This tale of wild adventure reveals the dashed hopes of Africans living between worlds. When Moki returns to his village from France wearing designer clothes and affecting all the manners of a Frenchman, Massala-Massala, who lives the life of a humble peanut farmer after giving up his studies, begins to dream of following in Moki’s footsteps. Together, the two take wing for Paris, where Massala-Massala finds himself a part of an underworld of out-of-work undocumented immigrants. After a botched attempt to sell metro passes purchased with a stolen checkbook, he winds up in jail and is deported. Blue White Red is a novel of postcolonial Africa where young people born into poverty dream of making it big in the cities of their former colonial masters. Alain Mabanckou's searing commentary on the lives of Africans in France is cut with the parody of African villagers who boast of a son in the country of Digol.

Blue White Red: A Novel (Global African Voices)

Literature & Fiction

MABANCKOU, ALAIN

Humor & Satire

Indiana University Press

In The Tears of the Black Man, award-winning author Alain Mabanckou explores what it means to be black in the world today. Mabanckou confronts the long and entangled history of Africa, France, and the United States as it has been shaped by slavery, colonialism, and their legacy today. Without ignoring the injustices and prejudice still facing blacks, he distances himself from resentment and victimhood, arguing that focusing too intensely on the crimes of the past is limiting. Instead, it is time to ask: Now what? Embracing the challenges faced by ethnic minority communities today, The Tears of the Black Man looks to the future, choosing to believe that the history of Africa has yet to be written and seeking a path toward affirmation and reconciliation.

The Tears of the Black Man (Global African Voices)

History & Criticism

A hopeful, music-infused poetry collection from Congolese poet Alain Mabanckou. These compelling poems by novelist and essayist Alain Mabanckou conjure nostalgia for an African childhood where the fauna, flora, sounds, and smells evoke snapshots of a life forever gone. Mabanckou's poetry is frank and forthright, urging his compatriots to no longer be held hostage by the civil wars and political upheavals that have ravaged their country and to embrace a new era of self-determination where the village roosters can sing again. &nbsp; These music-infused texts, beautifully translated by Nancy Naomi Carlson and supported by a grant from the National Endowment for the Arts, appear together in English for the first time. In these pages, Mabanckou pays tribute to his beloved mother, as well as to the regenerative power of nature, and especially of trees, whose roots are a metaphor for the poet's roots, anchored in the red earth of his birthplace. Mabanckou's yearning for the land of his ancestors is even more poignant because he has been declared persona non grata in his homeland, now called Congo-Brazzaville, due to his biting criticism of the country's regime. Despite these barriers, his poetry exudes hope that nature's resilience will lead humankind on the path to redemption and reconciliation.

As Long As Trees Take Root in the Earth: and Other Poems (The Africa List)

Poetry

Seagull Books

Alain Mabanckou’s riotous new novel centers on the patrons of a run-down bar in the Congo. In a country that appears to have forgotten the importance of remembering, a former schoolteacher and bar regular nicknamed Broken Glass has been elected to record their stories for posterity. But Broken Glass fails spectacularly at staying out of trouble as one denizen after another wants to rewrite history in an attempt at making sure his portrayal will properly reflect their exciting and dynamic lives. Despondent over this apparent triumph of self-delusion over self-awareness, Broken Glass drowns his sorrows in red wine and riffs on the great books of Africa and the West. Brimming with life, death, and literary allusions, Broken Glass is Mabanckou’s finest novel a mocking satire of the dangers of artistic integrity.

Broken Glass

Literary

SOFT SKULL PRESS *

"A man sits in a bar, ruminating on his own failures and conversing with an ensemble of memorable characters that pass in and out of the same space. It’s archetypal stuff, but Mabanckou transforms it into a work that intimately inhabits its narrator’s mind even as it makes a host of bold literary allusions, from Paul Laurence Dunbar to Eugène Ionesco. A new introduction to this edition by Uzodinma Iweala offers varied and nuanced insights into the novel’s themes as well as the initial reception it received when it first appeared in translation." ―Words Without Borders In Republic of the Congo, in the town of Trois-Cents, in a bar called Credit Gone West, a former schoolteacher known as Broken Glass drinks red wine and records the stories of the bar and its regulars, including Stubborn Snail, the owner, who must battle church people, ex-alcoholics, tribal leaders, and thugs set on destroying him and his business; the Printer, who had his respectable life in France ruined by a white woman, his wife; Robinette, who could outdrink and outpiss any man until a skinny-legged stranger challenged her reign; and Broken Glass himself, whose own tale involves as much heartbreak, squalor, disappointment, and delusion. A brand-new edition of an irreverent, allusive, scatalogical, tragicomic masterpiece from one of our greatest living Francophone writers.

