The earliest rock art - in the Americas as elsewhere - is geometric or abstract. Until Early Rock Art in the American West, however, no book-length study has been devoted to the deep antiquity and amazing range of geometrics and the fascinating questions that arise from their ubiquity and variety. Why did they precede representational marks? What is known about their origins and functions? Why and how did humans begin to make marks, and what does this practice tell us about the early human mind? With some two hundred striking color images and discussions of chronology, dating, sites, and styles, this pioneering investigation of abstract geometrics on stone (as well as bone, ivory, and shell) explores its wide-ranging subject from the perspectives of ethology, evolutionary biology, cognitive archaeology, and the psychology of artmaking. The authors' unique approach instills a greater respect for a largely unknown and underappreciated form of paleoart, suggesting that before humans became Homo symbolicus or even Homo religiosus, they were mark-makers - Homo aestheticus.

Early Rock Art of the American West: The Geometric Enigma

Arts & Photography

Dissanayake, Ellen

Malotki, Ekkehart

History & Criticism

University of Washington Press

Hopi Coyote Tales: Istutuwutsi (American Tribal Religions)

This volume brings together twenty-one traditional tales recently retold by Hopi narrators. Complete with English translations and original Hopi transcriptions on facing pages and a bilingual glossary. Hopi Coyote Tales is important to an understanding of the Hopi language and folklore. 
To nomadic hunters such as the Navajo, who competed with him on the open range, Coyote was by turns a formidable trickster, a demonic witchperson, and a god. As sedentary planters, the Hopis tended to reduce Coyote to the level of a laughable fool. In these tales Coyote is a friendly bumbler whose mistakes teach listeners what tricks to avoid. Time after time he is hurt or killed for failing to understand a situation correctly. The collection is as amusing as animal fables should be, as simply told, and as instructive.
Published as a companion volume to Father Berard Haile's Navajo Coyote Tales, Hopi Coyote Tales is a valuable contribution to cross-cultural studies.

Politics & Social Sciences

Lomatuway'Ma, Michael

Social Sciences

University Of Nebraska Press

Stories of Maasaw, a Hopi God (American Tribal Religions) (English and Central American Indian Languages Edition)

Univ of Nebraska Pr

Kokopelli the flute player is one of the most popular icons that American culture has adopted from the Native peoples of North America. The Kokopelli name and image are everywhere, adorning everything from jewelry, welcome mats, T-shirts, and money clips to motels, freeway underpasses, nature trails, nightclubs, and string quartets. Kokopelli evokes mystery and wonder, ancient ceremonies and spirituality, Mother Earth and the purity of nature. 
But what exactly is Kokopelli? Just how Native American is this ubiquitous flute player? In this fascinating book, the distinguished scholar of Hopi culture and history Ekkehart Malotki describes the development of the Kokopelli phenomenon in American mass culture from its beginning to Kokopelli’s present status as pan-Southwestern icon. He explores the figure’s connections with the Hopi kachina god Kookopölö and Maahu, the cicada, and discusses how this rock-art image has been appropriated and misunderstood. Kokopelli sheds light on a little-understood aspect of Hopi culture and testifies to the continuing power of Native cultures to spark the popular imagination and interest of outsiders.

Kokopelli: The Making of an Icon

Biographies & Memoirs

Professionals & Academics

Hopi Stories of Witchcraft, Shamanism, and Magic

The traditional Hopi world, as reflected in Hopi oral literature, is infused with magic—a seamless tapestry of everyday life and the supernatural. That magic and wonder are vividly depicted in this marvelous collection of authentic folktales. For the Hopis, the spoken or sung word can have a magical effect on others. Witchcraft—the wielding of magic for selfish purposes by a powaqa, or sorcerer—has long been a powerful, malevolent force. Sorcerers are said to have the ability to change into animals such as a crow, a coyote, a bat, or a skeleton fly, and hold their meetings in a two-tiered kiva to the northeast of Hopi territory. Shamanism, the more benevolent but equally powerful use of magic for healing, was once commonplace but is no longer practiced among the Hopis. Shamans, or povosyaqam, often used animal familiars and quartz crystals to help them to see, diagnose, and cure illnesses. Spun through these tales are supernatural beings, otherworldly landscapes, magical devices and medicines, and shamans and witches. One story tells about a man who follows his wife one night and discovers that she is a witch, while another relates how a jealous woman uses the guise of an owl to make a rival woman's baby sick. Other tales include the account of a boy who is killed by kachinas and then resurrected as a medicine man and the story of a huge rattlesnake, a giant bear, and a mountain lion that forever guard the entrance to Maski, the Land of the Dead.

Gary, Ken

Book by Malotki, Ekkehart, Lomatuway'ma, Michael

Stories of Maasaw, a Hopi God (American Tribal Religions)

Religion & Spirituality

Maasaw: Profile of a Hopi God (American Tribal Religions)

History

Americas

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Books by Malotki, Ekkehart