Chicago in the late nineteenth century was the wonder city of the Western world, its famous Loop the laboratory in which to study innovative commercial architecture. There, Old World assumptions were overthrown by New World realities, as the past was discounted, the present glorified, and the future eagerly anticipated. Visiting Europeans saw the Loop as an urban nucleus built by contemporary realists devoted to the pursuit of profits and a new, functional aesthetic. This futuristic city stunned them, and its crass mercantile class further appalled them: the three-minute lunch, the lightning-fast contract negotiations, the dead-run pace. Visitors also saw and admired what natives took for granted: Chicago's version of the present looked like the future. They critiqued it extensively in publications in France, Germany, and Great Britain, seeking to understand the causes linking the cloud-scraping office buildings of the Loop, the surrounding bucolic neighborhoods, and the expansive classicism of the 1893 World's Columbian Exposition in Chicago's Jackson Park and their implications for European culture. An Early Encounter with Tomorrow is the first book-length study of European criticism of 1890s Chicago. Arnold Lewis spent over twenty years researching in libraries abroad and in the U.S. to bring us this comprehensive and unique work. It is extravagantly illustrated with over seventy photographs, drawings, paintings, and contemporary cartoons. An exhaustive bibliography, arranged by country, is appended.

An Early Encounter with Tomorrow: Europeans, Chicago's Loop, and the World's Columbian Exposition

Arts & Photography

Lewis, Arnold

Architecture

University of Illinois Press

Winner of the Jacques Barzun Prize in Cultural History given by the Council of the American Philosophical Society Extravagantly illustrated with over seventy photographs, drawings, paintings, and contemporary cartoons, An Early Encounter with Tomorrow documents the mixture of amazement and alarm with which European visitors greeted 1890s Chicago: as a futuristic city animated by a crass, frenetic mercantile class. This volume also contains an extensive bibliography, arranged by country, and profiles of the foreign observers who sought the implications for European culture in what Asa Briggs called the "shock city" of the western world.

History

Americas

Originally published in 1883 to 1884, Artistic Houses comprised more than 200 photographs of the interiors of the homes of the well-to-do, with commentary on the woodwork, wall coverings, color schemes, and other aspects of interior décor. Today, historians consider Artistic Houses the best source of information and illustrations for private houses in major Eastern cities in the early 1880s. Although its authorship is not certain, the text is generally attributed to noted author and art critic George William Sheldon. This volume retains all of the photographs from the original two-volume work; the text, however, has been replaced with a version specially written for this edition. In addition to an introductory essay on the period's social and esthetic trends, extensive captions for each plate include most of the valuable information from Sheldon's descriptions plus biographical comments on the homeowners and their families, comments on paintings and sculptures, present condition of the houses, and locations. Over 200 photographs of 97 grand buildings include rare photographs of the New York homes of Hamilton Fish and Ulysses S. Grant; multiple views of the Henry Villard house, now part of the Helmsley Palace Hotel in Manhattan; rooms from William H. Vanderbilt's Fifth Avenue residence; interiors from J. Pierpont Morgan's Madison Avenue home; the Marshall Field house in Chicago, and many others. Here are richly paneled rooms that rivaled the baronial halls of European castles, miniature art galleries, magnificent tapestries, plush draperies, and brilliant chandeliers. With its thorough scholarship and wealth of detail, this impressive survey offers not only inside views of the homes of the rich and powerful families during the Gilded Age but also fascinating insights into the social history and architectural development of the United States.

The Opulent Interiors of the Gilded Age: All 203 Photographs from "Artistic Houses," with New Text (Dover Architecture)

Turner, James

McQuillin, Steven

Dover Publications

Power, poverty, and education

Turtledove Pub

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