I Have No Enemies: The Life and Legacy of Liu Xiaobo

Late one night in December 2008, police arrived at the home of Liu Xiaobo-China's leading dissident, a key figure in the prodemocracy manifesto Charter 08-and took him away. When Liu won the 2010 Nobel Peace Prize as a political prisoner, the award was bestowed on an empty chair. Inside China, the regime sought to erase every trace of his existence. Liu died of liver cancer in 2017 without ever having been allowed to return home. I Have No Enemies is the definitive biography of Liu Xiaobo, offering a meticulously researched account of the twists and turns of a remarkable life. Perry Link and Wu Dazhi explore Liu's upbringing, immersion in classical Chinese poetry and philosophy, bold challenges to literary conformity, and involvement in democratic movements. They trace the lifelong evolution of his thinking and chronicle his persecution, incarceration, and death. I Have No Enemies emphasizes Liu's principled commitment to dissent and the significance of the example he set in China and around the world. Liu was a far-sighted strategist whose credo was "changing a regime by changing a society." In Tiananmen Square, he showed others how to face down armed soldiers; in daily life, he looked for ways to build a more democratic culture. A powerful record of Liu's life and times, this book also tells the story of a generation of Chinese intellectuals who sought a better way forward.

Biographies & Memoirs

Link, Perry

Wu, Dazhi

Historical

Columbia University Press

Late one night in December 2008, police arrived at the home of Liu Xiaobo-China's leading dissident, a key figure in the prodemocracy manifesto Charter 08-and took him away. When Liu won the 2010 Nobel Peace Prize as a political prisoner, the award was bestowed on an empty chair. Inside China, the regime sought to erase every trace of his existence. Liu died of liver cancer in 2017 without ever having been allowed to return home. I Have No Enemies is the definitive biography of Liu Xiaobo, offering a meticulously researched account of the twists and turns of a remarkable life. Perry Link and Wu Dazhi explore Liu's upbringing, immersion in classical Chinese poetry and philosophy, bold challenges to literary conformity, and involvement in democratic movements. They trace the lifelong evolution of his thinking and chronicle his persecution, incarceration, and death. I Have No Enemies emphasizes Liu's principled commitment to dissent and the significance of the example he set in China and around the world. Liu was a farsighted strategist whose ultimate goal was "to change a regime by changing a society." In Tiananmen Square, he showed others how to face down armed soldiers; in daily life, he looked for ways to build a more democratic culture. A powerful record of Liu's life and times, this book also tells the story of a generation of Chinese intellectuals who sought a better way forward.

This book presents a view of social life in China and discusses different methods for studying contemporary China as a tool for introducing students to the study of popular culture. Through a diverse set of case studies, it introduces readers to a wide range of issues facing Chinese society.

Unofficial China: Popular Culture And Thought In The People's Republic

Reference

Routledge

Unofficial China

A collection of conversations by Chinese writers, journalists, scientists, professors, and officials covers such important issues as resistance, individual responsibility, official tyranny, and the Tiananmen Square massacre.

Evening Chats in Beijing: Probing China's Predicament

Politics & Social Sciences

Link, E. Perry

Politics & Government

W.W.Norton& Company, Inc.

Background information on China's politics and government accompany twelve stories about life in China since Mao's death

Roses and Thorns: The Second Blooming of the Hundred Flowers in Chinese Fiction, 1979-80

Literature & Fiction

History & Criticism

University of California Press

During the Cultural Revolution, Mao exhorted the Chinese people to “smash the four olds”: old customs, old culture, old habits, and old ideas. Yet when the Red Guards in Tiananmen Square chanted “We want to see Chairman Mao,” they unknowingly used a classical rhythm that dates back to the Han period and is the very embodiment of the four olds. An Anatomy of Chinese reveals how rhythms, conceptual metaphors, and political language convey time-honored meanings of which Chinese speakers themselves may not be consciously aware, and contributes to the ongoing debate over whether language shapes thought, or vice versa.
Perry Link’s inquiry into the workings of Chinese reveals convergences and divergences with English, most strikingly in the area of conceptual metaphor. Different spatial metaphors for consciousness, for instance, mean that English speakers wake up while speakers of Chinese wake across. Other underlying metaphors in the two languages are similar, lending support to theories that locate the origins of language in the brain. The distinction between daily-life language and official language has been unusually significant in contemporary China, and Link explores how ordinary citizens learn to play language games, artfully wielding officialese to advance their interests or defend themselves from others.
Particularly provocative is Link’s consideration of how Indo-European languages, with their preference for abstract nouns, generate philosophical puzzles that Chinese, with its preference for verbs, avoids. The mind-body problem that has plagued Western culture may be fundamentally less problematic for speakers of Chinese.

An Anatomy of Chinese: Rhythm, Metaphor, Politics

Social Sciences

Harvard University Press

Book by Ch'en, Ta-tuan, Link, Perry, Tai, Yih-jian, Tang, Hai-tao

Chinese Primer, Pinyin

Ch'en, Ta-tuan

Tai, Yih-jian

Tang, Hai-tao

Foreign Language Study & Reference

Chinese Primer, Character Text

The Uses of Literature : Life in the Socialist Chinese Literary System

Why do people in socialist China read and write literary works? Earlier studies in Western Sinology have approached Chinese texts from the socialist era as portraits of society, as keys to the tug-of-war of dissent, or, more recently, as pursuit of "pure art." The Uses of Literature looks broadly and empirically at these and many other "uses" of literature from the points of view of authors, editors, political authorities, and several kinds of readers. Perry Link, author of Evening Chats in Beijing, considers texts ranging from elite "misty" poetry to underground hand-copied volumes (shouchauben) and shows in concrete detail how people who were involved with literature sought to teach, learn, enjoy, explore, debate, lead, control, and resist.
 Using the late 1970s and early 1980s as an entree to the workings of China's "socialist literary system," the author shows how that system held sway from 1950 until around 1990, when an encroaching market economy gradually but fundamentally changed it. In addition to providing a definitive overview of how the socialist Chinese literary system worked, Link offers comparisons to the similar system in the Soviet Union. In the final chapter, the book seeks to explain how the word "good" was used and understood when applied to literary works in such systems.
 Combining aspects of cultural and literary studies, The Uses of Literature will reward anyone interested in the literature of modern China or how creativity is affected by a "socialist literary system."

Humor & Satire

Princeton University Press

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