Founded in 1850 to collect, edit, and publish all the known works of J. S. Bach, the renowned Bach-Gesellschaft devoted fifty years to its monumental task and produced the most accurate editions of Bach's music. At a much lower cost than the fantastically expensive original publication, this volume reproduces in full vocal and instrumental score eleven cantatas from the reliable Bach-Gesellschaft volumes. Chosen on the basis of frequency of performance, teaching value, and sheer greatness of music, these eleven cantatas are: "Christ lag in Todesbanden," No. 4; "Weinen, Klagen, Sorgen, Zagen," No. 12; "Ich hatte viel Bekümmerniss," No. 21; "Jauchzet Gott in allen Landen," No. 51; "Ich will den Kreuzstab gerne tragen," No. 56; "Nun komm, der Heiden Heiland," No. 61; "Jesu, der du meine Seele," No, 78; "Ein' feste Burg ist unser Gott," No. 80; "Ich habe genug," No. 82; "Gottes Zeit ist die allerbeste Zeit," No. 106; and "Wachet auf, ruft uns die Stimme," No. 140. A new supplement presents the eleven German texts in libretto form (Verse, without repeats) and a facing literal line-by-line translation by Stanley Appelbaum. The musical notation is large and clear, making it easy to follow in any study situation.

Eleven Great Cantatas (Dover Music Scores)

Arts & Photography

BACH, Johann Sebastian

Opera and Choral Scores

Music

Dover Publications

This handsome treasury features seven of the great composer's most beloved and frequently performed cantatas. Selected from the authoritative Bach-Gesellschaft edition, these choral pieces constitute the master's best works from his celebrated Leipzig period. Contents include: No. 1, "Wie schön leuchtet der Morgenstern" No. 6, "Bleib' bei uns, denn es will Abend werden" No. 19, "Es erhub sich ein Streit" No. 46, "Schauet doch und sehet, ob irgend ein Schmerz sei" No. 60, "O Ewigkeit, du Donnerwort" No. 65, "Sie werden aus Saba Alle kommen" No. 79, "Gott, der Herr, ist Sonn' und Schild" For ease of interpretation, literal line-for-line English translations accompany the original German verse at the end of the volume. Reproduced from reliable, well-engraved printings and sturdily bound, this high-quality, moderately priced edition is the perfect vehicle for play or study. It is specially designed to open flat, and it offers the additional convenience of large, easy-to-read noteheads and spacious margins for notes and analysis.

Seven Great Sacred Cantatas in Full Score (Dover Music Scores)

Remarkable for its bold characterization, color, atmosphere, and dramatic plot, Verdi's 1851 opera was an immediate success upon its Venice debut, and it remains a staple of the repertoire to this day. The tale of a despised hunchback and his beloved daughter marked the first appearance of the tragic jester in Italian opera and provided Verdi with a subject well suited to his talents. Amateur and professional performers alike will appreciate this handsome, moderately priced practice and performance edition of the opera's vocal score. Ideal for study, rehearsals, and recitals, it contains the complete music for voices with a piano reduction of the vocal score. Lyrics appear in the original Italian only.

Rigoletto in Full Score (Dover Opera Scores)

VERDI, Giuseppe

The composer's most-admired Masses, among them the moving "Coronation" Mass in C Major, composed in Salzburg in 1779, and the great Mass in C Minor, which Mozart wrote at the time of his marriage in 1782. Composed in the symphonic-operatic style typical of the late 18th century, and scored for chorus, solo voices and orchestra, they are reprinted from the authoritative edition published by Breitkopf &amp; Härtel. Translations of texts. Lists of instruments.

Six Masses in Full Score (Dover Music Scores)

Mozart, Wolfgang Amadeus

Based on the Greek legend of Orpheus, Gluck's Orfeo ed Euridice is one of the oldest operas in the repertoire. Its beautiful simplicity, poignant story, and moving arias, expressed in music largely pastoral and elegiac in tone, have made the work a favorite of audiences since its first production in 1762. In a series of elegant, dramatic musical tableaux, the opera tells the story of Orpheus, a musician of ancient Greece, who pines after Euridice, his recently deceased lover. Inconsolable, Orpheus descends to the underworld where the depth of his sorrow and the intensity of his love for Euridice persuade the gods to release her. However, there is one condition: during the journey back to the world above, Orpheus must not look upon his lover. Torn by passion and fear of abandonment by Euridice, Orpheus cannot resist embracing his beloved — and loses her again. Because of the festive nature of the occasion for which the opera was written, however, the work ends on a happy note: the gods again take pity on Orpheus and restore Euridice to life once more. By the time he composed Orfeo ed Euridice, Glick's style had fully assimilated (to quote D. J. Grout in A History of Western Music) "Italian melodic grace, German seriousness, and the stately magnificence of the French tragédie lyrique." Now music lovers can study and appreciate the complete score of this masterpiece, reprinted here from the authoritative full-score edition originally published in the Denkmäler der Tonkunst in Österreich.

