Oasis's incendiary 1994 debut album Definitely Maybe managed to summarize almost the entire history of post-fifties guitar music from Chuck Berry to My Bloody Valentine in a way that seemed effortless. But this remarkable album was also a social document that came closer to narrating the collective hopes and dreams of a people than any other record of the last quarter century. 
In a Britain that had just undergone the most damaging period of social upheaval in a century under the Thatcher government, Noel Gallagher ventriloquized slogans of burning communitarian optimism through the mouth of his brother Liam and the playing of the other Oasis 'everymen': Paul McGuigan, Paul Arthurs and Tony McCarroll. On Definitely Maybe, Oasis communicated a timeworn message of idealism and hope against the odds, but one that had special resonance in a society where the widening gap between high and low demanded a newly superhuman kind of leaping.
 Alex Niven charts the astonishing rise of Oasis in the mid 1990s and celebrates the life-affirming, communal force of songs such as "Live Forever," "Supersonic," and "Cigarettes &amp; Alcohol." In doing so, he seeks to reposition Oasis in relation to their Britpop peers and explore one of the most controversial pop-cultural narratives of the last thirty years.

Oasis' Definitely Maybe (33 1/3)

Arts & Photography

Niven, Alex

Music

Bloomsbury Academic

GLOSSATOR 10 (2018) Astern in the Dinghy: Commentaries on Ezra’s Pound’s Thrones de los Cantares 96-109 Edited by Alexander Howard You in the dinghy (piccioletta) astern there! (CIX/788) Mr. Pound Goes to Washington Alexander Howard (University of Sydney) Some Contexts for Canto XCVI Richard Parker (University of Surrey) Gold and/or Humaneness: Pound’s Vision of Civilization in Canto XCVII Roxana Preda (University of Edinburgh) Hilarious Commentary: Ezra Pound’s Canto XCVIII Peter Nicholls (New York University) “Tinkle, tinkle, two tongues”: Sound, Sign, Canto XCIX Michael Kindellan (University of Sheffield) “In the intellect possible”: Revisionism and Aesopian Language in Canto C Alex Pestell (Independent Scholar) Deep Rustication in Canto CI Mark Byron (University of Sydney) Shipwrecks and Mountaintops: Notes on Canto CII Mark Steven (University of Exeter) Revised Intentions: James Buchanan and the Antebellum White House in Canto CIII James Dowthwaite (University of Göttingen) Exploring Permanent Values: Canto CIV Archie Henderson (Independent Scholar) Canto CV: A Divagation? Alec Marsh (Muhlenberg College) So Slow: Canto CVI Sean Pryor (University of New South Wales) ‘The clearest mind ever in England’: Pound’s Late Paradisal in Canto CVII Miranda Hickman (McGill University) Three Ways of Looking at a Canto: Navigating Canto CVIII Kristin Grogan (Exeter College, University of Oxford) ‘To the king onely to put value’: Monarchy and Commons in Pound’s Canto CIX Alex Niven (University of Newcastle)

Glossator 10: Astern in the Dinghy: Commentaries on Ezra?s Pound?s Thrones de los Cantares XCVI?CIX

Literature & Fiction

Pryor, Sean

Parker,Richard

Howard, Alexander

Henderson, Archie

Marsh, Alec

Hickman, Miranda

Grogan, Kristin

Preda, Roxana

History & Criticism

CreateSpace Independent Publishing Platform

Children's book about a Bigfoot who has never had his photo taken

Bobby Bigfoot

Children's Books

Fairy Tales, Folk Tales & Myths

Forest Spotter

For David Cameron and ‘Big Society’ Tories, folk culture means organic food, nu-folk pop music, and pastoral myths of Englishness. Meanwhile, postmodern liberal culture teaches us that talking about a singular ‘folk’ is reductive at best, neo-fascist at worst. But what is being held in check by this consensus against the possibility of a unified, oppositional, populist identity taking root in modern Britain? Folk Opposition explores a renewed contemporary divide between rulers and ruled, between a powerful elite and a disempowered populace. Using a series of examples, from folk music to football supporters’ trusts, from Raoul Moat to Ridley Scott, it argues that anti-establishment populism remains a powerful force in British culture, asserting that the left must recapture this cultural territory from the far right and begin to rebuild democratic representation from the bottom up.

Folk Opposition

Politics & Social Sciences

Social Sciences

Zero Books

In this haunting debut collection, Alex Niven explores a poetic hinterland that is also a psychological and cultural wilderness. Adopting a style grounded in the radical minimalism of northern English modernism and romanticism, Niven writes poems constructed out of traditional forms cut up and reassembled to produce an abrupt lyric realism ideally suited to the political subject matter of his verse. These are poems of anger, mourning, and finally, extraordinary optimism, announcing the arrival of a historically lucid new bearing in twenty-first-century British poetry.

The Last Tape

A study of place, identity, music, politics and regionalism which calls for a radical restructuring of the British Isles. From Orwell-reading centrists to right-wing extremists, there have been countless attempts in recent decades to reimagine the feudal nation that was once England. But there is a strong case for saying that 'England' doesn't exist at all in the twenty-first century. New Model Island examines a disparate range of cultural references--the late Mark Fisher, Dylan Thomas, Alton Towers, Northumbrian activism and Catholic Marxism--as it seeks to reimagine the architecture of the British Isles in the context of the energetic socialist revival of the moment. Part utopian memoir, part elegy for the 2010s, New Model Island is an impassioned call for a new kind of dreaming about post-national identity in a post-capitalist future.

New Model Island: How to Build a Radical Culture Beyond the Idea of England

History

Europe

Repeater

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Books by Niven, Alex