This is the demarcation of perceived  line falling short of continuation. Cut staple / recruit monologue. Repeat so blinking doubles. There are no apologies left to borrow or bide in a pinch. (Perhaps de Beauvoir did it best twice.) Products of different countries a vector into bodies of numerous nationalities. These effects. Sex is still on the modified agenda akimbo time zones survive difficult release realize malapert options. There's no funding for your thinking. How a reject comes - to be selected. Dowse name brands and reinvent the bow tie. Bow wow visits the month before. The word's streteched or condensed in addition to interpretation so meaning's local levels become individually acute while generally accounting for ''misunderstood''. If you show a bit of leg the ledger shifts regardless of whose lap supports it.

The Tongue Moves Talk

Literature & Fiction

Mac Cormack, Karen

Poetry

Chax Press

from: historical letters 8 I expect all those sort of things of hers went to a cousin or a great nephew or great great. I am not at all sure but think his name was John Christian & have no idea where he lives. Margaret Mac Cormack (née Ward Thomas) The wind as confluence of surfaces tangled if unseen by any ''poetress.'' Henry served on the Wolverine suppressing the slave trade on the East Coast of Africa (1849 52). ''In one's arms'' a location of intimacy, though ''it is not possible to be lucid about the dances of society in the interval after the minuet and gavotte . . . and before the waltz and quadrille.'' When that ties what this, a schism, the glimpse of shape of hand inherited line of neck an eye on both. All the Sunday afternoons of a lifetime. Walk away. I have, as I mentioned earlier, no intention of giving ''the family'' the details of my lifestyle and accordingly I should expect envy, to a certain degree. (However, it would appear that envy has no degrees, a fact I constantly forget. But the implications I read into her letter cut a little deeper than usual. . . . ) (Carrara, Italy, 27 February 78) In a locale (or at a ''location'') where seagulls prove nocturnal (the white gulls of Porto) the Atlantic is a stretch into Baroque sky s cathedral identification. The steepness rewinds streets to shore, bridges and liquids splay across breeze the laundry being so copious blocks. She notes that ''Even the most scintillating pen can descend to depths of abysmal boredom when it describes travels.'' Yet another's ''discretion with her pen is forever a smokescreen.'' The pages remain sheets of discrete opacity words are aligned on but while meaning rotates each reader of meanings part attention gaps. ''Everybody looked magnificent, nobody happy.'' The planet's spinning and our traversing (with) it a shorthand of applied relocation. Never far from near(by). Open-air sex the scent of night grass and line of bark breaking across other than spoke. How the leaves moved post-indentation's ''we.'' Summer night it was the moss-scent fingers slid toward an appreciation of green in multiple shades. A small park off a residential street's still there, though what were once one-hundred-year-old apple trees have been cleared for a motorway. To have gone away again means I've still not met him. Remind the shell of the land sea uncovers, hold the glass up to the eclipse s fifteen minutes. The windows open out, in, up, or not at all, on a garden, the street, the sea, a lake, river or desert, cobbled courtyard, mountains, sometimes hills, with or without curtains, a highway, motorway, freeway, other windows' occupants, deck. Cicada time in the present but Jezebel's famous for learning censure by simply looking out. From a prior car a winter afternoon's snow on the road and in fields passed by on time for coach home. The oncoming pick-up right in the middle it's a good thing there weren t seatbelts fastened as the swerve up the incline rolled us into the back seats upside down over the side of the then empty road. No injuries except to the car in dimpse (twilight). Three strikes and light's out.

Implexures

Poetry. "Karen Mac Cormack writes a play of voices and the voicing of places as they combine. The combination is one where what would otherwise be merely singular begins to overlap. Citation, statement and creation--a multiplicity of moments that are only present as a weave--work together to narrate. The reader is implicated from the start. However, there is no single place that calls. Voices continue to speak. Identities however--the names and voices--can only ever be glanced at. And yet, the writing suggests. Humor and a complex sense of pathos work together. The writing entices. As would be expected Karen Mac Cormack has written an important book. Its presence connects the pleasure that reading affords with the critical reflection that writing demands"--Andrew Benjamin.

Implexures (complete)

In Marine Snow, her fifth collection of poetry, Karen Mac Cormack extends her investigation into sentence effects, particularly the integration of poetic line with prose period. By returning language to a functional mandate this work reveals how meaning emerges in the sites of its production. These poems fuse a propositional language with stanzaic configurations to explore phenomenological implications in perception as mediated through both the orthodox and the errant trajectories of language, writing, and space.

Marine snow

ECW Press

<p>Poetry. Art. "Relevant disturbance," "weigh your words carefully," and weigh is one of the things Mac Cormack does so well in this melange of poetry and visual poetry by one of the most innovative of America's (and formerly Canada's) poets. This is courageous, visionary work.</p>

Rechelesse Pratticque

Arts & Photography