Test ;your cultural I.Q. Have fun with Smarts by Ethan Mordden, one of the best new young writers on performing arts today.

Smarts, the Cultural I.Q. Test

MORDDEN, Ethan

Arts & Photography

McGraw-Hill Companies

Presents a fitness program devised by Pooh and his forest friends that includes many new (and unusual) exercises and competitions.

Pooh's Workout Book

Health, Fitness & Dieting

Penguin Group USA

A fascinating look at the gay and lesbian influence on the American stage by an internationally-recognized authority on the topic From the genteel female impersonators of the 1910s to the raucous drag queens of La Cage Aux Folles, from the men of The Normal Heart to the women of Fun Home, and from Eva Le Gallienne and Tallulah Bankhead to Tennessee Williams and Nathan Lane, Gays On Broadway deftly chronicles the plays and people that brought gay culture to Broadway. Writing with his customary verve and wit, author Ethan Mordden follows the steady liberation of gay themes on the American stage. The story begins in the early twentieth century, when gay characters were virtually banned from productions. The 1920s saw a flurry of plays closed on moral grounds as well as the Wales Padlock Act, which forbade representation of "sex degeneracy". While authorities made consistent attempts to shutter the movement, the public remained curious, and after a few decades of war making, a truce broke out when The Boys In the Band became a national smash hit. From this point on, gay theatre proved simply too popular to abolish. With this change, theatre was graced with a host of unforgettable characters - from thrill killers to historical figures to drag performers, as well as professional gays (such as the defiantly effeminate window dresser in Kiss of the Spider Woman), closeted gays, and those run-of-the-mill citizens who don't reside entirely within the colorful nonconformist identity (such as the two male lovers in the dinner-theatre comedy Norman, Is That You?). Spoken plays and musicals, playwrights, directors, and actors all played their part in popularizing the gay movement through art. Gays on Broadway is an essential chronological review of the long journey to bring the culture of gay men and women onto the American stage.

Gays on Broadway

History

Historical Study & Educational Resources

Oxford University Press

Ethan Mordden has been hailed as "a sharp-eared listener and a discerning critic," by Opera News, which compares his books to "dinner with a knowledgeable, garrulous companion." The "preeminent historian of the American musical" (New York Times), he "brings boundless energy and enthusiasm buttressed by an arsenal of smart anecdotes" (Wall Street Journal). Now Mordden offers an entirely fresh and infectiously delightful history of American musical theatre. Anything Goes stages a grand revue of the musical from the 1700s through to the present day, narrated in Mordden's famously witty, scholarly, and conversational style. He peers with us over Stephen Sondheim's shoulder as he composes at the piano. He places us in a bare rehearsal room as the cast of Oklahoma! changes history by psychoanalyzing the plot in the greatest of the musical's many Dream Ballets. And he gives us tickets for orchestra seats on opening night-raising the curtain on the pleasures of Victor Herbert's The Red Mill and the thrill of Porgy and Bess. Mordden examines the music, of course, but also more neglected elements. Dance was once considered as crucial as song; he follows it from the nineteenth century's zany hoofing to tap "combinations" of the 1920s, from the injection of ballet and modern dance in the 1930s and '40s to the innovations of Bob Fosse. He also explores the changing structure of musical comedy and operetta, and the evolution of the role of the star. Fred Stone, the avuncular Scarecrow in the Wizard of Oz, seldom varied his acting from part to part; but the versatile Ethel Merman turned the headlining role inside out in Gypsy, playing a character who was selfish, fierce, and destructive. From "ballad opera" to burlesque, from Fiddler on the Roof to Rent, the history and lore of the musical unfolds here in a performance worthy of a standing ovation.

Anything Goes: A History of American Musical Theatre

Music

She said, "I became a singer because I couldn't get work as an actress," but Barbra Streisand not only became both but revolutionized the two professions. Her music transformed the smooth, uninflected style of the Frank Sinatras and Ella Fitzgeralds into an engine of dramatic vocalism in which each song is like a miniature three-act play. And Streisand's films changed forever the ideal of how a movie star chooses roles, going from musicals to dramas to comedies, from period fare to ultra-modern tales, from Funny Girl to The Way We Were to Yentl. On Streisand begins with a broad year-by-year outline of the landmark achievements and a few of her more whimsical escapades, as when Rex Reed apologizes for an oafish interview piece and she responds with "I had more respect for him when he hated me." This is followed by a long essay on how Streisand's idiosyncratic self-realization marks her as a unique national treasure, an artist without limits. Then comes the major part of the book, a work-by-work analysis. This section is broken down into separate chapters, each organized chronologically: the stage shows, then the television shows and concerts, then the movies, and last (because longest) the recordings. Throughout, Mordden follows Streisand's independence, which he sees as her central quality. Throughout all of the chapters on Streisand's shows, concerts, films, and recordings, Mordden illustrates how she was exercising individualistic control of her career from her very first audition, and how the rest of her professional life unfolded from that point. A book written by an opinionated expert whose prose is consistently full of flair and wit, On Streisand: An Opinionated Guide will appeal to general readers in all aspects of American life that Streisand has touched, from film to television to popular music to stardom.

