Steven Nadler presents a biographical and philosophical study of Louis de La Forge (1632-1666), a medical doctor who was an extremely important, but for a long time relatively neglected, follower of Descartes in the seventeenth century. His sophisticated contributions to the metaphysics, philosophy of mind, and physiology of Cartesianism in the decades after Descartes' death in 1650 were instrumental in making that philosophy the dominant philosophical paradigm of the period; it would be supplanted by Newtonianism only in the eighteenth century. La Forge began his Cartesian career by providing wood-cut illustrations and an extensive commentary for the 1664 edition of Descartes' Traité de l'homme, the first original-language publication of part of the larger, groundbreaking treatise Le Monde that was left unpublished in Descartes' lifetime. In his commentary, La Forge is a devoted and faithful but not uncritical disciple who defends, supplements, updates and even corrects Descartes' account of the human body, which treats it as a "machine" that operates on the principles of the mechanical philosophy. In 1666, La Forge published his own Traité de l'esprit de l'homme, a treatise on the human mind. Explaining the mind and its union with the body was something that Descartes had long planned to do but never really carried out in a systematic manner. La Forge's most innovative and influential philosophical contribution in the Traité--one which goes beyond anything Descartes envisioned--is his limited version of the doctrine of occasionalism, which accords God an active and ongoing causal role in the world and reduces natural substances to being "occasions" for God's efficacious activity. La Forge thereby set the stage for later, even more unorthodox developments in Cartesianism.

The Good Cartesian: Louis de La Forge and the Rise of a Philosophical Paradigm

Politics & Social Sciences

Nadler, Steven

Philosophy

Oxford University Press

Steven Nadler presents a collection of essays on the problem of causation in seventeenth-century philosophy. Occasionalism is the doctrine, held by a number of early modern Cartesian thinkers, that created substances are devoid of any true causal powers, and that God is the only real causal agent in the universe. All natural phenomena have God as their direct and immediate cause, with natural things and their states serving only as "occasions" for God to act. Rather than being merely an ad hoc, deus ex machina response to the mind-body problem bequeathed by Descartes to his followers, as it has often been portrayed in the past, occasionalism is in fact a full-blooded, complex and philosophically interesting account of causal relations. These essays examine the philosophical, scientific, theological and religious themes and arguments of occasionalism, as well as its roots in medieval views on God and causality.

Occasionalism: Causation Among the Cartesians

History

Why was the great philosopher Spinoza expelled from his Portuguese-Jewish community in Amsterdam? Nadler's investigation of this simple question gives fascinating new perspectives on Spinoza's thought and the Jewish religious and philosophical tradition from which it arose.

Spinoza's Heresy: Immortality and the Jewish Mind

Clarendon Press

Steven Nadler explores an intriguing episode in early modern intellectual history: the expulsion of the great philosopher Spinoza from his Portuguese-Jewish community in Amsterdam. Why was Spinoza excommunicated? Nadler's investigation of this simple question gives fascinating new perspectives on Spinoza's thought and the Jewish religious and philosophical tradition from which it arose. - ;At the heart of Spinoza's Heresy is a mystery: why was Baruch Spinoza so harshly excommunicated from the Amsterdam Jewish community at the age of twenty-four? In this philosophical sequel to his acclaimed, award-winning biography of the seventeenth-century thinker, Steven Nadler argues that Spinoza's main offence was a denial of the immortality of the soul. But this only deepens the mystery. For there is no specific Jewish dogma regarding immortality: there is nothing that a Jew is required to believe about the soul and the afterlife. It was, however, for various religious, historical and political reasons, simply the wrong issue to pick on in Amsterdam in the 1650s. After considering the nature of the ban, or cherem, as a disciplinary tool in the Sephardic community, and a number of possible explanations for Spinoza's ban, Nadler turns to the variety of traditions in Jewish religious thought on the postmortem fate of a person's soul. This is followed by an examination of Spinoza's own views on the eternity of the mind and the role that that the denial of personal immortality plays in his overall philosophical project. Nadler argues that Spinoza's beliefs were not only an outgrowth of his own metaphysical principles, but also a culmination of an intellectualist trend in Jewish rationalism. - ;Review from previous edition Nadler's book is an admirable piece of work. It relates Spinoza's thought to a wide variety of contexts, each of which enriches our understanding of Spinoza. It is clearly written and highly readable, continuing the story begun in Nadler's earlier Spinoza: A Life. It will be mandatory reading for students of Spinoza, as well as for students of Jewish thought and history more generally. - Martin Lin, Notre Dame Philosophical Reviews

Oxford Studies in Early Modern Philosophy: Volume V

Oxford Studies in Early Modern Philosophy is an annual series, presenting a selection of the best current work in the history of early modern philosophy. It focuses on the seventeenth and eighteenth centuries -- the extraordinary period of intellectual flourishing that begins, very roughly, with Descartes and his contemporaries and ends with Kant. It also publishes papers on thinkers or movements outside of that framework, provided they are important in illuminating early modern thought. The articles in OSEMP will be of importance to specialists within the discipline, but the editors also intend that they should appeal to a larger audience of philosophers, intellectual historians, and others who are interested in the development of modern thought.

