In 1920s Southern California, Lupita Camacho leaves Mexico and settles not far from the border―and so begins the journey of an American family told by a chain of tales stretching across three generations. Early stories track Lupita’s concessions to the demands of her new country and her new fish cannery job overseen by a lecherous boss who makes sure Lupita, her friend Rosa, and their Chinese coworkers work long, hard, and, for the most part, in silence, since speaking any language but English is forbidden. The family’s first-generation Americans populate later stories as they work toward assimilation, complete with kidney-shaped inground pools, even though their homes and children never quite match those in the pages of Ladies Home Journal. Finally, distanced from the culture of their ancestors and freed from the stigma of accented English, Lupita’s grandchildren live lives that are as wide-open as America: hosting karaoke nights, becoming female wrestlers, arriving at high school reunions utterly transformed. However, these modern-day family members discover that despite their freedom, they somehow remain set apart. In a time when the word “immigrant” has become politically charged and sometimes stripped of its earlier sense of dignity, these exquisitely human stories provide welcome restoration. In Hola and Goodbye, Donna Miscolta’s altogether fascinating and flawed characters face progress and failure against the backdrop of each new generation―bound together, and to us all, by the search for a place in this world.

Hola and Goodbye: Una Familia in Stories (Bakwin Award)

Literature & Fiction

Miscolta, Donna

United States

Blair

We first meet Angie Rubio at age five, being scolded by her kindergarten teacher for not knowing how to skip properly. Set in California in the 1960s and '70s, Guided Tours in Living Color takes Angie year by year from kindergarten through high school, offering a portrait of the artist as a shy, awkward Mexican-American girl. Taking place against the backdrop of the Cold War and civil rights eras--the Cuban missile crisis, the Watts riots, Beatlemania, the Black Power salute at the 1968 Olympics--Guided Tours in Living Color also surveys the milestones of American girlhood. We see Brownies, slumber parties, training bras, cheerleader tryouts, and proms through the eyes of a "brown, skinny, and bespectacled" Latina who soon learns that pageant winners as well as high school cheerleaders are always white. Angie is relegated to the fringes of the popular cliques at school, led by opinionated girls whose self-confidence seems as unattainable to her as their perfect teeth and blonde hair. But Angie resists internalizing societal messages about who is beautiful, important, and valid. When a white classmate is cast as Juliet in the school play, she can't resist taunting Angie with "Don't forget who the heroine of this play is," to which Angie replies: "She dies in the end." In "the unfun funhouse that was high school," Angie decides to reinvent herself. Reminding herself to "be bold, be heard, be provocative," she writes articles for the student newspaper raising critical questions about venerable institutions like homecoming, prom, and the tradition of naming students "most likely to succeed," "best looking," and so forth. Guided Tours in Living Color traces Angie's formation as a writer, from the child who loves Scrabble and jots down new words she learns in a notebook to the teenager publishing controversial opinions about success and belonging, a person whose voice is now "loud-enough-to-be-heard."

Living Color: Angie Rubio Stories

Short Stories & Anthologies

Jaded Ibis Press, LLC

During his one and only return visit to the Philippines, Johnny de la Cruz-plagued by a sense of isolation-succumbs to a quick sexual encounter with an old flame, the attractive and beguiling Bunny Piña. Years later, nineteen-year-old Winston Piña has barely finished eulogizing his recently deceased mother when he finds a letter she wrote, but never sent, to Johnny. This leads Winston into the lives of the de la Cruz family-a family to which he might or might not belong. When the de la Cruz Family Danced explores the ties within family and how they are affected by circumstances of birth, immigration, and assimilation.

When the de La Cruz Family Danced

Genre Fiction

Signal 8 Press

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Books by Miscolta, Donna