The Meditations on the Life of Christ was the most popular and influential devotional work of the later Middle Ages. With its lively dialogue and narrative realism, its poignant and moving depictions of the Nativity and Passion, and its direct appeals to the reader to feel love and compassion, the Meditations had a major impact on devotional practices, religious art, meditative literature, vernacular drama, and the cultivation of affective experience.
This volume is a critical edition, with English translation and commentary, of a hitherto-unpublished Italian text that McNamer argues is likely to be the original version of this influential masterpiece. Livelier and far more compact than the Latin text, the Italian “short text” possesses a stylistic and textual integrity that appears to testify to its primacy among early versions of the Meditations. The evidence also suggests that it was composed by a woman, a Poor Clare from Pisa―an author whose work McNamer contends was obscured by the anonymous Franciscan friar who subsequently altered and expanded the text. In bringing to light this unique Italian version and building a case for its origins and importance, this book will encourage a fresh look at the Meditations and serve as a foundation for further scholarship and debate concerning some of the most compelling subjects in Italian and European literary and cultural history, including the role of women in the invention of new genres and spiritual practices, the early development of Italian prose narrative, the rise of vernacular theology, and the history of emotion.
McNamer’s volume will be of significant interest to medievalists, especially those who study medieval women, devotional literature, manuscript studies, and textual criticism. The linguistic analysis expands that audience to include those of a philological bent.

Meditations on the Life of Christ: The Short Italian Text (William and Katherine Devers Series in Dante and Medieval Italian Literature)

Literature & Fiction

McNamer, Sarah

History & Criticism

University of Notre Dame Press

Winner of the Book-of-the-Year Award for 2010 from the Conference on Christianity and Literature
Affective meditation on the Passion was one of the most popular literary genres of the high and later Middle Ages. Proliferating in a rich variety of forms, these lyrical, impassioned, script-like texts in Latin and the vernacular had a deceptively simple goal: to teach their readers how to feel. They were thus instrumental in shaping and sustaining the wide-scale shift in medieval Christian sensibility from fear of God to compassion for the suffering Christ.
Affective Meditation and the Invention of Medieval Compassion advances a new narrative for this broad cultural change and the meditative writings that both generated and reflected it. Sarah McNamer locates women as agents in the creation of the earliest and most influential texts in the genre, from John of Fécamp's Libellus to the Meditationes Vitae Christi, thus challenging current paradigms that cast the compassionate affective mode as Anselmian or Franciscan in origin. The early development of the genre in women's practices had a powerful and lasting legacy. With special attention to Middle English texts, including Nicholas Love's Mirror and a wide range of Passion lyrics and laments, Affective Meditation and the Invention of Medieval Compassion illuminates how these scripts for the performance of prayer served to construct compassion itself as an intimate and feminine emotion. To feel compassion for Christ, in the private drama of the heart that these texts stage, was to feel like a woman. This was an assumption about emotion that proved historically consequential, McNamer demonstrates, as she traces some of its legal, ethical, and social functions in late medieval England.

Affective Meditation and the Invention of Medieval Compassion (The Middle Ages Series)

University of Pennsylvania Press

The Two Middle English Translations of the Revelations of St. Elizabeth of Hungary (Middle English Texts)

Universitatsverlag Winter

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