A combined edition of the poet's early work, including Lord Weary's Castle, a collection of forty-two short poems, which won the 1947 Pulitzer Prize, and The Mills of the Kavanaughs, a narrative poem of six hundred lines, and five other long poems.

Lord Weary's Castle; The Mills of the Kavanaughs (Harvest/HBJ Book)

Self-Help

LOWELL, ROBERT

Relationships

Ecco

For the first time, the collected poems of America's preeminent postwar poet Edmund Wilson wrote of Robert Lowell that he was the "only recent American poet--if you don't count Eliot--who writes successfully in the language and cadence and rhyme of the resounding English tradition." Frank Bidart and David Gewanter have compiled a definitive edition of Lowell's poems, from the early triumph of Lord Weary's Castle, winner of the Pulitzer Prize, to the brilliant willfulness of his Imitations of Sappho, Baudelaire, Rilke, and other masters, to the late spontaneity of his History, winner of another Pulitzer, and of his last book of poems, Day by Day. The book will also include several poems never previously collected, as well as a selection of Lowell's intriguing drafts. As poet and critic Randall Jarrell said, "You feel before reading any new poem of his the uneasy expectation of perhaps encountering a masterpiece." Lowell's Collected Poems will offer the first opportunity to view the entire range of his astonishing verse.

Robert Lowell: Collected Poems: Edited by Frank Bidart and David Gewanter; Introduction by Frank Bidart

Literature & Fiction

Poetry

Farrar. Straus and Giroux

This vast collection of Robert Lowell's uniformly vigorous and well-written essays, which first appeared in 1987, was edited and introduced by Robert Giroux, his longtime editor and friend. Ranging chronologically from a student paper on the Iliad that Lowell composed in 1935 to the unfinished essay, "New England and Further," on which he was working when he died in 1977, Collected Prose is a telling and fascinating compendium of the ideas, arguments, and opinions of one of modernity's most important poets. With many critical writings and book reviews concerning all manner of poets old and new (from Vergil and Ovid to Frost and Stevens, from Hopkins and "Epics" to Bishop and Plath) as well as recently discovered autobiograpical writings, two extended interviews, and learned yet approachable musings on everything from the Gettyburg Address to the art and craft of translation, this prose ominbus is must-reading for all students and scholars of twentieth-century American literature.

The Collected Prose

United States

The correspondence between one of the most famous couples of twentieth-century literature The Dolphin Letters offers an unprecedented portrait of Robert Lowell and Elizabeth Hardwick during the last seven years of Lowell’s life (1970 to 1977), a time of personal crisis and creative innovation for both writers. Centered on the letters they exchanged with each other and with other members of their circle―writers, intellectuals, friends, and publishers, including Elizabeth Bishop, Caroline Blackwood, Mary McCarthy, and Adrienne Rich―the book has the narrative sweep of a novel, telling the story of the dramatic breakup of their twenty-one-year marriage and their extraordinary, but late, reconciliation.
Lowell’s controversial sonnet-sequence The Dolphin (for which he used Hardwick’s letters as a source) and his last book, Day by Day, were written during this period, as were Hardwick’s influential books Seduction and Betrayal: Essays on Women in Literature and Sleepless Nights: A Novel. Lowell and Hardwick are acutely intelligent observers of marriages, children, and friends, and of the feelings that their personal crises gave rise to.
The Dolphin Letters, masterfully edited by Saskia Hamilton, is a debate about the limits of art―what occasions a work of art, what moral and artistic license artists have to make use of their lives as material, what formal innovations such debates give rise to. The crisis of Lowell’s The Dolphin was profoundly affecting to everyone surrounding him, and Bishop’s warning to Lowell―“art just isn’t worth that much”―haunts.

The Dolphin Letters, 1970-1979: Elizabeth Hardwick, Robert Lowell, and Their Circle

Biographies & Memoirs

HARDWICK, ELIZABETH

Arts & Literature

The dolphin

Stated First Printing bound in green cloth with gold lettering. 8vo size, 48 pp. A fine copy in a VG+ dust jacket. The book's boards are solid and clean. Tight, clean and unmarked inside. The dust jacket is tanned along its spine and the edges of the panels. Dust soiling to the panels. Rubs to its corners.

For Lizzie and Harriet

Farrar. Straus & Giroux

2nd Printing, ex libris bookplate on front paste down and initials on f.f.e.p. else a very good. Lacks DJ. Green boards, with corners a little bumped, green top edge.

For the Union Dead

Farrar, Strauß and Giroux

The poet conveys his feelings and ideas about life and personalities in history

History

Imitations

Words in Air: The Complete Correspondence Between Elizabeth Bishop and Robert Lowell

Robert Lowell once remarked in a letter to Elizabeth Bishop that "you ha[ve] always been my favorite poet and favorite friend." 
The feeling was mutual. Bishop said that conversation with Lowell left her feeling "picked up again to the proper table-land of poetry," and she once begged him, "Please never stop writing me letters―they always manage to make me feel like my higher self (I've been re-reading Emerson) for several days." Neither ever stopped writing letters, from their first meeting in 1947 when both were young, newly launched poets until Lowell's death in 1977. 
Presented in Words in Air is the complete correspondence between Bishop and Lowell. The substantial, revealing―and often very funny―interchange that they produced stands as a remarkable collective achievement, notable for its sustained conversational brilliance of style, its wealth of literary history, its incisive snapshots and portraits of people and places, and its delicious literary gossip, as well as for the window it opens into the unfolding human and artistic drama of two of America's most beloved and influential poets.

Bishop, Elizabeth

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