Aganetha Dyck: Collaborations

Arts & Photography

Laurence, Robin

Martens, Darrin J.

History & Criticism

Barbour Pub Inc

The Solitudes of Place: Recent Drawings by Ann Kipling

Tovell, Rosemarie L

ABC Art Books Canada Distribution

A much-loved Canadian classic, LEGENDS OF VANCOUVER takes the reader back to a time long ago, before the city of Vancouver was built, when the land belonged to the Squamish people. These legends tell the stories behind many prominent natural features in and around Vancouver.

Legends of Vancouver

Literature & Fiction

Johnson, E.Pauline

Essays & Correspondence

Douglas & McIntyre, Ltd

A new look at the art of Emily Carr that explores the profound impact of her time spent in France early in her career, by two of our most distinguished writers on art. In 1911, Emily Carr returned from a sixteen-month trip to France with a new understanding of French Modernism and a radically transformed painting style, one that broke free from the artistic shackles of her conservative training and embraced a new means of expression. Her studio experiences in Paris, her en plein-air painting in the French countryside, and her encounters with such artists as expatriate English painter William Henry Phelan Gibb, Scottish painter John Duncan Fergusson, and New Zealand watercolourist Frances Hodgkins had a profound impact on her work.Emily Carr: Fresh Seeing focuses on the dramatic changes in her painting style, showcasing the paintings, drawings, and watercolours that she produced in France, as well as the works she created upon her return to the West Coast of Canada in 1912. The text of her 1930 speech "Fresh Seeing," in which Carr sought to explain Modern art to her baffled public, is included alongside an essay by writer and critic Robin Laurence. Also featured are essays by Carr scholar Kathryn Bridge, who examines the artist's travels and studies with post-Impressionist artists in Paris, Crécy-en-Brie, St. Efflam, and Concarneau; collector Michael Polay, who details the inclusion of two of Carr's paintings in the famed Salon d'Automne alongside pieces by Marcel Duchamp, Henri Matisse, and many other internationally renowned artists; and Audain Art Museum curator Kiriko Watanabe, who recounts Carr's return to the West Coast and the paintings that resulted from her ambitious sketching expeditions to the Upper Skeena River, Haida Gwaii, and Alert Bay in the summer of 1912.

Emily Carr: Fresh Seeing ― French Modernism and the West Coast

Bridge, Kathryn

Watanabe, Kiriko

Polay, Dr. Michael

Figure 1 Publishing

Glory and Exile: Haida History Robes of Jut-ke-Nay Hazel Wilson

Kardosh, Robert

Simeon, Kūn Jaad Dana

A spectacular overview of one of the most highly acclaimed art collections on the West Coast, which greets travelers at Vancouver International Airport (YVR) as they journey between land, sea, and sky. The airport which is known for its modern design and expansive topography, offers an impressive visual display of award-winning art and architecture. Each terminal building represents the culture heritage, natural beauty, and iconic experiences that embody British Columbia, and the artwork exhibited throughout plays an integral role in telling those stories. Revered in particular for its focus on Pacific Coast Native art, the collection is presented in the thematic groupings of land, sea, and skythree realms that intersect at YVR. In A Sense of Place, art historian and critic Robin Laurence will examine the commissioning of dozens of striking artworks as a response to the airport’s overall architectural and design plan, and particularly as a reflection of the cultural heritage and natural environment identified with the province of British Columbia. Among the highlights of the collection are monumental sculptures by leading Northwest Coast First Nations artists including Susan A. Point (Coast Salish), Robert Davidson (Haida), Dempsey Bob (Tahltan-Tlingit), Richard Hunt (Kwakwaka’wakw), Lyle Wilson (Haisla), Joe David (Nuu-chah-nulth), Connie Watts (Nuu-chah-nulth, Kwakwaka’wakw and Gitxsan), and the late Bill Reid, famed for The Spirit of Haida Gwaii: The Jade Canoe. Their art both welcomes and bids farewell to the millions of travellers who make their way through YVR each year.

A Sense of Place: Art at Vancouver International Airport: Fixed Layout Edition

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Books by Laurence, Robin