The epic of Chicago is the story of the emergence of modern America. Here, witness Chicago's growth from a desolate fur-trading post in the 1830s to one of the world's most explosively alive cities by 1900. Donald Miller's powerful narrative embraces it all: Chicago's wild beginnings, its reckless growth, its natural calamities (especially the Great Fire of 1871), its raucous politics, its empire-building businessmen, its world-transforming architecture, its rich mix of cultures, its community of young writers and journalists, and its staggering engineering projects—which included the reversal of the Chicago River and raising the entire city from prairie mud to save it from devastating cholera epidemics. The saga of Chicago's unresolved struggle between order and freedom, growth and control, capitalism and community, remains instructive for our time, as we seek ways to build and maintain cities that retain their humanity without losing their energy. City of the Century throbs with the pulse of the great city it brilliantly brings to life.

City of the Century: The Epic of Chicago and the Making of America

Biographies & Memoirs

Miller, Donald L.

Historical

Simon&Schuster

A comprehensive history of World War II, expanded and updated from the original work by Henry Steele Commager, draws on previously unavailable letters, memoirs, oral histories, and photographs to incorporate new information on the contributions of African Americans and other minorities, the war in the Pacific, the liberation of the death camps, and more. 35,000 first printing.

The Story of World War II: Revised, expanded, and updated from the original text by Henry Steele Commager

History

COMMAGER, HENRY STEELE

Americas

Drawing on previously unpublished eyewitness accounts, prizewinning historian Donald L. Miller has written what critics are calling one of the most powerful accounts of warfare ever published. Here are the horror and heroism of World War II in the words of the men who fought it, the journalists who covered it, and the civilians who were caught in its fury. Miller gives us an up-close, deeply personal view of a war that was more savagely fought—and whose outcome was in greater doubt—than readers might imagine. This is the war that Americans at the home front would have read about had they had access to the previously censored testimony of the soldiers on which Miller builds his gripping narrative. Miller covers the entire war—on land, at sea, and in the air—and provides new coverage of the brutal island fighting in the Pacific, the bomber war over Europe, the liberation of the death camps, and the contributions of African Americans and other minorities. He concludes with a suspenseful, never-before-told story of the atomic bombing of Nagasaki, based on interviews with the men who flew the mission that ended the war.

The Story of World War II: Revised, expanded, and updated from the original text by Henry Steele Commanger

Masters of the Air is the deeply personal story of the American bomber boys in World War II who brought the war to Hitler's doorstep. With the narrative power of fiction, Donald Miller takes readers on a harrowing ride through the fire-filled skies over Berlin, Hanover, and Dresden and describes the terrible cost of bombing for the German people. Fighting at 25,000 feet in thin, freezing air that no warriors had ever encountered before, bomber crews battled new kinds of assaults on body and mind. Air combat was deadly but intermittent: periods of inactivity and anxiety were followed by short bursts of fire and fear. Unlike infantrymen, bomber boys slept on clean sheets, drank beer in local pubs, and danced to the swing music of Glenn Miller's Air Force band, which toured U.S. air bases in England. But they had a much greater chance of dying than ground soldiers. In 1943, an American bomber crewman stood only a one-in-five chance of surviving his tour of duty, twenty-five missions. The Eighth Air Force lost more men in the war than the U.S. Marine Corps. The bomber crews were an elite group of warriors who were a microcosm of America -- white America, anyway. (African-Americans could not serve in the Eighth Air Force except in a support capacity.) The actor Jimmy Stewart was a bomber boy, and so was the "King of Hollywood," Clark Gable. And the air war was filmed by Oscar-winning director William Wyler and covered by reporters like Andy Rooney and Walter Cronkite, all of whom flew combat missions with the men. The Anglo-American bombing campaign against Nazi Germany was the longest military campaign of World War II, a war within a war. Until Allied soldiers crossed into Germany in the final months of the war, it was the only battle fought inside the German homeland. Strategic bombing did not win the war, but the war could not have been won without it. American airpower destroyed the rail facilities and oil refineries that supplied the German war machine. The bombing campaign was a shared enterprise: the British flew under the cover of night while American bombers attacked by day, a technique that British commanders thought was suicidal. Masters of the Air is a story, as well, of life in wartime England and in the German prison camps, where tens of thousands of airmen spent part of the war. It ends with a vivid description of the grisly hunger marches captured airmen were forced to make near the end of the war through the country their bombs destroyed. Drawn from recent interviews, oral histories, and American, British, German, and other archives, Masters of the Air is an authoritative, deeply moving account of the world's first and only bomber war.

