife.
David Orr teaches at Cornell University in addition to serving as the poetry columnist for the New York Times Book Review. A native of South Carolina, he lives in Ithaca, New York.

Dangerous Household Items

Copper Canyon Press

A cultural “biography” of Robert Frost’s beloved poem, arguably the most popular piece of literature written by an American “Two roads diverged in a yellow wood . . .” One hundred years after its first publication in August 1915, Robert Frost’s poem “The Road Not Taken” is so ubiquitous that it’s easy to forget that it is, in fact, a poem. Yet poetry it is, and Frost’s immortal lines remain unbelievably popular. And yet in spite of this devotion, almost everyone gets the poem hopelessly wrong. David Orr’s The Road Not Taken dives directly into the controversy, illuminating the poem’s enduring greatness while revealing its mystifying contradictions. Widely admired as the poetry columnist for The New York Times Book Review, Orr is the perfect guide for lay readers and experts alike. Orr offers a lively look at the poem’s cultural influence, its artistic complexity, and its historical journey from the margins of the First World War all the way to its canonical place today as a true masterpiece of American literature. 
“The Road Not Taken” seems straightforward: a nameless traveler is faced with a choice: two paths forward, with only one to walk. And everyone remembers the traveler taking “the one less traveled by, / And that has made all the difference.” But for a century readers and critics have fought bitterly over what the poem really says. Is it a paean to triumphant self-assertion, where an individual boldly chooses to live outside conformity? Or a biting commentary on human self-deception, where a person chooses between identical roads and yet later romanticizes the decision as life altering?
What Orr artfully reveals is that the poem speaks to both of these impulses, and all the possibilities that lie between them. The poem gives us a portrait of choice without making a decision itself. And in this, “The Road Not Taken” is distinctively American, for the United States is the country of choice in all its ambiguous splendor. Published for the poem’s centennial—along with a new Penguin Classics Deluxe Edition of Frost’s poems, edited and introduced by Orr himself—The Road Not Taken is a treasure for all readers, a triumph of artistic exploration and cultural investigation that sings with its own unforgettably poetic voice.

Penguin Press

The two Royal Ulster Rifles battalions were fierce rivals but both had cause to be proud of themselves and the other. The 1st Battalion was in India at the outbreak of war whereas the 2nd Battalion distinguished itself before and during the Dunkirk evacuation. (Montgomery is credited with saying ‘it’s alright then – the Rifles are there’.) After arduous training, both battalions landed in Normandy on D Day: the 1st by gliders as part of 6th Airlanding Brigade and the 2nd with 9th Brigade, 3rd Division on Sword Beach. They were only the only British regiment to be represented on D Day by both regular battalions. The authoritative work goes on to describe the long slog to Germany including winter action during the surprise German Bulge counter-offensive and the massive Rhine crossing operation (VARSITY). As numerous RUR members were in 9th Parachute Battalion, there is a full description of the legendary seizing of the mighty Merville Battery.

The Rifles Are There: 1st and 2nd Battalions, The Royal Ulster Rifles in the Second World War

History

Truesdale, David

Military

Pen and Sword Military

Since the publication of The Rifles Are There in 2005, which dealt with the 1st and 2nd Battalions Royal Ulster Rifles in the Second World War, it was felt by many that a follow up volume dealing with the Korean conflict was overdue. A limited yet competent history had been produced in 1953 by the then Adjutant Captain Hugh Hamill, although this has been long out of print. A New Battlefield follows the Battalion as it prepares for the first major conflict fought by Britain since the defeat of the Japanese in 1945. During the summer of 1950 the Battalion was stationed at Sobraon Barracks in Colchester and was in the process of being issued with desert kit for a tour of duty at Khartoum in the Sudan and its numbers were just under four hundred men. For service in Korea these numbers had to be drastically increased and drafts of volunteers and reservists were brought in from various sources. Consequently this 'Irish' Battalion contained men from the Lancastrian Brigade, Welsh Brigade, Mercian Brigade, the Light Infantry and other Battalions of the Irish Brigade, The Irish Brigade also reinforced other regiments, the Royal Inniskilling Fusiliers sending two officers and fifty 'other ranks' to the King's (Liverpool) Regiment. Despite their varied backgrounds all ranks soon coalesced into a professional unit that took the campaign in its stride. From winter temperatures that dropped well below 40f to a summer heat that rose to 105f with a humidity to match these men survived all and dealt with a brave and tenacious enemy. The Battalion sailed for Korea in October 1950 and fought its first major action in January 1951 at Chaegunghyon, or as it was known to the Rifles, 'Happy Valley'. Here, for the first time they faced an enemy that often literally fought to the death, despite overwhelming firepower, bombing and widespread use of napalm. Three months later, on the banks of the Imjin River, the Rifles, in conjunction with the remainder of 29 Brigade, faced an army that came in such numbers that running out of ammunition before the enemy ran out of men became a reality. While the Battle of the Imjin is today largely remembered for the last stand fought by the 'Glorious Glosters', research revels that it was the Royal Ulster Rifles that held open the door that allowed the survivors of 29 Brigade to escape annihilation. The media reacts with horror at the loss of life in Afghanistan when it is in single figures, yet during the fighting at 'Happy Valley' the Battalion lost 157 men in one twenty four period. In the 1950's with limited television and press coverage Korea was quite literally on the far side of the world and generated little interest with the population; it remains so to this day. With the current situation in that country its past deserves to be reexamined and reassessed. Besides numerous photographs there are also appendices including Honors and Awards, Operation 'Spitfire', an Order of Battle for 29 Brigade, and a Nominal Roll, which includes casualties. A New Battlefield will be produced in a strictly limited hardback printing of 500 numbered copies, each copy signed by both authors.

