One hundred poems. One hundred voices. One hundred different points of view. Here is a cross-section of American poetry as it is right now—full of grit and love, sparkling with humor, searing the heart, smashing through boundaries on every page. Please Excuse This Poem features one hundred acclaimed younger poets from truly diverse backgrounds and points of view, whose work has appeared everywhere from The New Yorker to Twitter, tackling a startling range of subjects in a startling range of poetic forms. Dealing with the aftermath of war; unpacking the meaning of “the rape joke”; sharing the tender moments at the start of a love affair: these poems tell the world as they see it. Editors Brett Fletcher Lauer and Lynn Melnick have crafted a book that is a must-read for those wanting to know the future of poetry. With an introduction from award-winning poet, editor, and translator Carolyn Forché, Please Excuse This Poem has the power to change the way you look at the world. It is The Best American Nonrequired Reading—in poetry form.

Please Excuse This Poem: 100 New Poets for the Next Generation

Teen & Young Adult

Melnick, Lynn

Brett Fletcher Lauer

Literature & Fiction

Viking Books for Young Readers

A moving and essential exploration of what it takes to find your voice as a woman, a survivor, an artist, and an icon.\nThe first time Lynn Melnick listened to a Dolly Parton song in full, she was 14 years old, in the triage room of a Los Angeles hospital, waiting to be admitted to a drug rehab program. Already in her young life as a Jewish teen in the 1980s, she had been the victim of rape, abuse, and trauma, and her path to healing would be long. But in Parton’s words and music, she recognized a fellow survivor.\nIn this powerful, incisive work of social and self-exploration, Melnick blends personal essay with cultural criticism to explore Parton’s dual identities as feminist icon and objectified sex symbol, identities that reflect the author’s own fraught history with rape culture and the arduous work of reclaiming her voice. Each chapter engages with the artistry and impact of one of Parton’s songs, as Melnick reckons with violence, misogyny, creativity, parenting, friendship, sex, love, and the consolations and cruelties of religion. Bold and inventive, I’ve Had to Think Up a Way to Survive gives us an accessible and memorable framework for understanding our times and a revelatory account of survival, persistence, and self-discovery.

I've Had to Think Up a Way to Survive: On Trauma, Persistence, and Dolly Parton (American Music Series)

Biographies & Memoirs

Arts & Literature

University of Texas Press

Poetry. "The title of Melnick's stunning book is a microcosm of the poems within—the uncertainty of 'if I should say' followed by the defiance of 'I have hope.' Her poems follow moments of unmooredness ('I am best / when I dabble in consciousness and a soundly / spinning room') with blinding insight ('You wouldn't know happy if it kissed you on the mouth')—tiptoeing followed by a kick to the head. On the melancholy-go-round of these poems, there's a swan-seat for sadness but also a tiger called Beauty and a horse called Hope. The unexpected music and syntax of Melnick's work will make you want to ride/read it again and again."—Matthea Harvey "Lynn Melnick's poems are a series of swift kicks knocking over whatever a lot of Boys think it's like to be a Girl. They're also the bruises afterward. IF I SHOULD SAY I HAVE HOPE teems with very small and much larger devastations, crackling throughout with fierceness and stealth and wry intelligence. 'There's some kind of crazy on the way,' she says. Those of us who've seen that crazy coming need this book. Those of us who haven't need it more."—Mark Bibbins "Lynn Melnick's poems in IF I SHOULD SAY I HAVE HOPE recall the raw power of Anne Sexton and read like Lynchian dreams. The voice of these poems proves consistent and potent, steeping the book in weather and worry, in impulse and flesh, sometimes in blood. Most of the poems in IF I SHOULD SAY I HAVE HOPE are formal in structure and tone, built mostly in couplets, sometimes tercets and quatrains, and all demand recognition of truth, of human details we might rather deny. If I should say I have hope, the speaker suggests, I need to say all of these things first. She confesses, 'I'll wreck it if it's good.' Calling attention to our often-destructive tendencies, the poet admits fallibility and imperfection, while quietly offering refuge to a thing with feathers."—Melinda Wilson, Coldfront Magazine's Top 40 Poetry Books of 2012

If I Should Say I Have Hope

Poetry

YesYes Books

Poetry. California Interest. Women's Studies. Domestic Abuse. The poems in LANDSCAPE WITH SEX AND VIOLENCE explore what it means to exist within a rape culture so entrenched that it can't be separated from the physical landscapes in which it enacts itself. Lyrically complex and startling—yet forthright and unflinching—these poems address rape, abortion, sex work, and other subjects frequently omitted from male-dominated literary traditions, without forsaking the pleasures of being embodied, or the value of personal freedom, of moonlight, and of hope. Throughout, the topography and mythology of California, as well as the uses and failures of language itself, are players in what it means to be a woman, a sexual being, and a trauma survivor in contemporary America.

Landscape with Sex and Violence

In this searing new volume, Lynn Melnick dives head-first through concentric waves of personal and generational trauma with her trademark fearlessness. Evincing a complex mind shaped by the late 20th century's misplaced priorities, Refusenik interrogates misogyny and anti-Semitism across time and a shifting global landscape-from a football field in Los Angeles to a Russian shtetl to a beloved daughter's Brooklyn bedroom. Variously unraveling and allowing for intricate tangles of anger, nostalgia and love, these agile poems furrow deeper into the terrain of Melnick's much-celebrated earlier titles, arriving at a profound and pressured understanding of what it means to be a contemporary American.\n﻿LYNN MELNICK is the author of the poetry collections Refusenik (2022), Landscape with Sex and Violence (2017), and If I Should Say I Have Hope (2012), all with YesYes Books, and the coeditor of Please Excuse This Poem: 100 Poets for the Next Generation (Viking, 2015). I've Had to Think Up a Way to Survive: On Trauma, Persistence, and Dolly Parton is forthcoming from University of Texas Press in 2022.

Refusenik

Parenting & Relationships

“An ode to storytelling itself…. A gorgeous and heart-rending story of survival.“―Melissa Febos, author of Girlhood 
A moving and essential exploration of what it takes to find your voice as a woman, a survivor, an artist, and an icon. 
The first time Lynn Melnick listened to a Dolly Parton song in full, she was 14 years old, in the triage room of a Los Angeles hospital, waiting to be admitted to a drug rehab program. Already in her young life as a Jewish teen in the 1980s, she had been the victim of rape, abuse, and trauma, and her path to healing would be long. But in Parton’s words and music, she recognized a fellow survivor. 
In this powerful, incisive work of social- and self-exploration, Melnick blends personal essay with cultural criticism to explore Parton’s dual identities as feminist icon and objectified sex symbol, identities that reflect the author’s own fraught history with rape culture and the arduous work of reclaiming her voice. Each chapter engages with the artistry and impact of one of Parton’s songs, as Melnick reckons with violence, misogyny, creativity, parenting, friendship, sex, love, and the consolations and cruelties of religion. Bold and inventive, I’ve Had to Think Up a Way to Survive gives us an accessible and memorable framework for understanding our times and a revelatory account of survival, persistence, and self-discovery.

I've Had to Think Up a Way to Survive: On Trauma, Persistence, and Dolly Parton

Spiegel & Grau

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