This authoritative and generously illustrated book highlights Gustav Klimt’s portrayals of women in his work. Klimt was a central figure in Vienna at the turn of the twentieth century, and a crucial link between nineteenth-century Symbolism and Modernism. His sensual portrayals of women are among his most celebrated works and the focus of this book. Highlights of the publication include Klimt's most important society portraits, such as Serena Lederer (1899); Gertrud Loew (1902); Adele Bloch-Bauer I (1907); Mäda Primavesi (1913); Elisabeth Lederer (1914–16); and Ria Munk III (1917). These works cover the gamut of Klimt's portrait style, from his early ethereal works influenced by Symbolism and the Pre-Raphaelite movement to his so-called "golden style," as well as his almost Fauvist depictions. These art works are complemented by preparatory Klimt sketches and decorative arts from the Wiener Werkstätte.

Klimt and the Women of Vienna's Golden Age, 1900-1918

Arts & Photography

Natter, Tobias G.

History & Criticism

Prestel

Exploring an intriguing aspect of the artist’s work, this book examines Gustav Klimt’s fascination with the ancient world. Gustav Klimt’s 1907 publication of his illustrated edition of Lucian’s ancient work Dialogues of the Courtesans was the first time he exhibited his erotic art to the public, and it led to his denouncement by censors disturbed by the work’s graphic content. This volume revives Klimt’s masterful book, which pairs his erotic drawings with Wiener Werkstätte design, and which arguably resulted in the Art Nouveau era’s most beautiful book. Klimt and Antiquity also compares the red- and black figure Attic vases dating from the 5th century with Klimt’s art. It presents Klimt’s antiquity-inspired art as a dialogue between contemporary and ancient art, between genders, and between women’s roles in times of antiquity and modernity. Essays explore Klimt’s interest in ancient art; the ancient role of the courtesan; and the phenomenon of the Greek symposium as fertile ground for Greek art.

Klimt and Antiquity: Erotic Encounters

Rollig, Stella

Individual Artists

On the 100th anniversary of their deaths, Gustav Klimt and Auguste Rodin are celebrated as two pioneers of modernism who set new standards in their chosen media. Although they worked in different media, Auguste Rodin and Gustav Klimt were two artists whose output generated both incredible enthusiasm and virulent denunciation in their lifetimes. On the centenary of their deaths, in 1917 and 1918 respectively, this opulent volume highlights the remarkable parallels between the two creators: their passion for the human figure, erotic subject matter, pioneering techniques, and the achievement of international success. In chapters of alternating perspectives, this book features essays on fin-de-siècle Vienna, the phenomenon of artistic celebrity, and a tribute to the two seminal works that each artist gave the same name: The Kiss. Bringing these two masters together for the first time in such a detailed manner, this book captures a significant moment in European culture and demonstrates why their geniuses still speak so profoundly to us today.

Klimt & Rodin: An Artistic Encounter

This visually stunning volume offers perceptive examinations of several renowned German and Austrian Expressionist artists who redefined modern self-portraiture. The self-portrait has been a vital aspect of artistic expression throughout history. Neo-Classical painters such as El Greco and Rembrandt formalized the practice, and the first half of the 20th century saw a dramatic transformation in the self-portrait's style and context, especially in the hands of the German and Austrian Expressionists. Vibrant reproductions of works by Egon Schiele, Max Beckmann, Ernst Ludwig Kirchner, Oskar Kokoschka, and others are accompanied by essays that explore how these artists--many of whom were classified as "degenerate" by the Nazi party--imbued their images with eloquent expressions of resistance, isolation, entrapment, and provocation. From Schiele's erotically charged and overtly physical paintings to Beckmann's emotionally fraught depictions of psychic trauma, this important examination of a powerful aspect of modern European painting brilliantly illustrates how the Expressionist self-portrait became a powerful weapon against artistic oppression.

The Self-Portrait, from Schiele to Beckmann

Schneede, Uwe

Weppelmann, Stefan

Peters, Olaf

Faber, Monika

Gustav Klimt: The Interiors (Ronald S. Lauder Neue Galerie Museum for German and Austrian Art)

During his lifetime, Gustav Klimt was a controversial star whose works made passions run high. He stood for Modernism but he also embodied tradition. His pictures polarized and divided the art-loving world. The press and general public alike were split over the question: For or against Klimt? 
This monograph explores Klimt’s oeuvre with particular emphasis upon such contemporary voices. With a complete catalogue of his paintings, including new photographs of the Stoclet Frieze commissioned exclusively for this book, it examines the reactions to Klimt’s work throughout his career. Subjects range from Klimt’s portrayal of women to his adoption of landscape painting. The theory that Klimt was a man of few words who rarely put pen to paper is also dispelled with the inclusion of 179 letters, cards, writings, and other documents from the artist.Contributing authors: Evelyn Benesch, Marian Bisanz-Prakken, Rainald Franz, Anette Freytag, Christoph Grunenberg, Hansjörg Krug, Susanna Partsch, Angelina Pötschner, and Michaela Reichel

Gustav Klimt. The Complete Paintings

Taschen

La totalité des tableaux de Klimt et des articles biographiques. L'accent est mis sur ses contemporains, les réflexions et les réactions de son entourage immédiat. De nombreux documents et la correspondance de l'artiste retranscrivent l'atmosphère des années du tout début du XXe siècle et les scandales qu'il a déclenchés à Vienne.

Gustav Klimt. Tout l'oeuvre peint

A century after his death, Viennese artist Gustav Klimt (1862-1918) still startles with his unabashed eroticism, dazzling surfaces, and artistic experimentation. In this neat, dependable monograph, we gather all of Klimt's major works alongside authoritative art historical commentary and privileged archival material from Klimt's own archive to trace the evolution of his astonishing oeuvre. With top-quality illustration, including new photography of the celebrated Stoclet Frieze, the book follows Klimt through his prominent role in the Secessionist movement of 1897, his candid rendering of the female body, and his lustrous "golden phase" when gold leaf brought a shimmering tone and texture to such beloved works as The Kiss and Portrait of Adele Bloch-Bauer I, also known as The Woman in Gold. About the series Bibliotheca Universalis -- Compact cultural companions celebrating the eclectic TASCHEN universe!

Gustav Klimt. Obras completas

Taschen America, LLC

Gustav Klimt. Tout L'œuvre Peint: Dessins Et Peintures

A century after his death, Viennese artist Gustav Klimt (1862–1918) still startles with his unabashed eroticism, dazzling surfaces, and artistic experimentation. In this neat, dependable monograph, we gather all of Klimt's major works alongside authoritative art historical commentary and privileged archival material from Klimt’s own archive to trace the evolution of his astonishing oeuvre.
With top-quality illustration, including new photography of the celebrated Stoclet Frieze, the book follows Klimt through his prominent role in the Secessionist movement of 1897, his candid rendering of the female body, and his lustrous “golden phase” when gold leaf brought a shimmering tone and texture to such beloved works as The Kiss and Portrait of Adele Bloch-Bauer I, also known as The Woman in Gold.

Gustav Klimt: Drawings and Paintings

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