Orson Welles, actor and director (An illustrated history of the movies)

Humor & Entertainment

McBride, Joseph

Movies

Harvest/HBJ Books

Orson Welles called Ernst Lubitsch (1892–1947) “a giant” whose “talent and originality are stupefying.” Jean Renoir said, “He invented the modern Hollywood.” Celebrated for his distinct style and credited with inventing the classic genre of the Hollywood romantic comedy and helping to create the musical, Lubitsch won the admiration of his fellow directors, including Alfred Hitchcock and Billy Wilder, whose office featured a sign on the wall asking, “How would Lubitsch do it?” Despite the high esteem in which Lubitsch is held, as well as his unique status as a leading filmmaker in both Germany and the United States, today he seldom receives the critical attention accorded other major directors of his era. How Did Lubitsch Do It? restores Lubitsch to his former stature in the world of cinema. Joseph McBride analyzes Lubitsch’s films in rich detail in the first in-depth critical study to consider the full scope of his work and its evolution in both his native and adopted lands. McBride explains the “Lubitsch Touch” and shows how the director challenged American attitudes toward romance and sex. Expressed obliquely, through sly innuendo, Lubitsch’s risqué, sophisticated, continental humor engaged the viewer’s intelligence while circumventing the strictures of censorship in such masterworks as The Marriage Circle, Trouble in Paradise, Design for Living, Ninotchka, The Shop Around the Corner, and To Be or Not to Be. McBride’s analysis of these films brings to life Lubitsch’s wit and inventiveness and offers revealing insights into his working methods.

How Did Lubitsch Do It?

Columbia University Press

Orson Welles called Ernst Lubitsch (1892-1947) "a giant" whose "talent and originality are stupefying." Jean Renoir said, "He invented the modern Hollywood." Celebrated for his distinct style and credited with inventing the classic genre of the Hollywood romantic comedy and helping to create the musical, Lubitsch won the admiration of his fellow directors, including Alfred Hitchcock and Billy Wilder, whose office featured a sign on the wall asking, "How would Lubitsch do it?" Despite the high esteem in which Lubitsch is held, as well as his unique status as a leading filmmaker in both Germany and the United States, today he seldom receives the critical attention accorded other major directors of his era. How Did Lubitsch Do It? restores Lubitsch to his former stature in the world of cinema. Joseph McBride analyzes Lubitsch's films in rich detail in the first in-depth critical study to consider the full scope of his work and its evolution in both his native and adopted lands. McBride explains the "Lubitsch Touch" and shows how the director challenged American attitudes toward romance and sex. Expressed obliquely, through sly innuendo, Lubitsch's risqué, sophisticated, continental humor engaged the viewer's intelligence while circumventing the strictures of censorship in such masterworks as The Marriage Circle, Trouble in Paradise, Design for Living, Ninotchka, The Shop Around the Corner, and To Be or Not to Be. McBride's analysis of these films brings to life Lubitsch's wit and inventiveness and offers revealing insights into his working methods.

Billy Wilder: Dancing on the Edge (Film and Culture Series)

The director and cowriter of some of the world's most iconic films--including Double Indemnity, Sunset Blvd., Some Like It Hot, and The Apartment--Billy Wilder earned acclaim as American cinema's greatest social satirist. Though an influential fixture in Hollywood, Wilder always saw himself as an outsider. His worldview was shaped by his background in the Austro-Hungarian Empire and work as a journalist in Berlin during Hitler's rise to power, and his perspective as a Jewish refugee from Nazism lent his films a sense of the peril that could engulf any society. In this critical study, Joseph McBride offers new ways to understand Wilder's work, stretching from his days as a reporter and screenwriter in Europe to his distinguished as well as forgotten films as a Hollywood writer and his celebrated work as a writer-director. In contrast to the widespread view of Wilder as a hardened cynic, McBride reveals him to be a disappointed romantic. Wilder's experiences as an exile led him to mask his sensitivity beneath a veneer of wisecracking that made him a celebrated caustic wit. Amid the satirical barbs and exposure of social hypocrisies, Wilder's films are marked by intense compassion and a profound understanding of the human condition. Mixing biographical insight with in-depth analysis of films from throughout Wilder's career as a screenwriter and director of comedy and drama, and drawing on McBride's interviews with the director and his collaborators, this book casts new light on the full range of Wilder's rich, complex, and distinctive vision.

