This book is a study of Blaise Pascal's defence of Christian belief in the Pensees. Michael Moriarty aims to expound--and in places to criticize--what he argues is a coherent and original apologetic strategy. Setting out the basic philosophical and theological presuppositions of Pascal's project, the present volume draws the distinction between convictions attained by reason and those inspired by God-given faith. It also presents Pascal's view of the contradictions within human nature, between the 'wretchedness' (our inability to live the life of reason, to attain secure and durable happiness) and the 'greatness' (the power of thought, manifested in the very awareness of our wretchedness). His mind-body dualism and his mechanistic conception of non-human animals are discussed. Pascal invokes the biblical story of the Fall and the doctrine of original sin as the only credible explanation of these contradictions. His analysis of human occupations as powered by the twin desire to escape from painful thoughts and to gratify one's vanity is subjected to critical examination, as is his conception of the self and self-love. Pascal argues that just as Christianity propounds the only explanation for the human condition, so it offers the only kind of happiness that would satisfy our deepest longings. He thus reasons that we have an interest in investigating its truth-claims as rooted in the Bible and in history. The closing chapters of this book discuss Pascal's view of Christian morality and the famous 'wager' argument for opting in favour of Christian belief.

Pascal: Reasoning and Belief

Politics & Social Sciences

Moriarty, Michael

Philosophy

Oxford University Press

This book deals with three major French thinkers of the seventeenth century, Descartes, Pascal, and Malebranche. It examines their influential critical accounts of the impact of the body and of social relationships on experience, and the need to correct this by reference to metaphysical or religious truth.

Early Modern French Thought: The Age of Suspicion

Literature & Fiction

History & Criticism

From the late sixteenth to the late seventeenth centuries, French writing is especially concerned with analyzing human nature. The ancient ethical vision of man's nature and goal (we achieve fulfillment by living our lives according to reason, the highest and noblest element of our nature) survives, even, to some extent, in Descartes. But it is put into question especially by the revival of St. Augustine's thought, which focuses on the contradictions and disorders of human desires and aspirations. Analyses of behavior display a powerful suspicion of appearances. Human beings are increasingly seen as motivated by self-love: they are driven by the desire for their own advantage, and take a narcissistic delight in their own image. Moral and religious writers re-emphasize the traditional imperative of self-knowledge, but in such a way as to suggest the difficulties of knowing oneself. Operating with the Cartesian distinction between mind and body, they emphasize the imperceptible influence of bodily processes on our thought and attitudes. They analyze human beings' ignorance (due to self-love) of their own motives and qualities, and the illusions under which they live their lives. Their critique of human behavior is no less searching than that of writers who have broken with traditional religious morality, such as Hobbes and Spinoza. A wide range of authors is studied, some well-known, others much less so: the abstract and general analyses of philosophers and theologians (Descartes, Jansenius, Malebranche) are juxtaposed with the less systematic and more concrete investigations of writers like Montaigne and La Rochefoucauld, not to mention the theatre of Corneille, Molière, and Racine.

Fallen Nature, Fallen Selves: Early Modern French Thought II

The notions of virtue and vice are essential components of the Western ethical tradition. But in early modern France they were called into question, as writers, most famously La Rochefoucauld, argued that what appears as virtue is in fact disguised vice: people carry out praiseworthy deeds because they stand to gain in some way; they deserve no credit for their behaviour because they have no control over it; they are governed by feelings and motives of which they may not be aware. Disguised Vices analyses the underlying logic of these arguments, and investigates what is at stake in them. It traces the arguments back to their sources in earlier writers, showing how ancient philosophers, particularly Aristotle and Seneca, formulated the distinction between behaviour that counts as virtuous and behaviour that only seems so. It explains how St Augustine reinterpreted the distinction in the light of the difference between pagans and Christians, and how medieval and early modern theologians strove to reconcile Augustine's position with that of Aristotle. It examines the restatement of Augustine's position by his hard-line early modern followers (especially the Jansenists), and the controversy to which this gave rise. Finally, it examines La Rochefoucauld's critique of virtue and assesses the extent of its links with the Augustinian current of thought.

