Surrealists on art (A Spectrum book)

Lippard, Lucy R.

PRENTICE/HALL

Path Breakers is the third volume―following After the Storm―in a biennial series that brings the work of Native American fine artists to greater public attention. As Lucy Lippard writes in her introduction, the artists honored are “a wildly diverse and inventive lot.” Paintings, prints, photographs, sculpture, and installation pieces of variety, color, and power abound. Even a quick examination demonstrates Lippard’s contention that “the infinitely various ways of negotiating cultural space are apparent in contemporary Native art.” The 2003 Eiteljorg Fellowhip for Native American Fine Art honors as distinguished artist Kay WalkingStick (Cherokee) and names five fellows including Corwin “Corky” Clairmont (Salish /Kootenai), Robert Houle (Saulteaux), Nora Naranjo-Morse (Tewa–Santa Clara Pueblo), Nadia Myre (Algonquin), and Hulleah Tsinhnahjinnie (Diné/Seminole/Muscogee). Essays have been contributed by Lucy Lippard, Margaret Archuleta (Pueblo/Hispanic), Gail Tremblay (Onandaga/Micmac), Bonnie Devine (Ojibway), Patricia Deadman, Jennifer C. Vigil, and Veronica Passalacqua.

Path Breakers: The Eiteljorg Fellowship for Native American Fine Art, 2003 (Eiteljorg Fellowship Series)

Arts & Photography

History & Criticism

University of Washington Press

Eva Hesse

As Lippard points out, Hesse's use of obsessive repetition in her works served to increase and exaggerate the absurdity she saw in her life. In many ways, her works were ”psychic models,” as Robert Smithson has said, of ”a very interior person.” In pioneering the use of ”soft” materials, her sculptures betrayed her awareness of the manner in which her experience as a woman altered her art and career. Although she died before feminism affected the art world to any great extent, her major works have since become talismans for succeeding generations of women artists. Eva Hesse was designed by Hesse's friends and colleagues Sol LeWitt and Pat Stier; her sculptures, drawings, and paintings are reproduced and discussed; and the text includes numerous quotations from her diaries. First published in 1976 but long out-of-print, this classic text is both an insightful critical analysis and a tribute to an artist whose genius has become increasingly apparent with the passage of time.

Individual Artists

Da Capo Press

In Six Years Lucy R. Lippard documents the chaotic network of ideas that has been labeled conceptual art. The book is arranged as an annotated chronology into which is woven a rich collection of original documents―including texts by and taped discussions among and with the artists involved and by Lippard, who has also provided a new preface for this edition. The result is a book with the character of a lively contemporary forum that offers an invaluable record of the thinking of the artists―a historical survey and essential reference book for the period.

Six Years: The Dematerialization of the Art Object from 1966 to 1972

University of California Press

Changing: essays in art criticism (Documents in modern art criticism, 2)

Dutton

Changing

Plume

From the Center

Literature & Fiction

This collection of twenty essays reflects the ethical and political questions facing artists and ranges from scholarly reporting to comic strips

Get the Message?: A Decade of Art for Social Change

E.P.Dutton

More than thirty selections chart the growth of the author's feminist consciousness and reveal the current status of women's art. Bibliogs

From the Center: feminist essays on women's art

Studio

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Books by Lippard, Lucy R.