Biographies & Memoirs

Arts & Literature

Calls attention to the ways in which the film director's works reflect his personal ideals and beliefs in the American Dream

John Ford

Wilmington, Michael

Da Capo Press

John Ford (Da Capo Paperback) by Mcbride, Joseph, Wilmington, Michael (1975) Paperback

Orson Welles (1915–1985) revolutionized the art of filmmaking with his first feature, Citizen Kane, made when he was only twenty-five. This landmark study challenges the conventional wisdom that regards Welles's subsequent career as a long decline from that early peak, demonstrating that Welles continued to create audacious, profoundly moving, and richly varied films throughout his tumultuous life. Tracing Welles's development from his playful beginnings as an amateur filmmaker in the early 1930s to his masterly artistic summation in such late works as Chimes at Midnight, The Immortal Story, and F for Fake, the book brilliantly synthesizes Welles's wide-ranging body of work into a thematic whole while providing in-depth analyses of the films he directed.Joseph McBride's passion for Welles's work and his groundbreaking scholarship made the first edition of Orson Welles a landmark study and a major influence on subsequent Welles critics and biographers. Out of print for almost two decades, Orson Welles has now been revised and expanded, with new sections on important films and restored versions that have come to light since the book's original publication in 1972, along with an introductory essay and an extended portrait of Welles at work on the still-unreleased Hollywood satire The Other Side of the Wind (in which the author played an important role). The whole adds up to a work of film criticism that will stand as a model of the genre.

Orson Welles

Director, producer, and studio magnate, Steven Spielberg is the most successful filmmaker in movie history, responsible for such box-office blockbusters as Jaws, Close Encounters of the Third Kind, E.T. The Extra-Terrestrial, the Indiana Jones trilogy, Jurassic Park, and Saving Private Ryan. From Spielberg's troubled youth to the personal epiphany of Schindler's List and the founding of DreamWorks, this impeccable biography reveals hidden dimensions of his personality and creative evolution while illuminating each film. This impeccable biography reveals hidden dimensions of the director's creative evolution while illuminating each film.

Steven Spielberg: A Biography

Writing in Pictures is a refreshingly practical and entertaining guide to screenwriting that provides what is lacking in most such books: a clear, step-by-step demonstration of how to write a screenplay. Seasoned screenwriter and writing teacher Joseph McBride breaks down the process into a series of easy, approachable tasks, focusing on literary adaptation as the best way to learn the basics and avoiding the usual formulaic approach. With its wealth of useful tips, along with colorful insights from master screenwriters past and present, this book is invaluable for anyone who wants to learn the craft of screen storytelling. CONTENTS Introduction: Who Needs Another Book on Screenwriting? Part I: Storytelling 1: So Why Write Screenplays? 2: What Is Screenwriting? 3: Stories: What They Are and How to Find Them 4: Ten Tips for the Road Ahead Part II: Adaptation 5: Breaking the Back of the Book: or, The Art of Adaptation STEP 1: THE STORY OUTLINE 6: Research and Development STEP 2: THE ADAPTATION OUTLINE 7: The Elements of Screenwriting STEP 3: THE CHARACTER BIOGRAPHY 8: Exploring Your Story and How to Tell It STEP 4: THE TREATMENT Part III: Production 9: Who Needs Formatting? 10: Actors Are Your Medium 11: Dialogue as Action STEP 5: THE STEP OUTLINE 12: The Final Script 13: Epilogue: Breaking into Professional Filmmaking Appendix A: The Basic Steps in the Screenwriting Process Appendix B: “To Build A Fire” by Jack London Selected Bibliography Acknowledgments Index

Writing in Pictures: Screenwriting Made (Mostly) Painless

Literature & Fiction

Dramas & Plays

Vintage

See the best price to sell, buy, or rent books by McBride, Joseph. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by McBride, Joseph

See the best price to sell, buy, or rent books by McBride, Joseph. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Orson Welles, actor and director (An illustrated history of the movies)

How Did Lubitsch Do It?

How Did Lubitsch Do It?

Billy Wilder: Dancing on the Edge (Film and Culture Series)

Billy Wilder: Dancing on the Edge (Film and Culture Series)

John Ford

John Ford (Da Capo Paperback) by Mcbride, Joseph, Wilmington, Michael (1975) Paperback

Orson Welles

Steven Spielberg: A Biography

Writing in Pictures: Screenwriting Made (Mostly) Painless