100 greatest works by Bellows, Sloan, and the other painters of the Ashcan School. This book presents 100 of the greatest paintings, pastels, drawings, and prints by a group of artists derogatorily dubbed the Ashcan School by the critics. George Bellows, William Glackens, Robert Henri, George Luks, Everett Shinn, and John Sloan ignored the romantic and lofty themes of many of their contemporaries and chose instead to depict the dramatic changes and conflicting social mores among the common people in turn-of-the-century New York City. The Ashcan artists documented the city and its people in an almost journalistic fashion, exploring the same subjects occupying the press: immigration, the lower-middle class, and gender issues. They portrayed life at the street level, gravitating to bars, street corners, boxing clubs, beaches, parks, restaurants, movie theaters, and neighborhood meeting places. In retrospect, it is difficult to imagine the American tradition in painting without these wonderful and moving works. 110 full-color and 100 black-and-white illustrations

Metropolitan Lives: The Ashcan Artists and Their New York, 1897-1917

Arts & Photography

Mecklenburg, Virginia M.

Zurier, Rebecca

Snyder, Robert W.

Collections, Catalogs & Exhibitions

W.W.Norton&Company

The first major work on the exquisite watercolors of America's foremost and most popular realist painter. Edward Hopper has been celebrated for over half a century as America's most eloquent realist artist. His best known oils, such as Nighthawks, Early Sunday Morning, and House by a Railroad, are powerful psychological statements that convey a sense of angst and alienation. Yet there is another Hopper we know less well: the freer, more spontaneous spirit that emerges in his watercolors. In 1923 he spent a summer in Gloucester, Massachusetts, and began painting houses, landscapes, and fishing boats. In them he captures remnants of nineteenth-century America that for him symbolized the fundamental character of the country's people and places, and prompted him to reexamine his views about the relationship between the past and the modern. Over the next two decades, Hopper painted hundreds of watercolors, in Gloucester, the coast of Maine, New Mexico, and Cape Cod. This beautiful book reproduces and examines over one hundred of Hopper's greatest watercolors in the context of his life and travels. It is an indispensable book for anyone interested in American art. 101 four-color and 40 black-and-white illustrations. 101 four-color and 40 black-and-white illustrations

Edward Hopper: The Watercolors

Hopper, Edward

History & Criticism

Metropolitan Lives: The Ashcan Artists and Their New York

National Museum of American Art (U.S.)

Smithsonian Inst Natl Museum of

The first major work on the exquisite watercolors of America's foremost and most popular realist painter.Edward Hopper has been celebrated for over half a century as America's most eloquent realist artist. His best known oils, such as Nighthawks, Early Sunday Morning, and House by a Railroad, are powerful psychological statements that convey a sense of angst and alienation. Yet there is another Hopper we know less well: the freer, more spontaneous spirit that emerges in his watercolors. In 1923 he spent a summer in Gloucester, Massachusetts, and began painting houses, landscapes, and fishing boats. In them he captures remnants of nineteenth-century America that for him symbolized the fundamental character of the country's people and places, and prompted him to reexamine his views about the relationship between the past and the modern. Over the next two decades, Hopper painted hundreds of watercolors, in Gloucester, the coast of Maine, New Mexico, and Cape Cod. This beautiful book reproduces and examines over one hundred of Hopper's greatest watercolors in the context of his life and travels. It is an indispensable book for anyone interested in American art. 101 four-color and 40 black-and-white illustrations. 101 four-color and 40 black-and-white illustrations

Painting

W.W. Norton & Co., Inc.

This volume celebrates the 20th anniversary of the founding of the American Art Forum, by presenting 72 treasured works of art selected by the curators of the Smithsonian American Art Museum. In six thematic and chronological sections, the curators cover the huge variety of American art: luminous images of nature from the mid-nineteenth century, such as Martin Johnson Heade’s Newburyport Meadows I, and fine landscape masterpieces in the Hudson River tradition, including Sanford Robinson Gifford’s The Marshes of the Hudson (1876); light-filled impressionist canvases, such as Mary Cassatt’s Reading Le Figaro” (1878); dazzling Gilded Age glass by Louis Comfort Tiffany and paintings by John Singer Sargent; gritty Ashcan records from a dynamic New York City, such as George Bellows’s Noon (1908); vivid aesthetic creations of the modern age; the triumphant abstract expressionism of Willem de Kooning; and resonant contemporary works by Andrew Wyeth and David Hockney. The book also showcases major canvases by Georgia O’Keefe, such as Black Cross with Red Sky (1929), John Marin’s Taos Canyon, New Mexico (1929), Cyrus Edwin Dallin’s major statue Appeal to the Great Spirit and James Earl Fraser’s emotive bronze sculpture End of the Trail (1918).

Variations on America: Masterworks from American Art Forum Collections

Gurney, George

Harvey, Eleanor Jones

Moser, JoAnn

Speer, George

GILES

Crosscurrents makes a significant contribution to the study of modernism. Featuring a wide array of modern and contemporary artists, including Richard Diebenkorn, Georgia O’Keeffe, David Hockney, Roy Lichtenstein, Jackson Pollock, and Wayne Thiebaud, it provides a vital insight into the way the rise of modernism in the mid-twentieth century shaped the art world forever.
In her essay Breaking the Rules Virginia M. Mecklenburg, chief curator at the Smithsonian American Art Museum, documents the rise of modernism in America, as the boundaries between European and American art and culture continued to break down and merge throughout the twentieth century.

Crosscurrents: Modern Art from the Sam Rose and Julie Walters Collection

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