This book is a survey of Polish letters and culture from its beginnings to modern times. Czeslaw Milosz updated this edition in 1983 and added an epilogue to bring the discussion up to date.

The History of Polish Literature

Miłosz, Czesław

Macmillan

“One of the century’s most important poets.” —San Francisco Chronicle
“One of the greatest poets of our time, perhaps the greatest.” —Joseph Brodsky
“Nobody tells the story of this age better than Czeslaw Milosz.” —New Republic
Commemorating the centenary year of Nobel Laureate Czeslaw Milosz, Selected and Last Poems 1934 - 2004 is a sterling collection of some of the finest works of one the most revered poets of our time—including more than forty later poems new to this edition and never before published in English. Selected and Last Poems is a perfect introduction for poetry readers who might still be unfamiliar with this literary giant’s monumental body of work.

Selected Poems: 1931-2004

Literature & Fiction

United States

Ecco

New and Collected Poems: 1931-2001 celebrates the exceptional career of Czeslaw Milosz, from his first work, written when he was twenty, to his newest poems, published for the first time in English in this volume.
Widely regarded as one of the greatest poets of our time, Czeslaw Milosz is a master of probing inquiry and graceful expression. From his early poems, in which he declares, "I, a faithful son of the black earth, shall return to the black earth" ("Hymn"), to his newest work, in which he sees himself as a lofty, gray-headed spirit "Saved by his amazement, eternal and divine" ("For My Eighty-eighth Birthday"), Milosz's poetry is infused with a tireless spirit and penetrating insight into fundamental human dilemmas. In "Report," he arrives at the staggering yet simple truth that "to exist on the earth is beyond any power to name." in "Craftsman," he looks back over a life that was difficult to lead, but in the end he is nonetheless "Praising, renewing, healing. Grateful because the sun rose for you and will rise for others."
"With its clarity, historical awareness and moral vision," writes Don Began in The Nation, Milosz's work proves that "poetry can define and address the concerns of an age." Milosz himself describes poetry as "the passionate pursuit of the Real," "a witness and participant in one of mankind's major transformations." A defector to France in 1951 after having lived under Communism and National Socialism in Eastern Europe, he brings to bear the political awareness of an exile -- most notably in A Treatise on Poetry, a sixty-page exploration of the world wars that rocked the first half of the twentieth century. His newer poems, such as "Sarajevo," "Zdziechowski," and "On the Inequality of Men," also reflect the sharp political focus through which he continues to bear witness to the events that stir the world.
Unflinching, outspoken, and unsentimental, Milosz digs among the rubble of the past, choosing from the bad as well as the good, forging a vision that encompasses pain as well as joy. His work is "one of the monumental splendors of poetry in our age" (Edward Hirsch, The New York Times Book Review). New and Collected Poems: 1931-2001 is an essential collection from one of the most important voices in contemporary poetry.

New and Collected Poems: 1931-2001

Literary

New and Collected Poems: 1931—2001 celebrates seven decades of Czeslaw Milosz’s exceptional career. Widely regarded as one of the greatest poets of our time, Milosz is a master of probing inquiry and graceful expression. His poetry is infused with a tireless spirit and penetrating insight into fundamental human dilemmas and the staggering yet simple truth that “to exist on the earth is beyond any power to name.”
Czeslaw Milosz worked with the Polish Resistance movement in Warsaw during World War II and defected to France in 1951. His work brings to bear the political awareness of an exile—most notably in A Treatise on Poetry, a forty-page exploration of the world wars that rocked the first half of the twentieth century. His later poems also reflect the sharp political focus through which this Nobel Laureate never fails to bear witness to the events that stir the world.
Digging among the rubble of the past, Milosz forges a vision that encompasses pain as well as joy. His work, wrote Edward Hirsch in the New York Times Book Review, is “one of the monumental splendors of poetry in our age.” With more than fifty poems from the end of Milosz’s career, this is an essential collection from one of the most important voices in contemporary poetry.

Second Space: New Poems

Nobel laureate Czeslaw Milosz's most recent collection Second Space marks a new stage in one of the great poetic pilgrimages of our time. Few poets have inhabited the land of old age as long or energetically as Milosz, for whom this territory holds both openings and closings, affirmations as well as losses. "Not soon, as late as the approach of my ninetieth year, / I felt a door opening in me and I entered / the clarity of early morning," he writes in "Late Ripeness." Elsewhere he laments the loss of his voracious vision -- "My wondrously quick eyes, you saw many things, / Lands and cities, islands and oceans" -- only to discover a new light that defies the limits of physical sight: "Without eyes, my gaze is fixed on one bright point, / That grows large and takes me in."
Second Space is typically capacious in the range of voices, forms, and subjects it embraces. It moves seamlessly from dramatic monologues to theological treatises, from philosophy and history to epigrams, elegies, and metaphysical meditations. It is unified by Milosz's ongoing quest to find the bond linking the things of this world with the order of a "second space," shaped not by necessity, but grace. Second Space invites us to accompany a self-proclaimed "apprentice" on this extraordinary quest. In "Treatise on Theology," Milosz calls himself "a one day's master." He is, of course, far more than this. Second Space reveals an artist peerless both in his capacity to confront the world's suffering and in his eagerness to embrace its joys: "Sun. And sky. And in the sky white clouds. / Only now everything cried to him: Eurydice! / How will I live without you, my consoling one! / But there was a fragrant scent of herbs, the low humming of bees, / And he fell asleep with his cheek on the sun-warmed earth."

Poetry

Selected and Last Poems: 1931-2004

To find my home in one sentence, concise, as if hammered in metal. No to enchant anybody. Not to earn a lasting name in posterity. An unnamed need for order, for rhythm, for form, which three words are opposed to chaos and nothingness.-- Czeslaw Milosz

Collected Poems, 1931-1987

Ecco Press

The Collected Poems 1931-1987 (Penguin Twentieth Century Classics)

Penguin Books, Ltd.

The Issa Valley (Penguin Modern Classics)

Biographies & Memoirs

Proud to be a Mammal (1942-97) is Czeslaw Milosz's moving and diverse collection of essays. Among them, he covers his passion for poetry, his love of the Polish language that was so nearly wiped out by the violence of the twentieth century, and his happy childhood. Milosz also includes a letter to his friend in which he voices his concern about the growing indifference to murder and the true value of freedom of thought, as well as a verbal map of Wilno, with each street revealing both a rich local history and intricate, poignant personal memories.

Proud To Be A Mammal (Penguin Modern Classics)

Essays & Correspondence

Penguin Classics

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Books by Miłosz, Czesław

See the best price to sell, buy, or rent books by Miłosz, Czesław. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The History of Polish Literature

Selected Poems: 1931-2004

New and Collected Poems: 1931-2001

New and Collected Poems: 1931-2001

Second Space: New Poems

Selected and Last Poems: 1931-2004

Collected Poems, 1931-1987

The Collected Poems 1931-1987 (Penguin Twentieth Century Classics)

The Issa Valley (Penguin Modern Classics)

Proud To Be A Mammal (Penguin Modern Classics)