Class &amp; Culture in Cold War America: A Rainbow at Midnight (Praeger Scientific) [Nov 01, 1981] Lipsitz, George

Class & Culture in Cold War America: A Rainbow at Midnight (Praeger Scientific)

Politics & Social Sciences

Lipsitz, George

Social Sciences

J.F. Bergin Publishers Inc.

Rainbow at Midnight: LABOR AND CULTURE IN THE 1940S

Business & Money

Economics

University of Illinois Press

Rainbow at Midnight details the origins and evolution of working-class strategies for independence during and after World War II. Arguing that the 1940s may well have been the most revolutionary decade in U.S. history, George Lipsitz combines popular culture, politics, economics, and history to show how war mobilization transformed the working class and how that transformation brought issues of race, gender, and democracy to the forefront of American political culture. This book is a substantially revised and expanded work developed from the author's heralded 1981 Class and Culture in Cold War America.

Class and Culture in Cold War America: A Rainbow at Midnight

History

Americas

Praeger

Confessions of a Radical Chicano Doo-Wop Singer (Volume 51) (American Crossroads)

A pioneer of Chicano rock, Rubén Funkahuatl Guevara performed with Frank Zappa, Johnny Otis, Bo Diddley, Tina Turner, and Celia Cruz, though he is best known as the front man of the 1970s experimental rock band Ruben And The Jets. Here he recounts how his youthful experiences in the barrio La Veinte of Santa Monica in the 1940s prepared him for early success in music and how his triumphs and seductive brushes with stardom were met with tragedy and crushing disappointments. Brutally honest and open, Confessions of a Radical Chicano Doo-Wop Singer is an often hilarious and self-critical look inside the struggle of becoming an artist and a man. Recognizing racial identity as composite, contested, and complex, Guevara—an American artist of Mexican descent—embraces a Chicano identity of his own design, calling himself a Chicano “culture sculptor” who has worked to transform the aspirations, alienations, and indignities of the Mexican American people into an aesthetic experience that could point the way to liberation.

Confessions of a Radical Chicano Doo-Wop Singer (American Crossroads) (Volume 51)

Biographies & Memoirs

Guevara, Rubén Funkahuatl

Kun, Josh

Arts & Literature

University of California Press

Seeing Race Again: Countering Colorblindness across the Disciplines

Every academic discipline has an origin story complicit with white supremacy. Racial hierarchy and colonialism structured the very foundations of most disciplines’ research and teaching paradigms. In the early twentieth century, the academy faced rising opposition and correction, evident in the intervention of scholars including W. E. B. Du Bois, Zora Neale Hurston, Carter G. Woodson, and others. By the mid-twentieth century, education itself became a center in the struggle for social justice. Scholars mounted insurgent efforts to discredit some of the most odious intellectual defenses of white supremacy in academia, but the disciplines and their keepers remained unwilling to interrogate many of the racist foundations of their fields, instead embracing a framework of racial colorblindness as their default position. This book challenges scholars and students to see race again. Examining the racial histories and colorblindness in fields as diverse as social psychology, the law, musicology, literary studies, sociology, and gender studies, Seeing Race Again documents the profoundly contradictory role of the academy in constructing, naturalizing, and reproducing racial hierarchy. It shows how colorblindness compromises the capacity of disciplines to effectively respond to the wide set of contemporary political, economic, and social crises marking public life today.

HoSang, Daniel Martinez

Crenshaw, Kimberlè Williams

Harris, Luke Charles

Danger Zone Is Everywhere: How Housing Discrimination Harms Health and Steals Wealth (American Crossroads) (Volume 73)

Compellingly argues that good health is as much social as it is biological, and that the racial health gap and the racial wealth gap are mutually constitutive. &nbsp; The Danger Zone Is Everywhere shows that housing insecurity and the poor health associated with it are central components of an unjust, destructive, and deadly racial order. Housing discrimination is a civil and economic injustice, but it is also a menace to public health.&nbsp; &nbsp; With this book, George Lipsitz reveals how the injuries of housing discrimination are augmented by racial bias in home appraisals and tax assessments, by the disparate racialized effects of policing, sentencing, and parole, and by the ways in which algorithms in insurance and other spheres associate race with risk. But The Danger Zone Is Everywhere also highlights new practices emerging in health care and the law, emphasizing how grassroots community mobilizations are creating an active and engaged public sphere constituency promoting new forms of legislation, litigation, and organization for social justice.

Examines the relationship between historical memory and commercial culture, and discusses popular television, music, and film

Time Passages: Collective Memory and American Popular Culture (American Culture, 4)

Univ of Minnesota Pr

"Time Passages is a far-reaching-and perhaps permanent-contribution to cultural studies." San Francisco Review of Books 
"This high take on 'low' culture examines the complex web of popular narratives that arise from and create the American collective memory. Studying the period from the end of World War II to the present, Lipsitz . . . inventively explores the popular canon, turning variously to television, rock music, film, novels, and the Mardi Gras Indians of New Orleans." Publishers Weekly 
"What really separates Lipsitz from earlier critics of popular culture is that he got his rock diploma from the high-school gym, not the Frankfurt School. Lipsitz knows the color of the labels, the B-sides, the cover versions." Boston Phoenix Literary Section 
"In a series of provocative and finely crafted essays on film, rock 'n' roll, early television, popular novels, New Orleans Mardi Gras celebrations, and other aspects of popular culture, Lipsitz argues that popular culture has been, and remains, an arena of hope, possibility, criticism, and even resistance for millions of ordinary people." American Studies 
George Lipsitz is professor of ethnic studies at the University of California, San Diego, where he serves as director of the Thurgood Marshall Institute. He is the author of many books, including Time Passages (see right), The Possessive Investment in Whiteness: How White People Profit from Identity Politics (1998), and Dangerous Crossroads: Popular Music, Postmodernism, and the Poetics of Place (1997).

University of Minnesota Press

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