Masters of the Air: America's Bomber Boys Who Fought the Air War Against Nazi Germany

Soon to be a major television event from Apple TV, Masters of the Air is the riveting history of the American Eighth Air Force in World War II, the story of the young men who flew the bombers that helped bring Nazi Germany to its knees, brilliantly told by historian and World War II expert Donald Miller. The Masters of the Air miniseries will be the companion to Tom Hanks and Steven Spielberg’s Band of Brothers and The Pacific. Masters of the Air is the deeply personal story of the American bomber boys in World War II who brought the war to Hitler’s doorstep. With the narrative power of fiction, Donald Miller takes you on a harrowing ride through the fire-filled skies over Berlin, Hanover, and Dresden and describes the terrible cost of bombing for the German people. Fighting at 25,000 feet in thin, freezing air that no warriors had ever encountered before, bomber crews battled new kinds of assaults on body and mind. Air combat was deadly but intermittent: periods of inactivity and anxiety were followed by short bursts of fire and fear. Unlike infantrymen, bomber boys slept on clean sheets, drank beer in local pubs, and danced to the swing music of Glenn Miller’s Air Force band, which toured US air bases in England. But they had a much greater chance of dying than ground soldiers. The bomber crews were an elite group of warriors who were a microcosm of America—white America, anyway. The actor Jimmy Stewart was a bomber boy, and so was the “King of Hollywood,” Clark Gable. And the air war was filmed by Oscar-winning director William Wyler and covered by reporters like Andy Rooney and Walter Cronkite, all of whom flew combat missions with the men. The Anglo-American bombing campaign against Nazi Germany was the longest military campaign of World War II, a war within a war. Until Allied soldiers crossed into Germany in the final months of the war, it was the only battle fought inside the German homeland. Masters of the Air is a story of life in wartime England and in the German prison camps, where tens of thousands of airmen spent part of the war. It ends with a vivid description of the grisly hunger marches captured airmen were forced to make near the end of the war through the country their bombs destroyed. Drawn from recent interviews, oral histories, and American, British, German, and other archives, Masters of the Air is an authoritative, deeply moving account of the world’s first and only bomber war.

Although most people associate the term D-Day with the Normandy invasion on June 6, 1944, it is military code for the beginning of any offensive operation. In the Pacific theater during World War II there were more than one hundred D-Days. The largest—and last—was the invasion of Okinawa on April 1, 1945, which brought together the biggest invasion fleet ever assembled, far larger than that engaged in the Normandy invasion. D-Days in the Pacific tells the epic story of the campaign waged by American forces to win back the Pacific islands from Japan. Based on eyewitness accounts by the combatants, it covers the entire Pacific struggle from the attack on Pearl Harbor to the dropping of atomic bombs on Hiroshima and Nagasaki. The Pacific war was largely a seaborne offensive fought over immense distances. Many of the amphibious assaults on Japanese-held islands were among the most savagely fought battles in American history: Guadalcanal, Tarawa, Saipan, New Guinea, Peleliu, Leyte Gulf, Iwo Jima, Okinawa. Generously illustrated with photographs and maps, D-Days in the Pacific is the finest one-volume account of this titanic struggle.

D-Days in the Pacific

Malcolm Cowley called Lewis Mumford "the last of the great humanists," and indeed, in more than six decades of writing, Mumford made contributions to history, philosophy, literature, art, architectural criticism, and urban planning. The author of some thirty books, Mumford produced a body of work almost unequaled in the twentieth century for its range and richness. A New York Times Notable Book, Donald Miller's engagingly written biography reveals Mumford's full and fascinating life. Based on ten years of research and unprecedented access to original and private papers, Miller penetrates Mumford's reserved public persona and takes in the complete man, his works as well as his days, as he struggles to transform the world -- and his own life -- in decades marked by unparalleled change. "Miller is an excellent critical guide to Mumford's voluminous writing." -- The New Yorker "A gracefully written biography." -- Francesca McKeon, San Francisco Chronicle "With this large, large-spirited life of Lewis Mumford ... Miller takes his place in the first rank of contemporary American biographers." -- David McCullough

Lewis Mumford: A Life (Grove Great Lives)

