Dickens and the Popular Radical Imagination (Cambridge Studies in Nineteenth-Century Literature and Culture, Series Number 56)

The relationship between the work of Charles Dickens and popular literature has often been noted, but the extent to which his fiction and journalism were rooted in, and continued to respond to, the popular radical culture of his time had so far been unexplored. Sally Ledger traces the influence of Regency radicals, such as William Hone and William Cobbett, and mid-century radical writers, such as Douglas Jerrold and the Chartists Ernest Jones and G. W. M. Reynolds. She offers substantial readings of works from Pickwick to Little Dorrit, arguing that Dickens's populism bridged eighteenth- and nineteenth-century conceptions of the 'popular', the first identified with the political idea of 'the People', the second identified with a mass-market 'populace' that emerged during Dickens's career. Richly illustrated, this study also uncovers the resonance between Dickens's writings and popular graphic art by George Cruikshank, Robert Seymour, C. J. Grant and others.

Literature & Fiction

Ledger, Sally

British & Irish

Cambridge University Press

The new woman: Fiction and Feminism at the Fin De Siecle

Sexually transgressive, politically astute and determined to claim educational and employment rights equal to those enjoyed by men, the new woman took centre stage in the cultural landscape of late-Victorian Britain. By comparing the fictional representations with the lived experience of the new woman, Ledger's book makes a major contribution to an understanding of the 'woman question' at the fin de siecle. She alights on such disparate figures as Eleanor Marx, Gertrude Dix, Dracula, Oscar Wilde, Olive Schreiner and Radclyffe Hall. Focusing mainly on the last two decades of the nineteenth century, the book's later chapters project forward into the twentieth century, considering the relationship between new woman fiction and early modernism as well as the socio-sexual inheritance of the 'second generation' new woman writers.

The New Woman: Fiction and Feminism at the Fin De Siecle

Manchester Univ Pr

Sexually transgressive, politically astute and determined to claim educational and employment rights equal to those enjoyed by men, the new woman took centre stage in the cultural landscape of late-Victorian Britain. By comparing the fictional representations with the lived experience of the new woman, Ledger's book makes a major contribution to an understanding of the 'woman question' at the fin de siecle. She alights on such disparate figures as Eleanor Marx, Gertrude Dix, Dracula, Oscar Wilde, Olive Schreiner and Radclyffe Hall. Focusing mainly on the last two decades of the nineteenth century, the book's later chapters project forward into the twentieth century, considering the relationship between new woman fiction and early modernism as well as the socio-sexual inheritance of the 'second generation' new woman writers.

S159 - INDIANA UNIV PR

Henrik Ibsen (Writers and Their Work)

History & Criticism

Liverpool University Press

This new edition of Sally Ledger's study on Henrik Ibsen includes a renewed bibliography and an expanded critical evaluation. It delivers readings of ten of Ibsen's best-known plays including A Doll's House, Ghosts, An Enemy of the People and Hedda Gabler. It also survey's Ibsen's total dramatic output, carefully situating his plays in his cultural, historical and intellectual contexts. Ibsen played a seminal role in the development of modern European drama at the end of the 19th century. Eschewing the comedies and melodramas of the mainstream theatre of his day, he is best known for his invention of theatrical realism and psychological drama. Ledger's book traces the theatrical evolution of his plays as well as considering his impact on late-Victorian London, his response to the 'woman question', his anticipation of Freudian psychology and his debt to Darwinism.

Dramas & Plays

Charles Dickens In Context

Holly Furneaux

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