A radiant work of fiction that illuminates the life and art of Rimbaud in a way that no biography could Rimbaud the Son, widely celebrated upon its publication in France, investigates the life of a writer, the writing life, and the art of life-writing. Pierre Michon in his groundbreaking work examines the storied life of the French poet Arthur Rimbaud by means of a new literary genre: a meditation on the life of a legend as witnessed by his contemporaries, those who knew him before the legends took hold. Michon introduces us to Rimbaud the son, friend, schoolboy, renegade, drunk, sexual libertine, visionary, and ultimately poet. Michon focuses no less on the creative act: What presses a person to write? To pursue excellence? The author dramatizes the life of a genius whose sufferings are enormous while his ambitions are transcendent, whose life is lived with utter intensity and purpose but also disorder and dissolution—as if the very substance of life is its undoing. Rimbaud the Son is now masterfully translated into English, enabling a wide new audience to discover for themselves the author Publishers Weekly called “one of the best-kept secrets of modern French prose."

Rimbaud the Son (The Margellos World Republic of Letters)

Literature & Fiction

Michon, Pierre

Literary

Yale University Press

Michon’s exquisite short narratives transport us to the heart of the Middle Ages as witnesses to the double-edged power of belief This welcome volume brings to English-language readers two beautifully crafted works by the internationally acclaimed French author Pierre Michon. Populated by distant and little-known figures—Irish and French monks, saints, and scientists in Winter Mythologies; Benedictine monks in the Vendée region of France in Abbots—the tales frequently draw on obscure histories and other literary sources. Michon brings his characters to life in spare, evocative prose. Each, in his or her own way, exemplifies a power of belief that brings about an achievement—or catastrophe—in the real world: monasteries are built upon impossibly muddy wastes, monks acquire the power of speech, lives are taken, books are written, saints are created on the flimsiest of evidence. Michon’s exploration in ancient archives has led him to the discovery of such often deluded figures and their deeds, and his own exceptional powers bestow upon them a renewed life on the written page. This in turn is an example of the power of belief, which for Michon is what makes literature itself possible. Winter Mythologies and Abbots are meant to be read slowly, to be savored, to be mined for the secrets Michon has to tell.

Winter Mythologies and Abbots (The Margellos World Republic of Letters)

British & Irish

One of Pierre Michon’s most powerful works, this book imagines decisive moments in the lives of five artists of different times and places: Vincent van Gogh, Francisco Goya, Antoine Watteau, Claude Lorrain, and Lorentino, a little-remembered disciple of Piero della Francesca. Michon focuses on particular moments when artist and model collide, whether that model is a person or a landscape, inner or outer. In the five separate tales he evokes the full passion of the artist’s struggle to capture the world in images even as the world resists capture. Each story is a small masterpiece that transcends national boundaries and earns its place among the essential works of world literature.

Masters and Servants (The Margellos World Republic of Letters)

This spare, unforgettable novel is Pierre Michon’s luminous exploration of the mysteries of desire. A young teacher takes his first job in a sleepy French town. Lost in a succession of rainy days and sleepless nights, he falls under the spell of a town resident, a woman of seductive beauty and singular charm. Yvonne. Yvonne. “Everything about her screamed desire…setting something in motion while settling a fingertip to the counter, turning her head slightly, gold earrings brushing her cheek while she watched you or watched nothing at all; this desire was open, like a wound; and she knew it, wore it with valor, with passion.” Michon probes the destructive powers of passion and the consuming need for love in this heartbreaking novel.

The Origin of the World (The Margellos World Republic of Letters)

Small Lives (Vies minuscules), Pierre Michon’s first novel, won the Prix France Culture. Michon explains that he wrote it "to save my own skin. I felt in my body that my life was turning around. This book born in an aura of inexpressible joy and catharsis rescued me more effectively than my aborted analysis." Le Monde calls it "his chef d’oeuvre. A bolt of lightening." In Small Lives, Michon paints portraits of eight individuals, whose stories span two centuries in his native region of La Creuse. In the process of exploring their lives, he explores the act of writing and his emotional connection to both. The quest to trace and recall these interconnected lives seared into his memory ultimately becomes a quest to grasp his own humanity and discover his own voice.

Small Lives

Essays & Correspondence

Archipelago Books

With his debut into English, 'Masters and Servants' captures the intimate and intricate detail work of five artists' lives through exquisitely crafted fiction. The Arles postmaster Roulin reveals Van Gogh's yellow countryside. Spanish women haunt the corners of Goya's Madrid, singsonging his eccentricities. Watteau's secret erotic portraiture captivates a parish priest. Lorentino, an obscure disciple of Piero della Francesca, daydreams of his master while bartering one of his finest paintings for a pig. A stranger spies on Claude Lorrain, becoming mesmerised by the painter's relationship to his landscape, slowly hypnotised by the beauty of the woodlands, as is Lorrain's brush.

Masters and Servants

Mason, Wyatt Alexander

Mercury House

Fiction. Translated from the French by Wyatt Alexander Mason. Pierre Michon is one of the foremost contemporary French writers. He has won many prizes, including the Prix de la Ville de Paris. In THE ORIGIN OF THE WORLD, a twenty-year-old takes his first teaching job in a sleepy French town. Lost in a succession of rainy days and sleepless nights, he falls under the spell of one of the town's residents, Yvonne. "Everything about her screamed desire, something that people say enough that it's almost meaningless, but it was a quality that she gave of generously to everyone, to herself, to nothing, when she was alone and had forgotten herself, setting something in motion while settling a fingertip to the counter, turning her head slightly, gold earrings brushing her cheek while she watched you or watched nothing at all; this desire was open, like a wound; and she knew it, wore it with valor, with passion. But what are words?"

The Origin of the World

In The Eleven, Michon lets us into the world of Corentin, a painter shaped by—and who eventually shapes—history. Brought up among provincial aristocracy to become a favorite of Parisian society—his paintings are commissioned by Louis XV’s mistress—Corentin’s career rides the Tides of the French Revolution. His masterpiece, "The Eleven," is an enigmatic Last Supper, representing the eleven members of the Committee of Public Safety (including Robespierre and Saint Just) during the Reign of Terror. Corentin and company, his work of art, and the historical tableau of the French Revolution come to life in dazzling, even painterly, detail. A potent blend of fact and fiction, The Eleven is a beautifully written, astute meditation on the nature of history itself and the artist’s role in it.

The Eleven

Archipelago

La Grande Beune

Contemporary

Фоліо

Vies minuscules

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Books by Michon, Pierre