It wouldn't be Christmas without the "things." How they came to mean so much, and to play such a prominent role in America's central holiday, is the tale told in this delightful and edifying book. In a style characteristically engaging and erudite, Karal Ann Marling, one of our most trenchant observers of American culture, describes the outsize spectacle that Christmas has become, showing us the provenance and significance of each of its essential parts: the decorated trees and holiday lights, the cards and gifts and wrapping papers, the toy villages and store displays and Macy's holiday parade, Bing Crosby and Santa Claus. 
 Viewing Christmas through the media of mass culture--engravings and lithographs, magazine fiction, pictorial ads, news photos, cards, and movies--Marling tells us how the beloved Christmas tree grew out of a much-reprinted image of Queen Victoria and her family gathered around a decorated fir; how Santa Claus lost his provincial Dutch character and turned into the jolly old soul we know; how Charles Dickens's A Christmas Carol borrowed from Washington Irving's imaginings of what Christmas must have been like in Merrie Olde England; and how the holiday, balancing between the private and public realms, conferred a central and defining role on women. 
 A celebration of the visual culture of the season, Merry Christmas! offers captivating evidence that Christmas in America is primarily a secular celebration of abundance, goodwill, and familial identity, expressed in a multitude of material ways.

Merry Christmas! : Celebrating America's Greatest Holiday

Marling, Karal Ann

Arts & Photography

Harvard University Press

It wouldn't be Christmas without the "things." How they came to mean so much, and to play such a prominent role in America's central holiday, is the tale told in this delightful and edifying book. In a style characteristically engaging and erudite, Karal Ann Marling, one of our most trenchant observers of American culture, describes the outsize spectacle that Christmas has become, showing us the provenance and significance of each of its essential parts: the decorated trees and holiday lights, the cards and gifts and wrapping papers, the toy villages and store displays and Macy's holiday parade, Bing Crosby and Santa Claus.
Viewing Christmas through the media of mass culture--engravings and lithographs, magazine fiction, pictorial ads, news photos, cards, and movies--Marling tells us how the beloved Christmas tree grew out of a much-reprinted image of Queen Victoria and her family gathered around a decorated fir; how Santa Claus lost his provincial Dutch character and turned into the jolly old soul we know; how Charles Dickens's A Christmas Carol borrowed from Washington Irving's imaginings of what Christmas must have been like in Merrie Olde England; and how the holiday, balancing between the private and public realms, conferred a central and defining role on women.
A celebration of the visual culture of the season, Merry Christmas! offers captivating evidence that Christmas in America is primarily a secular celebration of abundance, goodwill, and familial identity, expressed in a multitude of material ways.

Merry Christmas!: Celebrating America’s Greatest Holiday

It is a story that has gone down in the annals of American art history: a New Yorker visiting upstate Hoosick Falls is entranced by four pictures hanging in the window of a drugstore. Investigating further, he learns they are the handiwork of a 78-year-old widow. Thus begins the rise to fame of Grandma Moses--farmwife, painter, and unlikely celebrity. 
In this book Karal Ann Marling, distinguished observer of American visual culture, looks at Grandma Moses as a cultural phenomenon of the postwar period and explores the meaning of her subject matter--and her astonishing fame. What did the "Greatest Generation" see in her simple renderings of people, young and old, tapping maple trees for syrup, making apple butter, gliding across snowy fields on sleighs? Why did Bob Hope, Irving Berlin, and Harry Truman all love her--and the art czars of New York openly despise her? Through the flood of Moses merchandise--splashed across Christmas cards, dishware, yard goods, and gewgaws of every kind--Marling traces the resonances that these "primitive" images struck in an America awkwardly adjusting to a new era of technology, suburbia, and Cold War tensions. 
Between the cultural ephemera, folklore, song, and history embedded in Moses' paintings and the potent advertising shorthand for Americana that her images rapidly became, this book reveals the widespread longing for the memories, comforts, and small victories of a mythic, intimate American past tapped by the phenomenon--in art and commerce alike--of Grandma Moses.

Designs on the Heart: The Homemade Art of Grandma Moses

History & Criticism

America in the 1950s: the world was not so much a stage as a setpiece for TV, the new national phenomenon. It was a time when how things looked--and how we looked--mattered, a decade of design that comes to vibrant life in As Seen on TV. From the painting-by-numbers fad to the public fascination with the First Lady's apparel to the television sensation of Elvis Presley to the sculptural refinement of the automobile, Marling explores what Americans saw and what they looked for with a gaze newly trained by TV. A study in style, in material culture, in art history at eye level, this book shows us as never before those artful everyday objects that stood for American life in the 1950s, as seen on TV.