Orfeo ed Euridice in Full Score (Dover Music Scores)

Gluck, Christoph Willibald

Brahms's deeply moving Alto Rhapsody is one of the glories of the choral repertoire. Though it was written as a wedding song for the daughter of his friend Clara Schumann, the work clearly seems a deeply personal one for Brahms. Perhaps, as some have suggested, a melancholy reflection on his own solitary life. This great concert favorite is based on portions of the text of Goethe's "Harzreise im Winter" ("Winter Journey in the Harz Mountains"), and set for alto solo, men's chorus, and orchestra. In addition to the Alto Rhapsody, this volume contains three other major Brahms choral works: the Song of Destiny, a setting of a poem by Hölderlin; Nänie, a dirge for Brahms's friend Anselm Feuerbach, set to a text by Schiller; and Song of the Fates, set to passages from Act IV of Goethe's Iphigenie auf Tauris. All four works have been reprinted from the authoritative edition published by Breitkopf &amp; Härtel, Leipzig.

Alto Rhapsody, Song of Destiny, Nänie and Song of the Fates in Full Score (Dover Music Scores)

Brahms, Johannes

"The more it is studied the more confidently can we assert its flawlessness as one of the masterpieces of music-drama." — Grove's Dictionary of Music and Musicians When English composer Henry Purcell (1659–1695) wrote Dido and Aeneas, opera was not yet publicly performed in London. Indeed, although Purcell was already recognized as one of London's most distinguished musicians and composers, the debut performance of Dido and Aeneas was not in the kind of grand theater we now associate with opera. It took place at "Josias Priest's Boarding-School at Chelsey…Perform'd by Young Gentlewomen," possibly as early as 1680. In time, sparkling miniature opera, filled with intense drama and elegant song, would dazzle theater audiences around the world. It remains the oldest English operatic work still regularly performed. Dido and Aeneas lasts little more than an hour, yet encompasses a broad range of expressive music, from a high-spirited sailors' dance to one of the most touching of all operatic arias, Dido's lament, "When I am laid in earth." This brilliant work, by the greatest English composer of his time, is presented here in an authoritative early full-score edition.

Dido and Aeneas in Full Score (Dover Vocal Scores)

Purcell, Henry

A sort of choreographic cantata depicting Russian peasant nuptials, Les Noces ("The Wedding") was produced by Diaghilev in Paris in 1923. This outstandingly original work broke new musical ground with its compact, concise style, using unusual combinations of instruments with vocal accompaniment rather than a large orchestra. Reproduced from an authoritative score, this handsome, inexpensive volume incorporates new lists of contents and instrumentation; a glossary and preface (with illustrations); a Note on the Translation and Translation of the French Text.

Les Noces in Full Score (Dover Music Scores)

Stravinsky, Igor

One of 6 great masses created by the composer between 1796 and 1802 to celebrate the name-day of the wife of his patron, Prince Nikolaus Esterházy and titled in honor of the Austrian empress. According to Grove's, the masses are celebrated for "rich and inexhaustible invention . . . and consummate classical simplicity." Reproduced from an authoritative score, this edition will find a wide and enthusiastic audience.

Theresa Mass in Full Score (Dover Music Scores)

Haydn, Joseph

This exemplary new edition of the vocal score of an enchanting operetta — which has delighted audiences for over a century with its catchy melodies, its witty lyrics, and its madcap tale of tender-hearted pirates, timid policemen, and the demands of duty — was prepared by musicologists Carl Simpson and Ephraim Hammett Jones, who returned to original manuscripts and early sources to produce handsome, newly engraved plates closest to Gilbert and Sullivan's original intentions. All of the voice parts appear here, in addition to a piano reduction of the full score and the complete libretto. Introduction by the editors. Contents. Instrumentation.

The Pirates of Penzance Vocal Score (Dover Opera Scores)

Literature & Fiction

Sullivan, Sir Arthur

Gilbert, W.S.

Dramas & Plays

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