Just Like Daddy [soft Cover ]

Lucy

Freegard

Dean

Small Groups To Support Phonics, Grade 2

CALKINS

Heinemann

Bundle: Step Up With Chinese Textbook Level 3, 2nd Edition + Workbook

George's Cosmic Treasure Hunt (Turtleback School & Library Binding Edition)

Children's Books

Hawking, Stephen

Literature & Fiction

Turtleback

Little Tree And The Wood Wide Web

Brownridge

Ivy Kids Eco

Tübatulabal is the language spoken by the Indian people whose ancestral home is in the Kern River Valley near the southern end of the Sierra Nevada Mountains in California. Some of the older village sites are under the waters of Lake Isabella which was formed behind the Isabella Dam. Today many Tübatulabal people live in or near the towns of Weldon and Onyx in the Kern River Valley. Come of them still speak their native language. The word Tübatulabal means people who eat pine nuts. The pine nut, or pinon, was important in the diet of the ancient people. Lucy Andreas Arvidson is a Tübatulabal who was born in Onyx in 1923. She has lived all her life in the Kern River Valley. She attended South Fork School for eight years and then for four years went to Sherman Institute (now known as the Sherman Indian High School) in Riverside, California. She teachers the Tübatulabal language to an adult class at South Fork School, where she also works as a teacher s aide in the regular school program. This booklet was written and illustrated for children.

Alaawich (Our Language)

Arvidson

Malki-Ballena Press

Poetry. African &amp; African American Studies. Asian &amp; Asian American Studies. LGBTQIA Studies. Performance Studies. "Ronaldo V. Wilson explodes all over the mouth of whiteness in LUCY 72 like Césaire stroking the Latin root 'niger,' courting its deranged figuration. With satire, grace, deep lyric reflection--all inside of the persistent strangulation of a rigorous couplet--the radiant poems in LUCY 72 are a working out and a working on this thing we call 'race.' In these poems, whiteness is abstracted away from color and made manifest in gesture, a relaxed state, a non-awareness, and certain preferences and unperceived privileges. Wilson strips down the symbolic figure, Lucy, exposing her blind and deaf obsession with her own whiteness--'One of my favorite words is alabaster'--and cranks our eyes toward these brutal cultural tropes: there is 'a black' and then there is the effortless abstraction of whiteness; blackness is opaque; whiteness is transparent; blackness, hard object, whiteness, effervescence. LUCY 72 is a haunting, gorgeously written, and absolutely necessary book for our times. When Lucy speaks, we should all listen closely."--Dawn Lundy Martin "LUCY 72 is an intricate, multi-faceted, rarely used underhand serve executed with the power and skill of a masterful languager. Wilson undertakes and asserts a new kind of self-reflexive portraiture in which all manner of 'body' is addressed. The body historical, the racial body, the flesh body, all gather in an open-air refusal to conform, to resign. Here agency is fiercely nuanced--petaled and thorned...the gloves have come off. Raise your racquet. Loose your head and heart. These poems are a guidebook of rosary beads for crossing the street, returning an out wide serve, and for being transcendently human."--giovanni singleton

Lucy 72

Wilson, Ronaldo V.

Poetry

1913 Press

Democratizing Europe (Europe in Transition: The NYU European Studies Series)

A. Vauchez

Palgrave Pivot

The Life Of Joseph Addison (volume 2)

Aikin

"A New England Girlhood" is the autobiography of poet Lucy Larcom. Arriving in Lowell, Massachusetts, in the 1830s after the death of her shipmaster father, eleven-year-old Lucy Larcom went to work in a textile mill to help her family make ends meet. Originally published in 1889, her engaging autobiography offers glimpses of the early years of the American factory system as well as of the social influences on her development. It remains an important and illuminating document of the Industrial Revolution and nineteenth-century cultural history. In addition to offering an interesting view of the industrial experiment, where Yankee farm girls were brought in to work in the factories, "A New England Girlhood" weaves Christian morals into Lucy Larcom's story. While considered moralistic by some, this book will be positively refreshing to many others. The ninth of ten children, Lucy Larcom left Beverly, Massachusetts, in 1835 to work in the cotton mills in Lowell from the ages of 11 to 21. As a mill girl she hoped to earn some extra money for her family. While working at the mills in Lowell, Lucy made a huge impact. She wrote and published many of her songs, poems, and letters describing her life at the mills. Her idealistic poems caught the attention of John Greenleaf Whittier. Lucy Larcom served as a model for the change in women's roles in society. In the 1840s, she taught at a school in Illinois before returning to Massachusetts. From 1865 to 1873, she was the editor of Our Young Folks, later renamed St. Nicholas Magazine. Today "A New England Girlhood" is considered to be one of the best accounts of New England childhood of Lucy Larcom's time, and is commonly used as a reference in studying early American childhood.

Lucy Larcom: A New England Girlhood

Larcom

CreateSpace Independent Publishing Platform

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