Following Pablo Picasso's death in 1973, André Malraux was summoned by Jacqueline Picasso, the artist's widow, to her home at Mougins in the South of France. There, surrounded by Picasso's powerful last paintings "painted face to face with death," and his art collection destined for the Louvre, Malraux recollected Picasso's rebellious life and the metamorphosis of his art. In Picasso's Mask, Malraux's memories, at once personal and historical, evoke Picasso as a private man and as a legendary artistic genius. For over half a century, André Malraux (1901-1976) was intimately involved in French intellectual life, as philosopher, novelist, soldier, statesman, and secretary for cultural affairs. Malraux knew Picasso well, and here recollects a number of his conversations with the painter. In rich, evocative, and memory-filled prose, he has written an inspiring and moving reminiscence. Picasso's Mask is one of the most profound works in Malraux's remarkable oeuvre.

Picasso's Mask

Biographies & Memoirs

Malraux, André

Arts & Literature

Henry Holt & Company, Inc.

Lazarus

HOLT. RINEHART AND WINSTON

The dust jacket has minor closed tears to the head and the heel of the spine.

Anti-Memoirs

Harcourt, Brace & Co.

Felled Oaks: Conversation with De Gaulle

Mans Estate

Literature & Fiction

Penguin Putnam~trade

Days of Hope (Penguin Twentieth-Century Classics)

Penguin Books, Ltd.

Text: English (translation) 
Original Language: French

The Temptation of the West

History & Criticism

University of Chicago Press

Antimemoirs;

Hamish Hamilton

Days of hope;

Hamilton

Felled Oaks: Conversation with De Gaulle. Trans. from the FRench.

Holt, Rinehart (1972)

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