USED VERY GOOD CONDITION SOFT COVER, TIGHT BINDING, CLEAN PAGES, NO WRITTINGS,COLLECTIBLE AND READY TO SHIP (BXX-614)

Algebra

Moore, Gerald

Biographies & Memoirs

Barnes&Noble

Twelve African writers

Literature & Fiction

Hutchinson University Library for Africa

Poet's love: The songs and cycles of Schumann

Arts & Photography

Music

Hamilton

Schubert Song Cycles: With Thoughts on Performance

Hamish Hamilton Ltd.

<p>These are the further memoirs of English pianist Gerald Moore, best known for his work with singers such as Kathleen Ferrier, Elena Gerhardt, John McCormack, Elisabeth Schumann and Maggie Teyte, although he also accompanied instrumentalists such as Pablo Casals, the child prodigy Josef Hassid, and many other renowned musicians. It supplements He did much to raise the status of accompanist to that of an equal artistic partner, both through performances and writing, including his influential 1943 book The Unashamed Accompanist. Moore also lectured and wrote about music, publishing Singer and Accompanist in 1953, his much-admired memoir Am I Too Loud?: Memoirs of An Accompanist in 1962, The Schubert Song Cycles (1975), as well as two other autobiographical volumes, Farewell Recital: Further Memoirs (1978) and Furthermoore (1983). Although he appeared several times as a soloist in his youth and was a splendid interpreter of the duo-sonata literature, he made his most vivid impression in the song repertoire. His reputation was so high that he won the Grand Prix du Disque, usually reserved for outstanding soloists, four times. 'Moore's strength lay not only in the vastness of his repertory,' William S. Mann wrote in the New Grove Dictionary of Music and Musicians, 'nor even in the beauty of his legato playing, his subtle command of pedaling and his mastery of tone color, but more especially in his chameleonic empathy with every musical partner-whether Casals, Chaliapin or a young debutant recitalist-and his readiness to turn every partnership to musical advantage of a refreshing and inspiriting nature.' At his farewell concert in 1967, he accompanied three of the singers with whom he was long associated: Dietrich Fischer-Dieskau, Victoria de los Angeles and Elisabeth Schwarzkopf. After his retirement from the recital stage, he continued to record, to teach and to lecture for some years, making his final recording in 1975. --Naxos</p>

Farewell recital: Further memoirs

H.Hamilton

Twelve African Writers

History & Criticism

Indiana Univ. Pr

The author provides detailed advice about the art of piano accompaniment, including preparation, practice, rehearsal, and work with orchestras, violins, and string sections

The Unashamed Accompanist

Franklin Watts

Marcel Mauss's Essai sur le don (1923-4) has become one of the central non-philosophical references of contemporary French philosophy. Lacan, Deleuze and Derrida, to name only a few, return to the concept of the gift explicitly and repeatedly.Gerald Moore shows how the problematic of the gift drives and illuminates the last century of French philosophy. By tracing the creation of the gift as a concept, from its origins in philosophy and the social sciences, right up to the present, Moore shows its central importance for a poststructuralist understanding of the relation between philosophy and politics.

Politics of the Gift: Exchanges in Poststructuralism (Crosscurrents)

Politics & Social Sciences

Philosophy

Edinburgh University Press

Taplinger Pub. Co

Poet's Love ; The Songs and Cycles of Schumann

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