Arthur Szyk was one of the most creative and determined political activists of his time. A gifted book illustrator and illuminator, a skillful caricaturist, and a crusader for causes, this multifaceted artist ceaselessly defended the rights of Jews and advocated on their behalf. Skilled in medieval and Persian miniature painting, Szyk redirected his artistry during World War II into political cartoons that unmasked the face of the Nazi enemy and mobilized popular opinion. His caricatures became daily fare in newspapers and magazines throughout the United States. In 1942 alone, Szyk’s war-driven cartoons were published in Esquire, Collier’s, Look, Liberty, Time, the Saturday Review of Literature, and the Saturday Evening Post. One magazine reported that Szyk cartoons were as popular as Betty Grable pin-ups for troops heading overseas. The Art and Politics of Arthur Szyk places the extraordinary artist and his work into the context of the turbulent times in which he lived (1894-1951). Hundreds of illustrations -- rendered in the artist’s original brilliant colors and painstakingly intricate detail -- were drawn from private and public collections around the world. The illuminations, paintings, prints, line drawings, lithographs, posters, magazine covers, and stamps are still vibrant and compelling. The political caricatures still resonate.

The Art and Politics of Arthur Szyk

Arts & Photography

Luckert, Steven

History & Criticism

U.S. Holocaust Memorial Museum

A history of Nazi propaganda based on never-before-published posters, rare photographs, and historical artifacts from the USHMM’s groundbreaking exhibition. “Propaganda,” Adolf Hitler wrote in 1924, “is a truly terrible weapon in the hands of an expert.” State of Deception: The Power of Nazi Propaganda documents how, in the 1920s and 1930s, the Nazi Party used posters, newspapers, rallies, and the new technologies of radio and film to sway millions with its vision for a new Germany―reinforced by fear-mongering images of state “enemies.” These images promoted indifference toward the suffering of neighbors, disguised the regime’s genocidal actions, and insidiously incited ordinary people to carry out or tolerate mass violence.The United States Holocaust Memorial Museum is addressing this topic today because, in an age of instant electronic communication, disseminators of messages and images of intolerance and hate have new tools, while at the same time consumers seem less able to cope with the vast amounts of unmediated information bombarding them daily. It is hoped that a deeper understanding of the complexities of the past may help us respond more effectively to today’s propaganda campaigns and biased messages.230 illustrations

State of Deception: The Power of Nazi Propaganda

History

Bachrach, Susan

Europe

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Books by Luckert, Steven