Art into Ideas provides an overview of one of the most important and influential developments in American and European art over the past thirty years. Focusing on works by a range of international artists, including Joseph Kosuth, Hans Haacke, Sherrie Levine and Joseph Beuys, Robert Morgan defines and elucidates the premises of conceptual art. He examines its evolution, from its inception in the 1960s through the 1980s, relating the movement to historical and cultural contexts, as well as to important theoretical and critical issues that emerged during these decades. Defining three primary modes of representation that characterise conceptual art - the philosophical, the structural, and the systemic - Morgan then applies these concepts in analyses of a variety of media, including painting, photography, books, and performance.

Art into Ideas: Essays on Conceptual Art (Contemporary Artists and their Critics)

Arts & Photography

Morgan, Robert C.

Other Media

Cambridge University Press

Art into Ideas provides an overview of one of the most important and influential developments in American and European art over the past thirty years. Focusing on works by a range of international artists, including Joseph Kosuth, Hans Haacke, Sherrie Levine and Joseph Beuys, Robert Morgan defines and elucidates the premises of conceptual art. He examines its evolution, from its inception in the 1960s through the 1980s, relating the movement to historical and cultural contexts, as well as to important theoretical and critical issues that emerged during these decades. Defining three primary modes of representation that characterise conceptual art - the philosophical, the structural, and the systemic - Morgan then applies these concepts in analyses of a variety of media, including painting, photography, books, and performance.

Art criticism in the 1980s was highly influenced by market forces that somewhat changed the face of the art world. A mediocre show purchased by a wealthy investor or collector received disproportionate coverage in the New York press, particularly those glossy, four-color journals that were highly dependent upon the advertising dollars of galleries, auction houses, vodka companies, airlines and fashion designers. Lost in the coverage of market-driven art was that it was not necessarily the most advanced or even the most significant work of the decade. This work provides an alternative viewpoint to the general American cultural discourse of the 1980s, showing that the real situation was not the exclusionary rhetoric of Postmodernism but was instead the conflict between late Modernism and Conceptual Art. The 24 essays range from discussions on Joseph Beuys and Allan Kaprow to studies of French artist Tania Mouraud and Polish artist Jan Zakrzewski. It also includes a lengthy commentary on art and technology, along with a look at performance and installation art. Instructors considering this book for use in a course may request an examination copy here.

Between Modernism and Conceptual Art: A Critical Response

History & Criticism

McFarland

From Library Journal The unique surrealist painter/sculptor/designer Dorothea Tanning (b. 1910) well deserves this sumptuous volume. Her innovative oeuvre is lyrically evoked and reviewed by French critic, playwright, and poet Bailly. For clarity, however, Tanning's own afterword and the comprehensive chronology should be read before the critical essays. Some 214 color plates, four color foldouts, and 191 black-and-white illustrations mark out the visions of a fertile art not well known to the public at large. American-born but for many years a resident of France, Tanning was eclipsed by her famous artist husband, Max Ernst. Following paintings in the manner of Ernst and Balthus, she arrived at a singular style that dissolves Surrealist fragments of eroticized bodies into a cosmic surge of life. Her soft sculptures of the 1970s are another revelation. She now lives and works in New York. Highly recommended for large collections and those specializing in modernism. Mary Hamel-Schwulst, Towson State Univ., Md. Copyright 1996 Reed Business Information, Inc.

Dorothea Tanning

Tanning, Dorothea

BAILLY, Jean-Christophe

George Braziller

Widely considered the father of Op Art, the Hungarian-born artist Victor Vasarely (1906-1997) was instrumental not only in provoking a school of thought based on the relationship between art and science, but in creating some of the most striking geometric paintings in the history of late Modernism. This book, which gathers together a generous selection of his most significant works, celebrates his immense intelligence, passion, and artistry. First coming to prominence in Europe, Vasarely's work was included in the ground-breaking 1965 exhibition "The Responsive Eye" at the Museum of Modern Art in New York. In the years following this exhibit, Vasarely rose to international attention, opening art and culture to an imagery shaped by digital applications and creating, with his optical icons, a new direction for art. Robert C. Morgan's text provides fresh insight into Vasarely's startlingly precise and hallucinatory images, discussing the evolution of the artist's career and of the ideas that shaped his work. Considering Vasarely's work from today's perspective, Professor Morgan sees the artist as the innovator behind many of the most radical ideas in design, architecture, and painting at the turn of the last century. Vasarelypublished on the occasion of a retrospective of the artist's work at the Naples Museum of Art in Floridarecognizes his achievement as an artist and as the visionary who gave art to the computer. 65 color illustrations, 15 in black and white.

Vasarely

Vasarely, Victor

Reference

George Braziller, Inc.

The posthumous collection of writings by the seminal American art critic features his observations of Jackson Pollock, Hans Hofmann, Barnett Newman, Willem de Kooning, and others. (Fine Arts)

Clement Greenberg, Late Writings

GREENBERG, Clement

Univ. of Minnesota Press

The Cadet Jumps Into the Water: A Psycho-Political Allegory For Our Time

Visual Studies Workshop

Commentaries on the New Media Arts: Fluxus and Conceptual, Artists' Books, Mailart, Correspondence Art, Audio and Video Art

Umbrella Assoc

The enigmatic world of Dmitri Strizhov

Catalogs & Directories

Global Curiosity

The gesture: Movement in painting and sculpture

Neuhoff Gallery

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