Garber, Daniel

Oxford Studies in Early Modern Philosophy is an annual series, presenting a selection of the best current work in the history of early modern philosophy. It focuses on the seventeenth and eighteenth centuries -- the extraordinary period of intellectual flourishing that begins, very roughly, with Descartes and his contemporaries and ends with Kant. It also publishes papers on thinkers or movements outside of that framework, provided they are important in illuminating early modern thought. The articles in OSEMP will be of importance to specialists within the discipline, but the editors also intend that they should appeal to a larger audience of philosophers, intellectual historians, and others who are interested in the development of modern thought.

There is a popular and romantic myth about Rembrandt and the Jewish people. One of history's greatest artists, we are often told, had a special affinity for Judaism. With so many of Rembrandt's works devoted to stories of the Hebrew Bible, and with his apparent penchant for Jewish themes and the sympathetic portrayal of Jewish faces, it is no wonder that the myth has endured for centuries. Rembrandt's Jews puts this myth to the test as it examines both the legend and the reality of Rembrandt's relationship to Jews and Judaism. In his elegantly written and engrossing tour of Jewish Amsterdam—which begins in 1653 as workers are repairing Rembrandt's Portuguese-Jewish neighbor's house and completely disrupting the artist's life and livelihood—Steven Nadler tells us the stories of the artist's portraits of Jewish sitters, of his mundane and often contentious dealings with his neighbors in the Jewish quarter of Amsterdam, and of the tolerant setting that city provided for Sephardic and Ashkenazic Jews fleeing persecution in other parts of Europe. As Nadler shows, Rembrandt was only one of a number of prominent seventeenth-century Dutch painters and draftsmen who found inspiration in Jewish subjects. Looking at other artists, such as the landscape painter Jacob van Ruisdael and Emmanuel de Witte, a celebrated painter of architectural interiors, Nadler is able to build a deep and complex account of the remarkable relationship between Dutch and Jewish cultures in the period, evidenced in the dispassionate, even ordinary ways in which Jews and their religion are represented—far from the demonization and grotesque caricatures, the iconography of the outsider, so often found in depictions of Jews during the Middle Ages and the Renaissance. Through his close look at paintings, etchings, and drawings; in his discussion of intellectual and social life during the Dutch Golden Age; and even through his own travels in pursuit of his subject, Nadler takes the reader through Jewish Amsterdam then and now—a trip that, under ever-threatening Dutch skies, is full of colorful and eccentric personalities, fiery debates, and magnificent art.

Rembrandt's Jews

Arts & Photography

History & Criticism

University of Chicago Press

A biography of the great portraitist Frans Hals that takes the reader into the turbulent world of the Dutch Golden Age.\nFrans Hals was one of the greatest portrait painters in history, and his style transformed ideas and expectations about what portraiture can do and what a painting should look like.\nHals was a member of the great trifecta of Dutch Baroque painters alongside Rembrandt and Vermeer, and he was the portraitist of choice for entrepreneurs, merchants, professionals, theologians, intellectuals, militiamen, and even his fellow artists in the Dutch Golden Age. His works, with their visible brush strokes and bold execution, lacked the fine detail and smooth finish common among his peers, and some dismissed his works as sloppy and unfinished. But for others, they were fresh and exciting, filled with a sense of the sitter’s animated presence captured with energy and immediacy.\nSteven Nadler gives us the first full-length biography of Hals in many years and offers a view into seventeenth-century Haarlem and this culturally rich era of the Dutch Republic. He tells the story not only of Hals’s life, but also of the artistic, social, political, and religious worlds in which he lived and worked.

The Portraitist: Frans Hals and His World

Humor & Entertainment

Three general accounts of causation stand out in early modern philosophy: Cartesian interactionism, occasionalism, and Leibniz's preestablished harmony. The contributors to this volume examine these theories in their philosophical and historical context. They address them both as a means for answering specific questions regarding causal relations and in their relation to one another, in particular, comparing occasionalism and the preestablished harmony as responses to Descartes's metaphysics and physics and the Cartesian account of causation. Philosophers discussed include Descartes, Gassendi, Malebranche, Arnauld, Leibniz, Bayle, La Forge, and other, less well-known figures.

Causation in Early Modern Philosophy: Cartesianism, Occasionalism, and Preestablished Harmony

Penn State University Press

See the best price to sell, buy, or rent books by Nadler, Steven. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Nadler, Steven

See the best price to sell, buy, or rent books by Nadler, Steven. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Good Cartesian: Louis de La Forge and the Rise of a Philosophical Paradigm

Occasionalism: Causation Among the Cartesians

Spinoza's Heresy: Immortality and the Jewish Mind

Spinoza's Heresy: Immortality and the Jewish Mind

Oxford Studies in Early Modern Philosophy: Volume V

Oxford Studies in Early Modern Philosophy: Volume V

Rembrandt's Jews

Rembrandt's Jews

The Portraitist: Frans Hals and His World

Causation in Early Modern Philosophy: Cartesianism, Occasionalism, and Preestablished Harmony