This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A Color Notation

Munsell, Albert Henry

Science & Math

Franklin Classics

A Color Notation; Volume 1

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

History

Legare Street Press

As outspoken in his day as Richard Dawkins or Christopher Hitchens are today, American freethinker and author ROBERT GREEN INGERSOLL (1833-1899) was a notorious radical whose uncompromising views on religion and slavery (they were bad, in his opinion), women's suffrage (a good idea, he believed), and other contentious matters of his era made him a wildly popular orator and critic of 19th-century American culture and public life. As a speaker dedicated to expanding intellectual horizons and celebrating the value of skepticism, Ingersoll spoke frequently on such topics as atheism, freedom from the pressures of conformity, and the lives of philosophers who espoused such concepts. This collection of his most famous speeches includes the lectures: [ "The Gods" (1872) [ "Humboldt" (1869) [ "Thomas Paine" (1870) [ "Individuality" (1873) [ "Heretics and Heresies" (1874)

BiblioLife

This is a reproduction of a book published before 1923. This book may have occasional imperfections  such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact,  or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections,  have elected to bring it back into print as part of our continuing commitment to the preservation of printed works  worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.    ++++  The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification:  ++++   A Color Notation, Volume 1; A Color Notation; Albert Henry Munsell 2 Albert Henry Munsell G. H. Ellis co., 1907 Art; Color Theory; Art / Color Theory; Color

A Color Notation, Volume 1 - Primary Source Edition

Nabu Press

Andesite Press

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A Color Notation (Classic Reprint): An Illustrated System Defining All Colors and Their Relations by Measured Scales of Hue, Value and Chroma Made in Solid Paint for the Accompanying Color Atlas

Arts & Photography

Painting

Forgotten Books

Munsell's Colour System: A Colour Notation and Atlas

Graphic Design

Art Meets Science

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