Poetry. RED CLAY IS TALKING is the first published collection of poetry by prominent Jungian analyst Naomi Ruth Lowinsky. In this new collection, Lowinsky transcribes her experience as a woman, and a young mother, a traveler in India into her poetry. "The voice here is rich and musical. It balances the breadth of a woman's life on the turtle back, the bull's hips of myth"--Richard Silberg. "This is a poetry of quest, and the poet takes us through myriad ages and cultures. We partake with her in ecstasy and darkness, passion, epiphany and hunger, and our world is larger for it"--Diane di Prima.

Red Clay Is Talking

Literature & Fiction

Lowinsky, Naomi Ruth

Poetry

Scarlet Tanager Books

Poetry. In Naomi Ruth Lowinsky's work as a Jungian analyst she was flooded by poems dealing with the analytic process that now comprise the core of CRIMES OF THE DREAMER. "The dance of her poems is a recovery of the deep anima-energy. Lowinsky's mythic orientation allows her to move easily among various realms: personal, religious, historical. 'My story is different/than the one men tell' she insists in an earlier book. Here the crime is the crime of birth and history, which the poet not only redeems but re-dreams. Again and Again the book transport us to what Lowinsky calls that primal place in which the god-image leaps out of the animal realm"--Jack Foley.

Crimes of the Dreamer

"Naomi Lowinsky has given us a remarkable, fearless, and full autobiography. Speaking in poetic, psychologically sensitive, scholarly dialogues with her shape-shifting muse, she has created a new form . . . This is a beautiful book to treasure and spread among worthy friends."--Sylvia Perera, Author of 'Descent to the Goddess' and 'Celtic Queen Maeve and Addiction.' ". . . Naomi Ruth Lowinsky offers us a superbly detailed investigation of the powerful, mythic forces of the world as they are revealed to the active creative self. Don't miss this enlightening and fascinating book." --David St. John, Author of 'Study for the World's Body: New and Selected Poems' and 'Prism.' "Naomi's poetry and prose is infused with the suffering and joys of humans everywhere. Insightful and deeply moving, she brings us the food and water of life." --Joan Chodorow, Author of 'Dance Therapy and Depth Psychology', editor of 'C.G. Jung on Active Imagination.' "A passionate love letter to those who yearn to be heard. A must read for every woman who longs to write poetry." --Maureen Murdock, Author of The Heroine's Journey and Unreliable Truth: On Memoir and Memory. "Naomi Ruth Lowinsky reinterprets mythic and historical reality in provocative versions of the stories of Eurydice, Helen, Ruth, Naomi, and Sappho. The voice of the Sister from Below argues, cajoles, prods, explains, and yes, loves her human counterpart, and becomes the inspiration for Lowinsky's stunning poetry in this highly original book." --Betty de Shong Meador, Author of Inanna, Lady of Largest Heart and Princess, Priestess, Poet.

The Sister From Below: When the Muse Gets Her Way

Self-Help

Creativity

Fisher King Press

Our mothers are the first world we know, the source of our lives and stories. Embodying the mysteries of origin, they tie us to the great web of kin and generation. Yet, the voice of their experience is seldom heard. The Motherline describes a woman’s journey to find her roots in the personal, cultural, and archetypal realms. It was written for women who have mothers, are mothers, or are considering motherhood, and for the men who love them. Telling the stories of women whose maturation has been experienced in the cycle of mothering, it urges a view of women that does not sever mother from daughter, feminism from “the feminine,” body from soul.

