Much has been written about London’s terraced houses with their simple dignity, their economical use of space, and their sense of comfort and human scale. Yet the small gardens that lie before or behind the houses in this great city have until now been overlooked. In this groundbreaking account of the development of the private garden in London, eminent garden historian Todd Longstaffe-Gowan provides a delightful remedy to the oversight. Recognizing the contribution of modest domestic gardens to the texture of eighteenth- and early nineteenth-century London, Longstaffe-Gowan explores in full detail the small gardens, their owners, and their significance to the development of the metropolis. Some two hundred illustrations enhance this rich and fascinating discussion.Town gardening was conventionally maligned as a trifling pursuit conducted within inhospitable and infertile enclosures. This view changed during the eighteenth century as middle class Londoners found in gardening activities an outlet for personal enjoyment and expression. This book describes how gardening affected the lives of many, becoming part of the ritual of the daily round and gratifying material aspirations.

The London Town Garden, 1700-1840

Crafts, Hobbies & Home

Longstaffe-Gowan, Todd

Gardening & Landscape Design

Paul Mellon Centre

Modern-day London abounds with a multitude of gardens, enclosed by railings and surrounded by houses, which attest to the English love of nature. These green enclaves, known as squares, are among the most distinctive and admired features of the metropolis and are England's greatest contribution to the development of European town planning and urban form. Traditionally, inhabitants who overlooked these gated communal gardens paid for their maintenance and had special access to them. As such, they have long been synonymous with privilege, elegance, and prosperous metropolitan living. They epitomize the classical notion of rus in urbe, the integration of nature within the urban plan—a concept that continues to shape cities to this day.
Todd Longstaffe-Gowan delves into the history, evolution, and social implications of squares, which have been an important element in the planning and expansion of London since the early 17th century. As an amenity that fosters health and well-being and a connection to the natural world, the square has played a crucial role in the development of the English capital.

The London Square: Gardens in the Midst of Town (Paul Mellon Centre for Studies in British Art)

History

Europe

Hampton Court Palace has the finest Baroque park and garden layout in Britain. Set within 2,000 acres of parkland and bounded on its south and east sides by the River Thames, the historic landscape possesses a rich overlay of garden improvements from the early 16th to the 21st centuries. This book explores the history of this landscape. Among the many themes it addresses are the role and impact of patrons, designers and estate workers; planting and horticultural techniques; statuary, fountains and other garden ornaments; and maintenance and conservation. The photographs by Vivian Russell that accompany the text constitute the most comprehensive topographical survey of the palace's gardens since the late 18th century.

The Gardens and Parks at Hampton Court Palace

Arts & Photography

Frances Lincoln

Lost Gardens of London

Collections, Catalogs & Exhibitions

Modern Art Press

A highly original study of eccentric English garden-makers and their extraordinary gardens 
In his new book, English Garden Eccentrics, renowned landscape architect and historian Todd Longstaffe-Gowan reveals a series of obscure and eccentric English garden-makers who, between the early seventeenth and the early twentieth centuries, created intensely personal and idiosyncratic gardens. They include such fascinating characters as the superstitious antiquary William Stukeley and the animal- and bird-loving Lady Read, as well as the celebrated master of Vauxhall Gardens, Jonathan Tyers, who created at his home at Denbies one of the gloomiest and most perverse anti-pleasure gardens in Georgian England. Others built miniature mountains, shaped topiaries, displayed exotic animals, excavated caves and assembled architectural fragments and fossils to realise their gardens in a way that was often thought to be excessive.\nWith quirky and compelling illustrations and chapters including ‘Lady Broughton’s “Miniature copy of the Swiss Glaciers”’, ‘Topiary on a Gargantuan Scale: The Clipped “Yew-trees” at Four Ancient London Churchyards’ and ‘The Burrowing Duke at Harcourt House’, English Garden Eccentricsbrings together garden and landscape history with cultural history and biography. The book engagingly reveals what it is about the gardener and his or her creation that can be seen as eccentric and focusses on an area of garden history that has scarcely been previously explored: gardens seen as expressions of the singular character of their makers, and therefore functioning, in effect, as a form of autobiography. 
This lively and accessible book calls on gardeners today to learn from example and dare to be eccentric.\nDistributed for the Paul Mellon Centre for Studies in British Art

English Garden Eccentrics: Three Hundred Years of Extraordinary Groves, Burrowings, Mountains and Menageries

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Books by Longstaffe-Gowan, Todd