This is the first study of the reform oratory of the silver-tongued temperance leader, Frances Willard. It provides a critical analysis of the speaking style of this influential late nineteenth century suffragette, prohibitionist, and leader of women. This work also provides texts of representative speeches, a chronology of important speeches, and a bibliography of primary and secondary sources.The critical analysis points first to Frances Willard's belief in evolutionary Christianity and the equal treatment of women as the basis for her oratory. The study then examines how women's broadening concerns for reform were justified as a response to women's needs to protect their homes. Her campaigns for the Woman's Christian Temperance Union and the woman question and her speeches calling for changes on behalf of labor and to overcome poverty also figure prominently in the analysis. The eloquent speaking style which conveyed her passionate interest in these issues is then exemplified by the texts of six speeches made between 1874 and 1897. As part of Greenwood's Great American Orators Series, this study is intended for students and professionals in rhetoric and communications, women's studies, and history focusing on American reform movements.

Do Everything Reform: The Oratory of Frances E. Willard (Great American Orators)

Biographies & Memoirs

Leeman, Richard

Community & Culture

Greenwood

Richard Leeman analyzes the possible discursive responses to terrorism, prescribing democratic rhetoric as the most strategic counterterrorist response available. He examines counterterrorism as a response to terrorism, considering each side as one-half of a dialogue. Given the inherently anti-democratic nature of terroristic discourse, he hypothesizes that the best discursive strategy is to shift the dialogue to different grounds, i.e., to use democratic rhetoric.As a test of his hypothesis, the author considers the responses of the Reagan and Nixon administrations to acts of terrorism. The Reagan administration's response to international terrorism provides an example of wholly non-democratic counterterrorist discourse. Leeman's case study suggests that this was a failed rhetoric. The Nixon administration, on the other hand, used a mixed democratic and non-democratic terrorist rhetoric in response to terrorism. Leeman argues that the non-democratic elements of the discourse subverted the democratic elements, thus leading to an ineffective use of discourse for the purpose of counterterrorism. Leeman thus concludes that a wholly democratic rhetoric is the best discourse available for the counterterrorist speaker or writer. This is the first book to specifically address the rhetoric of terrorism and counterterrorism, and prescriptively suggests how America can address the problem of terrorism through discourse. This unique book will be provocative reading to those in the fields of speech communication, political science, history, sociology, and the mass media.

The Rhetoric of Terrorism and Counterterrorism: (Contributions to the Study of Mass Media and Communications)

Politics & Social Sciences

Social Sciences

Praeger

This long-needed sourcebook assesses the unique styles and themes of notable African-American orators from the mid-19th century to the present―of 43 representative public speakers, from W.E.B. Du Bois and Ida B. Wells-Barnett, Martin Luther King Jr. and Jesse Jackson to Barbara Jordan and Thurgood Marshall. The critical analyses of the oratory of a broad segment of different types of public speakers demonstrate how they have stressed the historical search for freedom, upheld American ideals while condemning discriminatory practices against African-Americans, and have spoken in behalf of black pride. This biographical dictionary with its evaluative essays, sources for further reading, and speech chronologies is designed for broad interdisciplinary use by students, teachers, activists, and general readers in college, university, institutional, and public libraries.

African-American Orators: A Bio-Critical Sourcebook

Literature & Fiction

Cy Twombly (b. 1928) is widely considered to be one of the greatest living American artists, and he has received much admiration and international critical praise throughout his fifty-year career. Yet his work defies easy categorization. Subverting traditional distinctions between painting and drawing, brush and pencil-work, written words and images, he has made a highly individual contribution to the history of twentieth-century art. This book interprets Twombly's huge and complex body of work through a close study of his pictures, following both a thematic and chronological progression from the late 1950s to the most recent work. It demonstrates that the signs found in Twomblys paintings pictograms, numbers, words, colours which at first sight form an eclectic and multifaceted whole, are in fact organized into a true language whose often archaic forms are combined on canvas with allusive fragments of an enormous cultural world. From a scrawl to a drawing or a word, Twomblys work is an articulation of the language of memory and desire, from a place in which painting, drawing and writing are one single thing.

Cy Twombly : A Monograph

Thames and Hudson

Integrating existing argumentation theory into applied argumentation, with an emphasis on formal/academic debate practices, this text gives students a solid, balanced grounding for debating both policy and non-policy issues.

The Art and Practice of Argumentation and Debate

Hill, Bill

McGraw-Hill Humanities/Social Sciences/Languages

The pictorial creations by American artist Cy Twombly have represented, for more than 50 years, a sort of enigma that reinforces the mythic status of the artist. This book, takes into consideration Twombly’s immense and complex body of work from the 1950s up through his current works, offers a thematic and chronological interpretation of his paintings, drawings, sculptures, and collages. Richard Leeman’s study elucidates the symbols found in Twombly’s paintings―pictograms, numbers, words, colors―that, at first glance, constitute diverse and unique entities, but then assemble to form a veritable language, where their often primitive forms mix on the canvas with allusive fragments of a vast culture. From scribbles and drawings to words, Twombly’s work profoundly articulates a language and memory of desire where painting, drawing, and writing meld into a single art form. This exquisitely produced volume, complete with six gatefolds, is an important addition to the existing bibliography of works on one of America’s preeminent contemporary artists. Exhibition Schedule “Cy Twombly: Fifty Years of Works on Paper” Whitney Museum of Art: January 27—May 8, 2005 Menil Collection, Houston, TX: May 27—September 4, 2005

Cy Twombly: A Monograph

Arts & Photography

History & Criticism

Flammarion

Cy Twombly

Individual Artists

REGARD

Cy Twombly-The Ceiling-Un plafond pour le Louvre.

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