Disguised Vices: Theories of Virtue in Early Modern French Thought

Self-Help

Happiness

'Those most capable of being moved by passion are those capable of tasting the most sweetness in this life.' Descartes is most often thought of as introducing a total separation of mind and body. But he also acknowledged the intimate union between them, and in his later writings he concentrated on understanding this aspect of human nature. The Passions of the Soul is his greatest contribution to this debate. It contains a profound discussion of the workings of the emotions and of their place in human life - a subject that increasingly engages the interest of philosophers and intellectual and cultural historians. It also sets out a view of ethics that has been seen as a radical reorientation of moral philosophy. This volume also includes both sides of the correspondence with Princess Elisabeth of Bohemia, one of Descartes's keenest disciples and shrewdest critics, which played a crucial role in the genesis of The Passions, as well as the first part of The Principles of Philosophy, which sets out the key positions of Descartes's philosophical system. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Passions of the Soul and Other Late Philosophical Writings (Oxford World's Classics)

Descartes`, René

History

This book analyses the use of the crucial concept of 'taste' in the works of five major seventeenth-century French authors, Méré, Saint Evremond, La Rochefoucauld, La Bruyère and Boileau. It combines close readings of important texts with a thoroughgoing political analysis of seventeenth-century French society in terms of class and gender. Dr Moriarty shows that far from being timeless and universal, the term 'taste' is culture-specific, shifting according to the needs of a writer and his social group. The notion of 'taste' not only helped to shape a new dominant culture, but also registered the conflicts within that culture between a view of taste that presupposted the values of 'polite society' as an exclusive (though not necessarily aristocratic) group, and a view that stressed the value of the classical-humanist tradition as a source of standards ratified by a broader public. this study sheds light not only on the central concept, but also on the individual authors discussed and on the norms of French classical literature in general.

Taste and Ideology in Seventeenth-Century France (Cambridge Studies in French, Series Number 25)

Cambridge University Press

This book analyses the use of the crucial concept of 'taste' in the works of five major seventeenth-century French authors, Méré, Saint Evremond, La Rochefoucauld, La Bruyère and Boileau. It combines close readings of important texts with a thoroughgoing political analysis of seventeenth-century French society in terms of class and gender. Dr Moriarty shows that far from being timeless and universal, the term 'taste' is culture-specific, shifting according to the needs of a writer and his social group. The notion of 'taste' not only helped to shape a new dominant culture, but also registered the conflicts within that culture between a view of taste that presupposted the values of 'polite society' as an exclusive (though not necessarily aristocratic) group, and a view that stressed the value of the classical-humanist tradition as a source of standards ratified by a broader public. this study sheds light not only on the central concept, but also on the individual authors discussed and on the norms of French classical literature in general.

Ronald Manes, a wealthy basketball player, becomes the patient of psychiatrist J. C. Kaminer, but when Ronald's wife is stabbed to death and suspicion falls on him, Kaminer must find the real killer. A first novel. 15,000 first printing.

The VOYEUR: A J.C. Kaminer Mystery

United States

Simon&Schuster

Roland Barthes (Key Contemporary Thinkers)

Reference

Polity Press

Polity

See the best price to sell, buy, or rent books by Moriarty, Michael. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Moriarty, Michael

See the best price to sell, buy, or rent books by Moriarty, Michael. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Pascal: Reasoning and Belief

Early Modern French Thought: The Age of Suspicion

Fallen Nature, Fallen Selves: Early Modern French Thought II

Disguised Vices: Theories of Virtue in Early Modern French Thought

The Passions of the Soul and Other Late Philosophical Writings (Oxford World's Classics)

Taste and Ideology in Seventeenth-Century France (Cambridge Studies in French, Series Number 25)

Taste and Ideology in Seventeenth-Century France (Cambridge Studies in French, Series Number 25)

The VOYEUR: A J.C. Kaminer Mystery

Roland Barthes (Key Contemporary Thinkers)

Roland Barthes (Key Contemporary Thinkers)