A New Battlefield: The Royal Ulster Rifles in Korea 1950-51

Asia

Helion and Company

Since the publication of The Rifles Are There in 2005, which dealt with the 1st and 2nd Battalions Royal Ulster Rifles in the Second World War, it was felt by many that a follow up volume dealing with the Korean conflict was overdue. A limited yet competent history had been produced in 1953 by the then Adjutant Captain Hugh Hamill, although this has been long out of print. A New Battlefield follows the Battalion as it prepares for the first major conflict fought by Britain since the defeat of the Japanese in 1945. During the summer of 1950, the Battalion was stationed at Sobraon Barracks in Colchester and was in the process of being issued with desert kit for a tour of duty at Khartoum in the Sudan and its numbers were just under four hundred men. For service in Korea, these numbers had to be drastically increased and drafts of volunteers and reservists were brought in from various sources. Consequently this 'Irish' Battalion contained men from the Lancastrian Brigade, Welsh Brigade, Mercian Brigade, the Light Infantry and other Battalions of the Irish Brigade, The Irish Brigade also reinforced other regiments, the Royal Inniskilling Fusiliers sending two officers and fifty 'other ranks' to the King's (Liverpool) Regiment. Despite their varied backgrounds, all ranks soon coalesced into a professional unit that took the campaign in its stride. From winter temperatures that dropped well below 40f to a summer heat that rose to 105f with a humidity to match these men survived all and dealt with a brave and tenacious enemy. The Battalion sailed for Korea in October 1950 and fought its first major action in January 1951 at Chaegunghyon, or as it was known to the Rifles, 'Happy Valley'. Here, for the first time they faced an enemy that often literally fought to the death, despite overwhelming firepower, bombing and widespread use of napalm. Three months later, on the banks of the Imjin River, the Rifles, in conjunction with the remainder of 29 Brigade, faced an army that came in such numbers that running out of ammunition before the enemy ran out of men became a reality. While the Battle of the Imjin is today largely remembered for the last stand fought by the 'Glorious Glosters', research reveals that it was the Royal Ulster Rifles that held open the door that allowed the survivors of 29 Brigade to escape annihilation. The media reacts with horror at the loss of life in Afghanistan when it is in single figures, yet during the fighting at 'Happy Valley' the Battalion lost 157 men in one twenty four period. In the 1950's with limited television and press coverage Korea was quite literally on the far side of the world and generated little interest with the population; it remains so to this day. With the current situation in that country its past deserves to be re-examined and reassessed. Besides numerous photographs there are also appendices including Honors and Awards, Operation 'Spitfire', an Order of Battle for 29 Brigade, and a Nominal Roll, which includes casualties.

A New Battlefield: The Royal Ulster Rifles in Korea, 1950-51

See the best price to sell, buy, or rent books by Orr, David. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Orr, David

See the best price to sell, buy, or rent books by Orr, David. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Beautiful & Pointless: A Guide to Modern Poetry

BEAUTIFUL & POINTLESS

The Road Not Taken: Finding America in the Poem Everyone Loves and Almost Everyone Gets Wrong

You, Too, Could Write a Poem

Poetry

Dangerous Household Items

The Road Not Taken: Finding America in the Poem Everyone Loves and Almost Everyone Gets Wrong

The Rifles Are There: 1st and 2nd Battalions, The Royal Ulster Rifles in the Second World War

A New Battlefield: The Royal Ulster Rifles in Korea 1950-51

A New Battlefield: The Royal Ulster Rifles in Korea, 1950-51