As Seen on TV: The Visual Culture of Everyday Life in the 1950s

Humor & Entertainment

Television

America in the 1950s: the world was not so much a stage as a setpiece for TV, the new national phenomenon. It was a time when how things looked--and how we looked--mattered, a decade of design that comes to vibrant life in As Seen on TV. From the painting-by-numbers fad to the public fascination with the First Lady's apparel to the television sensation of Elvis Presley to the sculptural refinement of the automobile, Marling explores what Americans saw and what they looked for with a gaze newly trained by TV. A study in style, in material culture, in art history at eye level, this book shows us as never before those artful everyday objects that stood for American life in the 1950s, as seen on TV.

Explores George Washington's historical and present econographical meaning for America, as Revolutionary general, Father of His Country, first president, hero, and creator of a constitutional government

George Washington Slept Here: Colonial Revivals and American Culture, 1876-1986

He didn't write music or lyrics and wasn't too articulate on the subject of himself, but when he created his dream house Elvis Presley spoke volumes about who he was. From the musical notes that dance across the gates to the soaring columns of the neo-Southern manse, from the glittering stairwells to the jungle rec room to the plush-lined bathroom suite where he died, the colors and textures and shapes of Graceland speak eloquently for the boy from Tupelo who became the King of Rock 'n' Roll. What the mansion says of Elvis, and what it says to - and of - the millions of fans who make the journey there each year, is what Graceland: Going Home with Elvis is about. This conversation is what tourism is about, and so Graceland speaks of tourism as well of the author's forays into an alien South, its rhythms, its history, and of Elvis as the ultimate tourist, the musician on the road, ever in transit between home and the one-night stand. Reconstructing the changing interior of Graceland during its owner's lifetime, the book describes the cultural geography of Elvisness - his self-created material world - and of American mobility in the postwar era.

Graceland: Going Home with Elvis

Biographies & Memoirs

Arts & Literature

An interpretation of the places and the look of Elvis's life, from shotgun shack to mansion, presenting it as a dialogue he conducted with himself, family and fans. The book incorporates a guide to Graceland, with directions, admission prices and a detour into Southern literature and culture.

George Washington Slept Here: Colonial Revivals and American Culture, 1876–1986

In the split second that it took Associated Press photographer Joe Rosenthal to snap the shutter of his Speed Graphic, a powerful and enduring American symbol was born. "Iwo Jima: Monuments, Memories and the American Hero" tells the story of that icon as it appeared over the next 40 years in bond drive posters, stamps, Hollywood movies, political cartoons, and sculpture, most notably the colossal Marine Corps War Memorial outside Washington, D.C. The book is also a study of the soldiers who fought one of the bloodiest battles and of the impact of Iwo Jima on the rest of their lives. When the famous photograph first appeared in newspapers in 1945, it was little more than a grainy outline of massed men and their wafting flag, but for millions it captured the essence of American grit and determination. The Marines pictured were in fact in no immediate danger - they were replacing a small flag planted earlier atop Mt. Suribachi with a larger, more visible one - but to an enthusiastic public they were heroes risking their lives for Old Glory. The Battle of Iwo Jima raged for many days beyond the capture of this one position, and ultimately claimed the lives of almost 7000 American servicemen, yet already the tableau symbolized victory. Marling and Wetenhall illuminate the ironies and misconceptions that proliferated around the Iwo Jima flag-raisings. Pride and nostalgia exalted the glorious epiphany of Rosenthal's image and suppressed the grisly and at times mundane reality of war. The ordinary men whose action has been immortalized became uneasy celebrities, while the planters of the first flag were doomed to oblivion. The authors have constructed a story from the reminiscences of survivors, rare archival sources, and dozens of documentary photographs They give the first comprehensive account of the building of the Marine Corps War Memorial, dedicated in 1954. And in a final chapter they follow a group of American veterans who returned to the island in 1985 and met Japanese survivors. Dedicated to the men who fought on Iwo Jima, this study in cultural iconography aims to transcend the icon to show the honour in remembering what really happened.

Iwo Jima: Monuments, Memories, and the American Hero

Wetenhall, John

See the best price to sell, buy, or rent books by Marling, Karal Ann. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Marling, Karal Ann

See the best price to sell, buy, or rent books by Marling, Karal Ann. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Merry Christmas! : Celebrating America's Greatest Holiday

Merry Christmas!: Celebrating America’s Greatest Holiday

Designs on the Heart: The Homemade Art of Grandma Moses

As Seen on TV: The Visual Culture of Everyday Life in the 1950s

As Seen on TV: The Visual Culture of Everyday Life in the 1950s

George Washington Slept Here: Colonial Revivals and American Culture, 1876-1986

Graceland: Going Home with Elvis

Graceland: Going Home with Elvis

George Washington Slept Here: Colonial Revivals and American Culture, 1876–1986

Iwo Jima: Monuments, Memories, and the American Hero