This book reveals the life of R. Clay Crawford, his dreams, his schemes, his successes and his failures, as he launched himself into many of the most turbulent episodes of 19th century United States history. Like everyone, he was born with a family history, not just genetic but also cultural determinants; this book reveals the influences on his behavior inherited from his father and his grandfathers. He likewise passed on to his children a model, not just genetic but cultural. Even so, Clay Crawford's story is not just a family affair. He was a "self-made man" living in an age when such was thought to be a national asset--and thus stands out as a warning that the worship of the "self-made man" may produce more rogues than Rockefellers.

A Rogue's Life: R. Clay Crawford, Prison Escapee, Union Army Officer, Pretend Millionaire, Phony Physician and the Most Respected Man in Macon, Georgia

Biographies & Memoirs

Lawson, Lewis A.

Historical

McFarland Company

Another Generation: Southern Fiction Since World War II

Literature & Fiction

United States

Univ Pr of Mississippi

These collected interviews, like a visit with Percy at his home on the Bogue Falaya River, provide refreshing close-up encounters with one of America's most celebrated writers.These twenty-seven interviews cover a period of twenty-two years, from the time of the publication of Percy's first novel, The Moviegoer, in 1961, until 1983, when he was interviewed about his friendship with Thomas Merton.This volume is the second in the Literary Conversations series. These unabridged interviews, collected from a variety of sources, will give reading pleasure to general readers who wish to know Percy and his works more closely, and they will be of great use to Percy scholars.

Conversations with Walker Percy (Literary conversations series)

Percy., Walker

Kramer, Victor A.

Arts & Literature

UNIVERSITY PRESS OF MISSISSIPPI

Still Following Percy

When critics first began to respond to the fiction of Walker Percy, they frequently refarded it as a fiction of ideas. The most significant themes were Percy's religious, philosophical, and cultural beliefs. Such conceptions of the man were grounded in his own essays, a genre which in his hands tended toward the impersonal and the abstract. In time Percy critics like William Rodney Allen began to prove into Percy's biography for resources that verified their intense critical speculations about the background of Percy's fiction. In his childhood was his father's suicide and its significant emergence in his fiction. Percy's biographers have continued this investigation of the father's influence. Jay Tolson deftly represent the theme of the paternal death as a vacuum Percy felt throughout his life, while Bertram Wyatt-Brown studied the Percy family ethos, which he showed to be shadowed for two hundred years by high expectations, depression, and self-destruction. Now, in Still Following Percy, a collection of interrelated essays, Lewis Lawson studies the Percy canon to speculate that an earlier and more fundamental shaping of Walker Percy's character and fictional imagination was his sense of the in adequacy of the relationship with he as an infant had with his mother and of her early death. Lawson argues that the sense of loss led to Percy's tendency to regression, to his need to create his own life narrative in fiction after psychoanalysis had been insufficient as a means of reconstruction, and to his conversion to Roman Catholicism. Lawson interprets Percy's conversion as a statement of the possibility of reconciliation through the transcendent truth.

Essays & Correspondence

Following Percy: Essays on Walker Percy's Work

History & Criticism

Whitston Pub Co Inc

The thesis of A Gorgon's mask: The Mother in Thomas Mann's Fiction depends upon three psychoanalytic concepts: Freud's early work on the relationship between the infant and its mother and on the psychology of artistic creation, Annie Reich's analysis of the grotesque-comic sublimation, and Edmund Bergler's analysis of writer's block. Mann's crisis of sexual anxiety in late adolescence is presented as the defining moment for his entire artistic life. In the throes of that crisis he included a sketch of a female as Gorgon in a book that would not escape his mother's notice. But to defend himself from being overcome by the Gorgon-mother's stare he employed the grotesque-comic sublimation, hiding the mother figure behind fictional characters physically attractive but psychologically repellent, all the while couching his fiction in an ironic tone that evoked humor, however lacking in humor the subtext might be. In this manner he could deny to himself that the mother figure always lurked in his work, and by that denial deny that he was a victim of oral regression. For, as Edmund Bergler argues, the creative writer who acknowledges his oral dependency will inevitably succumb to writer's block. Mann's late work reveals that his defense against the Gorgon is crumbling. In Doctor Faustus Mann portrays Adrian Leverkuhn as, ultimately, the victim of oral regression; but the fact that Mann was able to compete the novel, despite severe physical illness and psychological distress, demonstrates that he himself was still holding writer's block at bay. In Confessions of Felix Krull: Confidence Man, a narrative that he had abandoned forty years before, Mann was finally forced to acknowledge that he was depleted of creative vitality, but not of his capacity for irony, brilliantly couching the victorious return of the repressed in ambiguity. This study will be of interest to general readers who enjoy Mann's narrative art, to students of Mann's work, especially its psychological and mythological aspects, and to students of the psychology of artistic creativity.

A Gorgon's Mask: The Mother in Thomas Mann's Fiction (Psychoanalysis and Culture, 12)

Rodopi

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Books by Lawson, Lewis A.