In this impassioned, erudite, and deeply moving book, Abdelwahab Meddeb, born and raised in Tunis and now living in Paris, details the breadth and scope of the Arab intellectual tradition and dismantles common preconceptions held by the Islamic and Western worlds. He describes the growing resentment between the West and the Islamic world as being due, in large part, to Islam's drift away from its own pluralist tradition. Tracing the history of the "conquering" of the Arab world by the West, he provides a detailed history of the ways in which Islamic fundamentalism has come to compensate for Western dominance. Directly addressing the terrorist attacks of September 11, he challenges us to reconsider the presumption that the gulf between the Islamic world and the West is too wide to breach.The "malady" of Islam lies in its alienation from the West and the corrosive influence that fundamentalism has wrought. This book is a correction of the historical record, a passionate description of the best of Islamic thought and culture, and an absolutely necessary read for those seeking a better understanding not only of Islam but also ourselves.

The Malady Of Islam

History

Meddeb, Abdelwahab

World

Basic Books

Tombeau of Ibn Arabi and White Traverses

Abdelwahab Meddeb crosses boundaries in unusual and important ways. Born in Tunis, he is now a French national. In his academic and literary work, he is concerned with the roots and history of Islam and with crossings, like his own, between Islam and Europe. He is an author of extraordinarily beautiful French; this is the first book to represent this lyrical aspect of his work in English translation. White Traverses is a poetic memoir about growing up in Tunisia and the contrasts between Islamic and European influences. In it, the intense colors and blinding whites of the Maghreb interweave with the rich traditions of French poetic discourse. In Africa as in Europe, white designates purity. Yet the complex Mediterranean streams of culture that flow together in Tunis problematize this myth. Meddeb captures their white refractions in vignettes that teach us the truth of the coincidence of contraries, of how the impure lodges in the pure.Tombeau of Ibn Arabi is a series of prose poems that draw their inspiration from the great Sufi poet of mediaeval Andalusia, Ibn Arabi, whose fervent love poetry both scandalized and transformed Islamic culture, and from Dante, who learned from Ibn Arabi a poetry of sensual love as initiation into spiritual experience. It seeks to show how a text written in the present day can maintain a link with the great dead . Ibn Arabi and Dante are two symbolic figures confirming the author's twofold spiritual genealogy--Arabic and European.

Literature & Fiction

History & Criticism

Fordham University Press

Abdelwahab Meddeb makes an urgent case for an Islamic reformation, located squarely in Western Europe, now home to millions of Muslims, where Christianity and Judaism have come to coexist with secular humanism and positivist law. He is not advocating “moderate” Islam, which he characterizes as thinly disguised Wahabism, but rather an Islam inspired by the great Sufi thinkers, whose practice of religion was not bound by doctrine. 
To accomplish this, Meddeb returns to the doctrinal question of the text as transcription of the uncreated word of God and calls upon Muslims to distinguish between Islam’s spiritual message and the temporal, material, and historically grounded origins of its founding scriptures. He contrasts periods of Islamic history―when philosophers and theologians engaged in lively dialogue with other faiths and civilizations and contributed to transmitting the Hellenistic tradition to early modern Europe―with modern Islam’s collective amnesia of this past. Meddeb wages a war of interpretations in this book, in his attempt to demonstrate that Muslims cannot join the concert of nations unless they set aside outmoded notions such as jihad and realize that feuding among the monotheisms must give way to the more important issue of what it means to be a citizen in today’s postreligious global setting.

Islam and the Challenge of Civilization

Middle East

Abdelwahab Meddeb makes an urgent case for an Islamic reformation, located squarely in Western Europe, now home to millions of Muslims, where Christianity and Judaism have come to coexist with secular humanism and positivist law. He is not advocating “moderate” Islam, which he characterizes as thinly disguised Wahabism, but rather an Islam inspired by the great Sufi thinkers, whose practice of religion was not bound by doctrine. To accomplish this, Meddeb returns to the doctrinal question of the text as transcription of the uncreated word of God and calls upon Muslims to distinguish between Islam’s spiritual message and the temporal, material, and historically grounded origins of its founding scriptures. He contrasts periods of Islamic history―when philosophers and theologians engaged in lively dialogue with other faiths and civilizations and contributed to transmitting the Hellenistic tradition to early modern Europe―with modern Islam’s collective amnesia of this past. Meddeb wages a war of interpretations in this book, in his attempt to demonstrate that Muslims cannot join the concert of nations unless they set aside outmoded notions such as jihad and realize that feuding among the monotheisms must give way to the more important issue of what it means to be a citizen in today’s postreligious global setting.

La Maladie de l'islam

Religion & Spirituality

Religious Studies

SEUIL

POINTS

Contre-prêches. Chroniques

<div> If one had to pick by chance the name of a contemporary artist - among a few others - whose biography and works synthesize East and West, it would be that of Najia Mehadji. Born in 1950, the Franco-Moroccan artist spent her childhood and teenage years in Paris. As early as the 1980s, she decided to divide her life between Paris and Essaouira, where she converted a studio for herself in the timeless countryside of the Haha tribal district. A graduate of the Université Paris 1, where she defended her master's thesis on Paul Cézanne, the artist has participated in numerous international exhibitions over the past twenty years, in New York, Paris, Rabat, Doha, Abu Dhabi, Beirut and elsewhere. Several of her works are in the collections of the National Museum of Modern Art at the Centre Georges Pompidou and of the Institut du Monde Arabe, in Paris. Najia Mehadji's light-filled works create a feeling of plenitude, celebrating the union between body and mind and capturing the "timelessness of life." </div>

Najia Mehadji: La Revelation du Geste /The Revelation of the Gesture

Arts & Photography

Buci-Glucksmann, Christine

Labrusse, Remi

Amel, Pascal

Rieffel, Veronique

Somogy Editions D'Art

Die Krankheit des Islam.

Poetry

Wunderhorn

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