Arts & Literature

GROVE PRESS

Malcolm Cowley called Lewis Mumford "the last of the great humanists," and indeed, in more than six decades of writing, Mumford made contributions to history, philosophy, literature, art, architectural criticism, and urban planning. The author of some thirty books, Mumford produced a body of work almost unequaled in the twentieth century for its range and richness. A New York Times Notable Book, Donald Miller's engagingly written biography reveals Mumford's full and fascinating life. Based on ten years of research and unprecedented access to original and private papers, Miller penetrates Mumford's reserved public persona and takes in the complete man, his works as well as his days, as he struggles to transform the world -- and his own life -- in decades marked by unparalleled change. "Miller is an excellent critical guide to Mumford's voluminous writing." -- The New Yorker "A gracefully written biography." -- Francesca McKeon, San Francisco Chronicle "With this large, large-spirited life of Lewis Mumford ... Miller takes his place in the first rank of contemporary American biographers." -- David McCullough

Lewis Mumford: A Life

Univ of Pittsburgh Pr

The Kingdom of Coal: Work, Enterprise, and Ethnic Communities in the Mine Fields

Reprint of a classic. 
Considered by scholars and history buffs alike to be the best survey history of the rise and fall of the anthracite mining industry in Pennsylvania, this volume chronicles the discovery of anthracite, the building of canals to transport it to market, the era when anthracite was a major stimulus for the building of railroads and the development of the iron industry, the struggles of miners to organize, and the effects that successive waves of immigrants had on northeastern Pennsylvania. It concludes with an examination of the continuing legacy of anthracite mining in the region, and of the economic and technological factors that brought about the decline of the Kingdom of Coal. The chapters on the people of the anthracite region are particularly absorbing. 
First published by University of Pennsylvania Press in 1985. 
Although the authors have an academic background, Kingdom of Coal is written in an easy-to-read style. 
Referenced, with an index.

The Kingdom of Coal: Work, Enterprise & Ethnic Communities in the Mine Fields

Canal History and Technology Press

While F. Scott Fitzgerald wrote, Manhattan was transformed by jazz, night clubs, radio, skyscrapers, movies, and the ferocious energy of the 1920s, as this illuminating cultural history brilliantly demonstrates. In four words—“the capital of everything”—Duke Ellington captured Manhattan during one of the most exciting and celebrated eras in our history: the Jazz Age. Radio, tabloid newspapers, and movies with sound appeared. The silver screen took over Times Square as Broadway became America's movie mecca. Tremendous new skyscrapers were built in Midtown in one of the greatest building booms in history. Supreme City is the story of Manhattan’s growth and transformation in the 1920s and the brilliant people behind it. Nearly all of the makers of modern Manhattan came from elsewhere: Walter Chrysler from the Kansas prairie; entertainment entrepreneur Florenz Ziegfeld from Chicago. William Paley, founder of the CBS radio network, was from Philadelphia, while his rival David Sarnoff, founder of NBC, was a Russian immigrant. Cosmetics queen Elizabeth Arden was Canadian and her rival, Helena Rubenstein, Polish. All of them had in common vaulting ambition and a desire to fulfill their dreams in New York. As mass communication emerged, the city moved from downtown to midtown through a series of engineering triumphs—Grand Central Terminal and the new and newly chic Park Avenue it created, the Holland Tunnel, and the modern skyscraper. In less than ten years Manhattan became the social, cultural, and commercial hub of the country. The 1920s was the Age of Jazz and the Age of Ambition. Original in concept, deeply researched, and utterly fascinating, Supreme City transports readers to that time and to the city which outsiders embraced, in E.B. White’s words, “with the intense excitement of first love.”

Supreme City: How Jazz Age Manhattan Gave Birth to Modern America

See the best price to sell, buy, or rent books by Miller, Donald L.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Miller, Donald L.

See the best price to sell, buy, or rent books by Miller, Donald L.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

City of the Century: The Epic of Chicago and the Making of America

The Story of World War II: Revised, expanded, and updated from the original text by Henry Steele Commager

The Story of World War II: Revised, expanded, and updated from the original text by Henry Steele Commanger

Masters of the Air: America's Bomber Boys Who Fought the Air War Against Nazi Germany

Masters of the Air: America's Bomber Boys Who Fought the Air War Against Nazi Germany

D-Days in the Pacific

Lewis Mumford: A Life (Grove Great Lives)

Lewis Mumford: A Life

The Kingdom of Coal: Work, Enterprise & Ethnic Communities in the Mine Fields

Supreme City: How Jazz Age Manhattan Gave Birth to Modern America