Max Ernst: Beyond Surrealism: An Exhibition of the Artist's Books and Prints

An examination of the surrealistic innovations which characterize the artist's paintings, sculpture, and graphic works

Reference

ERNST, Max

Maurer, Evan M.

Rainwater, Robert

Greet, Anne Hyde

Words, Language & Grammar

Oxford University Press

T A B W A: The Rising of a New Moon : A Century of Tabwa Art

Roberts, Allen F.

Arts & Photography

Univ of Washington Pr

The intelligence of forms: An artist collects African art

Catalog of an exhibition of the Jean Willy Mestach collection of African Art, held at the Nelson-Atkins Museum of Art, Kansas City, Oct. 5 to Nov. 24, 1991 and the Minneapolis Institute of Arts, Dec. 21, 1991 to Mar. 22, 1992. 141 pages including illustrations (most color) & maps.

The Intelligence of Forms: An Artist Collects African Art

Minneapolis Inst of Arts

The Native American Heritage: A Survey of North American Indian Art: The Art Institute of Chicago, July 16-October 30, 1977: Oexhibition Catalogue

Art Institute of Chicago

<p>Following an introductory text accompanied by black-and-white field photos, the book is lavishly illustrated with excellent color photographs of the African objects.</p>

Spirits Embodied: Art of the Congo

Batulukisi,Niangi

History & Criticism

Univ of Minnesota Pr

Distributed by the University of Washington Press

<p>One of the most recognizable of American artists, and one of America's most innovative printmakers, Jim Dine has created a multidisciplinary oeuvre tied together by his continued use and reinvention of familiar imagery. Hearts, bathrobes, skulls, tools, the Crommelynck gate, Venus de Milo, self-portraits, plants, and flowers--Dine infuses these personal metaphors with new meanings and continually depicts them in novel and diverse contexts. Over time, some of these motifs have become recognized as clearly symbolic: the bathrobe figures as a self-portrait, the heart as a symbol of his love for wife Nancy. And also over time, Dine has added new images to his iconic repertory. Mountains, ancient Greco-Roman sculpture, owls, hands, trees, apes, Pinocchio, and ravens figure prominently in the prints he has made since 1985. This catalogue raisonne fully documents Dine's evolving imagery and technical experimentation from the late 80s through the millennium, including his limited-edition illustrated books, and establishes his absolute maturity as an artist. A glossary of printmaking terms, a selected print exhibition history and bibilography, and a discussion of his poetry and literary leanings make this catalog complete.</p>

Jim Dine Prints, 1985-2000: A Catalogue Raisonne

Campbell, Richard

DINE, Jim

Carpenter, Elizabeth

Ruzicka, Joseph

Maurer, Evan

The Minneapolis Institute of Arts

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