Broken Glass: A Novel

Dramas & Plays

Soft Skull

All human beings, says an African legend, have an animal double. Some doubles are benign, others wicked. This legend comes to life in Alain Mabanckou’s outlandish, surreal, and charmingly nonchalant Memoirs of a Porcupine. When Kibandi, a boy living in a Congolese village, reaches the age of 11, his father takes him out into the night and forces him to drink a vile liquid from a jar that has been hidden for years in the earth. This is his initiation. From now on, he and his double, a porcupine, become accomplices in murder. They attack neighbors, fellow villagers, and people who simply cross their path, for reasons so slight that it is virtually impossible to establish connection between the killings. As he grows older, Kibandi relies on his double to act out his grizzly compulsions, until one day even the porcupine balks and turns instead to literary confession. Winner of the Prix Renaudot, France’s equal to the National Book Award, Alain Mabanckou is considered one of the most talented writers today. He was selected by the French journal Lire as one of fifty writers to watch this coming century. And as Peter Carey suggests, he positions himself at the margins, tapping the tradition founded by Celine, Genet, and other subversive writers.” In this superb and striking story, Mabanckou brings new power to magical realism, and is sure to excite American audiences nationwide.

Memoirs of a Porcupine

Written on the twentieth anniversary of James Baldwin’s death, Letter to Jimmy is African writer Alain Mabanckou’s ode to his literary hero and an effort to place Baldwin’s life in context within the greater African diaspora. Beginning with a chance encounter with a beggar wandering along a Santa Monica beacha man whose ragged clothes and unsteady gait remind the author of a character out of one of James Baldwin’s novels Mabanckou uses his own experiences as an African living in the US as a launching pad to take readers on a fascinating tour of James Baldwin’s life. As Mabanckou reads Baldwin’s work, looks at pictures of him through the years, and explores Baldwin’s checkered publishing history, he is always probing for answers about what it must have been like for the young Baldwin to live abroad as an African-American, to write obliquely about his own homosexuality, and to seek out mentors like Richard Wright and Ralph Ellison only to publicly reject them later. As Mabanckou travels to Paris, reads about French history and engages with contemporary readers, his letters to Baldwin grow more intimate and personal. He speaks to Baldwin as a peera writer who paved the way for his own work, and Mabanckou seems to believe, someone who might understand his experiences as an African expatriate.

Letter to Jimmy

Biographies & Memoirs

Arts & Literature

Catapult

Alain Mabanckou left Congo in 1989, at the age of twenty-two, not to return until a quarter of a century later. When he finally came back to Pointe-Noire, a bustling port town on Congo’s southeastern coast, he found a country that in some ways had changed beyond recognition: the cinema where, as a child, Mabanckou gorged on glamorous American culture had become a Pentecostal temple, and his secondary school has been renamed in honor of a previously despised colonial ruler. But many things remain unchanged, not least the swirling mythology of Congolese culture that still informs everyday life in Pointe-Noire. Now a decorated writer and an esteemed professor at UCLA, Mabanckou finds he can only look on as an outsider in the place where he grew up. As he delves into his childhood, into the life of his departed mother, and into the strange mix of belonging and absence that informs his return to Congo, his work recalls the writing of V.S. Naipaul and André Aciman, offering a startlingly fresh perspective on the pain of exile, the ghosts of memory, and the paths we take back home.

The Lights of Pointe-Noire: A Memoir

The New Press

The “heart-breaking” (New York Times Book Review), rollicking, award-winning novel that has been described as “Oliver Twist in 1970s Africa” (Les Inrockuptibles) “One of the most compelling books you’ll read in any language this year.” —Rolling Stone Winner of the Hurston-Wright Legacy Award Longlisted for the Man Booker International Prize Shortlisted for the Albertine Prize Shortlisted for the Aspen Words Literary Prize Longlisted for the PEN Translation Prize Greeted with wildly enthusiastic reviews on publication, Alain Mabanckou’s riotous novel begins in an orphanage in 1970s Congo-Brazzaville run by a malicious political stooge who makes the life of our hero, Tokumisa Nzambe po Mose yamoyindo abotami namboka ya Bakoko—his name means “Let us thank God, the black Moses is born on the lands of the ancestors,” but most people just call him Moses—very difficult. Moses is also terrorized by his two fellow orphans—the twins Songi-Songi and Tala-Tala—but after Moses exacts revenge on them by lacing their food with hot pepper, the twins take Moses under their wing, escape the orphanage, and move to the bustling port town of Pointe-Noire, where they form a gang that survives on petty theft. What follows is a “pointed” (Los Angeles Times), “vivid and funny” (New York Times), larger-than-life tale that chronicles Moses’s ultimately tragic journey through the Pointe-Noire underworld and the politically repressive reality of Congo-Brazzaville in the 1970s and ’80s. “Ringing with beautiful poetry,” (Wall Street Journal) Black Moses is a vital new extension of Mabanckou’s cycle of Pointe-Noire novels that stand out as one of the grandest and funniest fictional projects of our time.

Black Moses: A Novel

See the best price to sell, buy, or rent books by MABANCKOU, ALAIN. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by MABANCKOU, ALAIN

See the best price to sell, buy, or rent books by MABANCKOU, ALAIN. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Blue White Red: A Novel (Global African Voices)

The Tears of the Black Man (Global African Voices)

As Long As Trees Take Root in the Earth: and Other Poems (The Africa List)

Broken Glass

Broken Glass: A Novel

Memoirs of a Porcupine

Letter to Jimmy

The Lights of Pointe-Noire: A Memoir

Black Moses: A Novel

Black Moses: A Novel