The Motherline: Every Woman's Journey to Find Her Female Roots

Religion & Spirituality

Your Face in the Fire

Relationships

Blue Light Press

Naomi Ruth Lowinsky's poetry has been widely published. Her fourth poetry collection, The Faust Woman Poems, follows one woman's Faustian adventures during the 1960s and '70s, through Women's Liberation and the return of the Goddess. Her memoir, The Sister from Below: When the Muse Gets Her Way tells stories of her pushy muse. She is the author of The Motherline: Every Woman's Journey to find Her Female Roots. Lowinsky is a Jungian Analyst and member of the San Francisco Jung Institute where she has taught a poetry workshop, Deep River, for many years. She is co-editor, with Patricia Damery, of the essay collection Marked by Fire: Stories of the Jungian Way. She is also Poetry Editor of Psychological Perspectives, a publication of the Los Angeles Jung Institute. She lectures and gives writing workshops in many settings and blogs about poetry and life at sisterfrombelow.com. ~~~ Recipe for a superb chapbook: Sing a song of home, of the places that have held you. Lament the haunted Shoah-torn dwellings that could not hold, and invoke the poets that gathered the remnants of grief. Create a dirge for the loss of your home where the great power animals and spirits hovered, and give the home a voice to wail your leaving. Celebrate the husband who makes a house a home and lovemaking that brings fire to the everyday. Conjure character and richness out of loss, moving back and forth through time in anguish and joy, as though all times were this one. Descend to the deep where you are swallowed and spat out-whole. Find solace in a new garden amid the unexpected. I heartfully recommend that you join Naomi Lowinsky in this powerful, finely crafted journey, as The Little House on Stilts Remembers. ~~~ Leah Shelleda, author of After the Jug Was Broken and A Flash of Angel

The Little House On Stilts Remembers

A sanctuary for the soul—In The Rabbi, the Goddess, and Jung, Naomi Ruth Lowinsky shows us how to create a sacred space by cultivating one’s inner life. Admitting that this is not an easy practice in our hectic, fearful times, she demonstrates how the word from within orients—whether it comes as gift or disturbance, guest or ghost, riddle or revelation. It may force a confrontation with one’s worst fears. It may visit in nightmare images, such as the enormous spider with hairy legs and eight baleful eyes that appeared in a dream, come to warn, it would seem, of the perils facing human nature and Mother Nature. It is essential, especially in difficult times, to make space for what the Kabbalah calls “the beyond that lies within”—the still small voice of the Self, the long view of the wisdom traditions. In this collection of poetic, visionary essays, Lowinsky tells stories of the Lady Tree who showed up when she was six, and has wandered in and out of her life, revealing her Goddess nature. Active imagination enables her to work out unfinished business with ancestors including her father and Jung. Dreams introduce her to her spirit guides, and to a dancing rabbi who insists she study Kabbalah. And that scary spider turns out to be Grandmother Spider, a creator goddess who has the power, if we recognize Her, to help us reweave our relationship with earth.

The Rabbi, The Goddess, and Jung: Getting the Word from Within

Naomi Ruth Lowinsky was the first child born in the New World to a family of German Jewish refugees from the Shoah. Many in her family were lost in the death camps. It has been the subject and the gift of her poetry and prose-to write herself out of the terror, into life. Naomi had a special tie with her only surviving grandparent, the painter Emma Hoffman, whom she called "Oma." Oma showed her that making art can be a way to transmute grief, a way to bear the unbearable. The cover of Adagio and Lamentation is a watercolor by Emma Hoffman-an interior view of the Berkeley home where Naomi visited her often as a teenager. Oma tried her best to make a painter of her, but Naomi was no good at it. Poetry was to be her vehicle. Adagio and Lamentation is Naomi's offering to her ancestors, a handing back in gratitude and love. It is also her way of bringing them news of their legacy-the cycle of life has survived all they suffered-Naomi has been blessed by many grandchildren.

Adagio & Lamentation

il piccolo editions

What became of our fierce flowering?In the 1960s and ‘70s the long forgotten and forbidden Great Goddess roused herself from millennia of slumber and took possession of young women’s imaginations. That cast out She offered a Faustian bargain—She would rip you out of your narrow domesticated self image, thrust you into the wilds of sex, power and creativity, initiate you into the mysteries of Earth and Starry Heaven, but you would owe Her your soul. A generation of women followed Her. Some knew her as Feminism, some knew her as the Deep Feminine, many as both.The Faust Woman Poems trace one woman’s Faustian adventures through that time. Most of a lifetime later the Great Goddess returns to the poet. As oceans rise and species die She demands Her due.

The Faust Woman Poems

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