<div>&nbsp;(This title was originally published in 1980/81.)</div>

A Chinese Garden Court: The Astor Court at The Metropolitan Museum of Art

Arts & Photography

Fong, Wen C.

Murck, Alfreda

History & Criticism

Metropolitan Museum of Art

Throughout the history of imperial China, the educated elite used various means to criticize government policies and actions. During the Song dynasty (960-1278), some members of this elite found an elegant and subtle means of dissent: landscape painting. 
 By examining literary archetypes, the titles of paintings, contemporary inscriptions, and the historical context, Alfreda Murck shows that certain paintings expressed strong political opinions--some transparent, others deliberately concealed. She argues that the coding of messages in seemingly innocuous paintings was an important factor in the growing respect for painting among the educated elite and that the capacity of painting's systems of reference to allow scholars to express dissent with impunity contributed to the art's vitality and longevity.

Poetry and Painting in Song China: The Subtle Art of Dissent

Harvard University Asia Center

Throughout the history of imperial China, the educated elite used various means to criticize government policies and actions. During the Song dynasty (960-1278), some members of this elite found an elegant and subtle means of dissent: landscape painting. 
By examining literary archetypes, the titles of paintings, contemporary inscriptions, and the historical context, Alfreda Murck shows that certain paintings expressed strong political opinions--some transparent, others deliberately concealed. She argues that the coding of messages in seemingly innocuous paintings was an important factor in the growing respect for painting among the educated elite and that the capacity of painting's systems of reference to allow scholars to express dissent with impunity contributed to the art's vitality and longevity.

Poetry and Painting in Song China: The Subtle Art of Dissent (Harvard-Yenching Institute Monograph Series)

To accompany and record this remarkable exhibition, the Royal Academy will publish a sumptuously illustrated catalogue containing full-colour reproductions and scholarly entries for all exhibits. An incisive series of essays by leading experts - among them Jessica Rawson, Warden of Merton College, Oxford; Regina Krahl, independent scholar; Freda Murck, Professor of Art History at Beijing University; and Evelyn Rawski, Professor of Chinese History at the University of Pittsburgh - will explore the many fascinating themes that link these artistic and cultural treasures, describing the complex rituals, intriguing personalities and vivid colours of the society that created them. Rich in new and unpublished material, this magnificent book will be a landmark in Chinese studies.

China: The Three Emperors 1662-1795

Krahl, Regina

Rawson, Jessica

Rawski, Evelyn

Reference

Royal Academy of Arts

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