If Langston Huges is the poet laureate of Jazz, then Albert Murray is its scribe. Murray's indelible style continues in this wonderful trip down South. Murray grew up in Mobile, Alabama, after high school he went to Tuskegee Institute then on to the military where he was the first black to become an officer in US Air Force history. After retiring from the Air Force Murray settled in New York City where he lives today. A number of years ago Murray's publisher suggested that he go home and write about the differences in Mobile before WWII and Mobile now. Murray takes the reader along with him on his trip through his own personal history with remarkable rhythm. There are any number of notable sequences including the first paragraph which is destined to join the ranks of "Call me Ishmael" and "It was the best of times it was the worst of times..." Another striking point in the novel is when Murray checks into a celebrated hotel in his hometown and his bags are carried by a young white boy who calls him sir and mister. It is contrast against Murray's memories of this same hotel that he was not allowed to enter when he was a boy because he was black. The book also includes plenty of the rhythmic writing that has made Murray one of America's most cherished authors.

South To A Very Old Place

Biographies & Memoirs

MURRAY, Albert

Community & Culture

McGraw=Hill

In this classic work of American music writing, renowned critic Albert Murray argues beautifully and authoritatively that “the blues as such are synonymous with low spirits. Not only is its express purpose to make people feel good, which is to say in high spirits, but in the process of doing so it is actually expected to generate a disposition that is both elegantly playful and heroic in its nonchalance.” In Stomping the Blues Murray explores its history, influences, development, and meaning as only he can. More than two hundred vintage photographs capture the ambiance Murray evokes in lyrical prose. Only the sounds are missing from this lyrical, sensual tribute to the blues.

Stomping the Blues

McGraw-Hill Book Company

This study of the blues by one of America's premier essayists and novelists will change old attitudes about a tradition that continues to feed the very heart of popular music—a blues that dances, shakes, shimmies, and exchanges bad news for stomping, rollicking, pulse-quickening good times.

Stomping The Blues

Arts & Photography

Music

Da Capo Press

The Omni-Americans is a classic collection of wickedly incisive essays, commentaries, and reviews on politics, literature, and music. Provocative and compelling, Albert Murray debunks the "so-called findings and all-too-inclusive extrapolations of social science survey technicians," contending that "human nature is no less complex and fascinating for being encased in dark skin." His claim that blacks have produced "the most complicated culture, and therefore the most complicated sensibility in the western world" is elucidated in a book which, according to Walker Percy, "fits no ideology, resists all abstractions, offends orthodox liberals and conservatives, attacks social scientists and Governor Wallace in the same breath, sees all the faults of the country, and holds out hope in the end."

The Omni-americans: Black Experience And American Culture (Da Capo Press Paperback)

Count Basie (1904–1984) was one of America's pre-eminent jazz pianists, bandleaders, and composers. With the charm, dry humor, and inexorable logic of phrasing that were his alone, Good Morning Blues stands as both testimony and tribute to a remarkably rich life.

Good Morning Blues

Basie, Count

Count Basie (1904–1984), pianist, composer, and icon of big-band jazz, known for such classics as "Jumpin' at the Woodside," "Cherokee," and "One O'Clock Jump," recounts his life story to Albert Murray with all the charm and dry humor of two friends sitting at the kitchen table. Good Morning Blues is both testimony and tribute to a remarkable, rich life.

Good Morning Blues: The Autobiography Of Count Basie

Humor & Entertainment

In Conjugations and Reiterations Albert Murray, one of the premier literary men of our time, gives us his first collection of poetry. Wide ranging and informed by his singular intelligence and sensibility, these poems are extraordinary for their keen folk wisdom and striking lyricism, partaking of the idioms of blues and jazz. The vicissitudes of American life, the improvisatory nature of American art, the profundities of the Gospel and of gospel music—these are but a few of the concerns in Murray’s poetic achievement. Conjugations and Reiterations stands in ringing confirmation of The New Yorker’s celebration of Albert Murray as a writer “possessed of the poet’s language, the novelist’s sensibility, the essayist’s clarity, the jazzman’s imagination, and the gospel singer’s depth of feeling.”

Conjugations and Reiterations: Poems

Literature & Fiction

Poetry

Pantheon

In From the Briarpatch File—a gathering of erudite, provocative, and iconoclastic essays, reviews, and interviews—Albert Murray approaches contemporary America through its artistic expressions of itself and through the inventiveness of his own thinking and experience. He writes about New York in the 1920s and about the beginnings of his career as a writer. He gives us profound assessments of the achievements of Duke Ellington and William Faulkner. He outlines the responsibilities of the black educated elite and discusses the near-tragic, near-comic essence of the blues. His subject is no less than the life of America today; the clarity and the singularity of his vision, thought, and language are no less than stunning.

From the Briarpatch File: On Context, Procedure, and American Identity

History & Criticism

The Magic Keys winningly evokes the coming to maturity of one of the great characters in contemporary American literature: Scooter, the central protagonist of Albert Murray’s highly acclaimed autobiographical novels Train Whistle Guitar, The Spyglass Tree, and The Seven League Boots. Growing up brilliant and curious in Alabama, Scooter was told he was destined for greatness. Now newly married and a graduate student in humanities at New York University, he goes about discovering just what he is destined to be great at. Anchored by Eunice, his “Mrs. Me,” Scooter makes the rounds of Manhattan’s libraries, jazz hangouts, galleries, skyscrapers, and endlessly fascinating streets, meeting the people who will help him find his way: dapper Taft Edison, who is setting their down-home dialect onto the pages of his novel-in-progress; Joe States, a drummer who brings old expectations to Scooter’s new life; and Jewel Templeton, no longer his girl but still a believer. When his budding career takes him back to Alabama, Scooter discovers both the promise of everyday bliss and intimations of adventures to come. In his inimitably musical, ardent prose, Murray captures the joyful rhythms of youth and the pulse of life at the moment when everything seems possible, in an exhilarating, tender, and masterfully crafted novel.

The Magic Keys: A Novel

United States

Set in 1920s Alabama, this novel follows the life of a young boy and the lessons he learns in school, at Papa Gumbo Willie McWorthy's barbershop, and from Luzana Cholly, a gun-toting guitar player

Train Whistle Guitar: A Novel

Vintage

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