As delicate as the shimmering wings of a dragonfly, Kinshu―an epistolary novel by one of Japan's most popular literary authors―is a masterpiece of simplicity and beauty. Life, death, karma―these interwoven themes form the heart of this lyrical novel in letters, Kinshu: Autumn Brocade, the first work to be published in the U.S. by Teru Miyamoto, one of Japan's most popular literary writers. The word kinshu has many connotations in Japanese―brocade, poetic writing, the brilliance of autumn leaves―and resonates here as a vibrant metaphor for the complex, intimate relationship between Aki and Yasuaki. Ten years after a dramatic divorce, they meet by chance at a mountain resort. Aki initiates a new correspondence, and letter by letter through the seasons, the secrets of the past unfold as they reflect on their present struggles. From a lover's suicide to a father's controlling demands, to Mozart's Thirty-Ninth Symphony ("a veritable marvel of sixteenth notes"), to the karmic consequences of their actions, the story glides through their deeply introspective and stirring exchanges. What begins as a series of accusations and apologies, questions and excuses, turns into a source of mutual support and healing. Chosen as an Outstanding Work of Japanese Literature by the Japanese Literature Publishing Project.

Kinshu: Autumn Brocade

Literature & Fiction

Miyamoto, Teru

Literary

New Directions

A living lizard nailed to a pillar and a young man bound by a family misfortune--a tale that poses questions about life, death, and karma by one of Japan's most beloved living writers In 1970s Osaka, college student Tetsuyuki moves into a shabby apartment to evade his late father's creditors. But the apartment's electricity hasn't been reconnected yet, and Tetsuyuki spends his first night in darkness. Wanting to hang up a tennis cap from his girlfriend, Y&#333;ko, he fumbles about in the dark and drives a nail into a pillar. The next day he discovers that he has pierced the body of a lizard, which is still alive. He decides to keep it alive, giving it food and waterand naming it Kin. Inhabitation unfolds from there, following the complications in Tetsuyuki's relationship with Y&#333;ko, a friendship with his supervisor who hides his heart disease at work, and his father's creditors, always close on his heels. Daunted, Tetsuyuki speaks to Kin night after night, and Kin's peculiarly tortured situation reflects the mingled pain, love, and guilt that infuses Tetsuyuki's human relationships. "Those who read this novel even once will never forget Tetsuyuki's intensity. I am one of them. Vulnerable, vigorous, the raw sparkle of youth burning with agony. The entire story is crystallized in the image of Kin-chan, who wants to move but can't. Brilliant is the only word to describeInhabitation." --Banana Yoshimoto, author ofMoshi Moshi

Inhabitation: A Novel

Dramas & Plays

Counterpoint

La rivière aux lucioles

Philippe Picquier

Donau no tabibito (Japanese Edition)

Asahi Shinbunsha

Inochi no utsuwa

Kodansha

Presenting a new collection of stories exploring the perennial themes of Miyamoto Teru's fiction, narrative sketches of the world-class world of the Osaka-Kobe region of his childhood employing memory to reveal a story in layered frames of time with consummate skill. His work examines the mutual proximity--or even the identity--of life and death, often touching on such grim topics with a touch of humor. Stories of personal triumph and hope are often set in situations involving death, illness, or loss, but what might be the stuff of tragedy in the hands of some writers turns into stepping stones for his characters to climb upward and onward. Miyamoto's considerable and devoted following in Japan has come increasingly to be mirrored in other Asian countries and parts of Europe as his fiction has been translated into various languages. With renditions of only three of his works currently available in English, however, Anglophone readers have for the most part been unaware of the "Teru" literary phenomenon. The present collection aims to fill part of this lack by offering a selection of some his finest short stories along with one of his most admired novellas--Phantom Lights--which was made into the internationally acclaimed 1995 movie Maborosi by Koreeda Hirokazu. The will to live, karma, and death are themes developed through the lives of Miyamoto's fictional characters, who struggle to achieve closure with their respective pasts and in their often difficult relations with others. The comments of Washington Times writer Anna Chambers in her review of Kinshu: Autumn Brocade aptly apply to the works presented here as well: "...existential crisis after existential crisis force the characters to question whether one can shape one's own karma--rather than construct one's own soul, as a Western reader might have put it. And herein lies the Westerner's entree into the book as more than an observer of Japanese culture." And like Kinshu, the stories in the present collection provide "a satisfying taste of what it means to grapple with fate at the intersection of modernity and tradition." Miyamoto deftly weaves his tales using scenes and settings from his native Kansai region, and all are flavored with the language of western Japan. Like the depressed areas described in much of his fiction, his characters too are "left behind" by post-war Japan's rapid economic growth, by unexpected changes in their lives, or by the deaths of loved ones. His heroes are ordinary people who, as he puts it, "are trying to lift themselves up, who are struggling to live," and who achieve quiet triumphs.

Phantom Lights and Other Stories by Miyamoto Teru

Contemporary

Kurodahan Press

Miyamoto Teru has established a considerable and devoted following in Japan, and is rapidly building a devoted readership in other Asian countries and parts of Europe as his fiction is translated into various languages. With only a few of his works currently available in English, however, Anglophone readers have for the most part been unaware of the "Teru" literary phenomenon. This book brings together his most famous work, the superlative Rivers Sequence: "Muddy River," which was published in 1977 and won the 78th Akutagawa Prize; "River of Fireflies," published the following year and promptly winning the 13th Dazai Osamu Prize; and "River of Lights," also published in 1978 but later extensively rewritten and expanded into a novel. All three works have been released as major films in Japan.
Rivers explores the perennial themes of Miyamoto's fiction, drawing extensively on his own childhood in working-class Osaka neighborhoods to recreate a vivid and powerful world with consummate skill. While he frequently deals with perennial themes of life, death, and loss, his writing is touched with a pathos and humor to bring out the essential humanity of each character. Like the depressed areas described in much of his fiction, his characters too are often "left behind" by post-war Japan's rapid economic growth, by unexpected changes in their lives, or by the deaths of loved ones. His heroes are ordinary people who, as he puts it, "are trying to lift themselves up, who are struggling to live," and who achieve quiet triumphs.

Rivers

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