On Streisand: An Opinionated Guide

Biographies & Memoirs

Arts & Literature

In 1975, the Broadway musical Chicago brought together a host of memes and myths - the gleefully subversive character of American musical comedy, the reckless glamour of the big-city newspaper, the mad decade of the 1920s, the work of Bob Fosse and Gwen Verdon (two of the greatest talents in the musical's history), and the Wild West gangsterville that was the city of Chicago itself. The tale of a young woman who murders her departing lover and then tricks the jury into letting her off, Chicago seemed too blunt and cynical at first. Everyone agreed it was show biz at its brilliant best, yet the public still preferred A Chorus Line, with its cast of innocents and sentimental feeling. Nevertheless, the 1996 Chicago revival is now the longest-running American musical in history, and the movie version won the Best Picture Oscar. As author Ethan Mordden looks back at Chicago's various moving parts - including the original 1926 play that started it all, a sexy silent film directed by Cecil B. DeMille, a talkie remake with Ginger Rogers, the musical itself, and at last the movie of the musical - we see how the American theatre serves as a kind of alternative news medium, a town crier warning the public about the racy, devious interior contradictions of American society. Opinionated, witty, and rich in backstage anecdotes, All That Jazz brings the American Musical to life in all its artistry and excitement.

All That Jazz: The Life and Times of the Musical Chicago

Humor & Entertainment

Movies

Building on the long-established success of Ethan Mordden's Opera Anecdotes, The New Book Of Opera Anecdotes continues where the original left off, bringing into view the new corps of major singers that arose after the first book's publication in 1985 - artists such as Renee Fleming, RobertoAlagna, Deborah Voigt, Jonas Kaufmann, Kathleen Battle, and Jane Eaglen (who tested her family with Turandot's three riddles and got a very original answer).There are also fresh adventures with opera's fabled great - Rossini, Wagner, Toscanini (whose temper tantrums are always good for a story), Franco Corelli, Luciano Pavarotti, Leontyne Price (who, when the Met's Rudolf Bing offered her the voice-killing role of Abigaille in Verdi's Nabucco, said,"Man, are you crazy?").Almost all the stories in The New Book Of Opera Anecdotes are completely new, whether from the present or the past, taking in many historical developments, from the rise of the conductor to the appearance of the gymmed-up "bari-hunk" who refuses to play any role in which he can't appear shirtless.While most of Mordden's anecdotes are humorous, some are emotionally touching, such as one recounting a Met production of Mozart's The Marriage Of Figaro in which Renee Fleming sang alongside her own six-year-old daughter. Other tales are suspenseful, as when Tito Gobbi shows off his ability to makeanyone turn around simply by staring at his or her back. He tries it on Nazi monster Joseph Goebbels, who does turn around, and then starts to move toward Gobbi, seething with rage, step by step...Mordden recounts these stories in his own unique voice, amplifying events for reading pleasure and adding in background material so the opera newcomer can play on the same field as the aficionado. Witty, dramatoic, and at times a little shocking, The New Book Of Opera Anecdotes will be a welcomeaddition to any opera fan's library.

The New Book of Opera Anecdotes

Product Description 
From Gilbert and Sullivan to Andrew Lloyd Webber, from Julie Andrews to Hugh Jackman, from Half a Sixpence to Matilda, 
 Pick a Pocket Or Two 
is the story of the British musical: where it began and how it developed. \nIn 
Pick a Pocket Or Two, acclaimed author Ethan Mordden brings his wit and wisdom to bear in telling the full history of the British musical, from 
The Beggar's Opera (1728) to the present, with an interest in isolating the unique qualities of the form and its influence on the American model. To 
place a very broad generalization, the American musical is regarded as largely about ambition fulfilled, whereas the British musical is about social order. 
Oklahoma!'s Curly wins the heart of the farmer Laurey--or, in other words, the cowboy becomes a landowner, establishing a truce between the 
freelancers on horseback and the ruling class. 
Half a Sixpence, on the other hand, 
 finds a working-class boy coming into a fortune and losing it to fancy Dans, whereupon he is reunited with his working-class sweetheart, his modest place in the social order affirmed.\nAnecdotal and evincing a strong point of view, the book covers not only the shows and their authors but the personalities as well--W. S. Gilbert trying out his stagings on a toy theatre, Ivor Novello going to jail for abusing wartime gas rationing during World War II, fabled producer C. B. Cochran 
coming to a most shocking demise for a man whose very name meant "classy, carefree entertainment." Unabashedly opinionated and an excellent stylist, author Ethan Mordden provokes as much as he pleases. Mordden is the preeminent historian of the form, and his book will be required reading for readers 
of all walks, from the most casual of musical theater goers to musical theater buffs to students and scholars of the form.\nReview 
"An enjoyable read [...] the discography at the end of the book is especially entertaining." -- Nick Wakeham, Musical Theatre Review\n"That 
Pick a Pocket Or Two is worthwhile will come as no surprise to anyone who's read, re-read and RE-re-read any or all of the works of this great musical theater historian. But an added bonus in each book is Mordden's distinctively great sense of humor." -- Peter Filichia, 
Masterworks\nBroadway\nAbout the Author \nEthan Mordden is is a recognized expert on American musical theatre and the author of 
On Streisand, When Broadway Went to Hollywood, Anything Goes: A History of American Musical Theatre, Make Believe: The Broadway Musical in the 1920s, Beautiful Mornin: The Broadway Musical in the 1940s, Coming Up\nRoses: The Broadway Musical in the 1950s, and On Sondheim: An Opinionated Guide, all published by Oxford University Press. His writing has been featured in 
The Wall Street Journal, The New York Times, and 
The New Yorker. His numerous books include friendly introductions to opera and film, as well as 
five collections of short stories chronicling gay life in New York City. He lives in Manhattan.

Pick a Pocket Or Two: A History of British Musical Theatre

An accessible yet comprehensive guide for the radio listener, record collector, and occasional concertgoer describes more than seven hundred musical pieces and their composers, proceeding chronologically from Vivaldi to Hans Werner Henze

A Guide to Orchestral Music: The Handbook for Non-Musicians

A history of the American stage focuses on the development of Broadway, trends in modern theater, and the plays, playwrights, and actors who have influenced it

The American Theatre

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