On assignment for Esquire magazine in 1962, fashion photographer and filmmaker Jerry Schatzberg documented the ultra-exclusive world of French haute couture in stunning photographs of famous fashion icons. All the glamour and drama of the runway is presented, including images of Yves Saint Laurent’s first collection after leaving Dior, as well as tastemakers such as Diana Vreeland and American Vogue editor Jessica Daves mingling in the chic crowds. As an insider, Schatzberg was permitted entry into the private, behind-the-scenes world of the models and photographers, which he reveals in candid images of renowned photographers such as Helmut Newton, William Klein, Hiro, and Norman Parkinson perfecting their glamour shots.Schatzberg’s images embody an era in fashion history, and document the glamour, intrigue, and opulence of the Parisian runway shows. With an eye for subtle moments of elegance, drama, and humor, Schatzberg captures the essence of the period’s style and grace.

Paris 1962: Yves Saint Laurent and Christian Dior, The Early Collections

Arts & Photography

Schatzberg, Jerry

Morton, Julia

Graphic Design

Rizzoli

A collection of rarely seen black-and-white photographs taken of women in the 1950s and 1960s, captured by the renowned New York City fashion photographer and filmmaker. Designed by Ruth Ansel, this elegantly produced volume captures the romance and glamour of women in the 1950s and 1960s. A mix of fashion and portraiture, it includes intimate and striking portraits of Nico, Faye Dunaway, Edie Sedgwick, Sharon Tate, and Catherine Deneuve. Jerry Schatzberg’s moody snapshots of a more innocent and whimsical New York on the brink of the important societal changes of the sixties form a compellingly nostalgic portrait of a stylish moment. Images of jetsetters at an airport terminal, lovers embracing in Central Park, and a woman waltzing in the street in the Financial District portray a time as well as a style. A New York City native, Schatzberg documented the period with the insider’s sensibility of Woody Allen or Martin Scorsese, but with the high-fashion style of Irving Penn and Richard Avedon. With a keen eye for the magic of the in-between moment, Schatzberg stealthily captured the elegance and beauty of a woman as her role was redefined in the sixties, while at the same time retaining an element of humor and surprise.

Women Then: Photographs 1954-1969

Photography & Video

Fruits of Warm Climates

Crafts, Hobbies & Home

Gardening & Landscape Design

E C H O Inc

In his catalogue essay on Los Angeles-based figurative painter and graphic novelist Kent Williams, Edward Lucie-Smith states, "The main thing about Williams' production, whatever form it takes, is that one feels a passionate desire to paint at work, and, in addition to that, a passionate desire to enlarge not only his own imaginative experience, but the imaginative experience of anyone who takes the trouble to give his paintings more than a glance." Quoting freely from influences like Rodin, Schiele, Kahlo, Fischl and Nerdrum, Williams makes dramatic, sexually terse and expressionistic paintings that are deeply riveting, dark and erotic. Female nudes, self-portraits, adolescent boys, landscapes and other nocturnal fantasies all play a role. Bringing together works from 1992 to present, this is the most comprehensive collection of paintings and drawings by Williams to date.

Kent Williams: Amalgam: Paintings and Drawings 1992-2007 (ALLEN SPIEGEL F)

Individual Artists

Allen Spiegel Fine Arts

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Books by Morton, Julia