Virtual reality. Murder. Werewolves. And teen girls! In a future where nothing is as it seems, can old legends come true? L to R (Western Style). Virtual reality. Murder. Werewolves. And teen girls! In a future where nothing is as it seems, can old legends come true? In the near future, humans will communicate almost exclusively through monitors, making real interaction a rarified and weak occurance for those living in a near totalitarian society. In this new world of communication, children are only allowed to interact personally on school grounds. So when a serial killer starts slaughtering junior high children the communication routes go under futher surveillance. And despite all the safeguards put in place to avoid physical interaction, the killer's latest victim turns out to have been in contact with three young girls: Mio Tsuzki, a certified prodigy; Hatsuki Matsuno, a uiet but opinionated classmate; and Ayumi Kono, her best friend. And as the girls get caught up in trying to quell curiosity under such terrorist scrutiny, Hatsuki learns that there is much more than meets the eye of their monitored communications.

Loups-Garous

Comics & Graphic Novels

Kyogoku, Natsuhiko

Manga

Haikasoru

Tuna Feast Feast of Buddha Painting [Japanese Edition]

Kodansha

Japan has a long history of weird and supernatural literature, but it has been introduced into English only haphazardly until now. The first volume of a 3-volume anthology covering over two centuries of kaiki literature, including both short stories and manga, from Ueda Akinari's "Ugetsu Monogatari" of 1776 to Kyogoku Natsuhiko's modern interpretations of popular tales. Selected and with commentary by Higashi Masao, a recognized researcher and author in the field, the series systemizes and introduces the scope of the field and helps establish it as a genre of its own. This first volume presents a variety of work focusing on pre-modern Japan, and includes one manga.
Contents
<ul>
<li>Robert Weinberg: Preface: "An Ordinary World, Interrupted" </li>
<li>Higashi Masao: Introduction: "The Origins of Japanese Weird Fiction"</li>
<li>Lafcadio Hearn: "The Value of the Supernatural in Fiction"</li>
<li>Lafcadio Hearn: "In a Cup of Tea"</li>
<li>Ueda Akinari: "The Chrysanthemum Pledge"</li>
<li>Kyōgoku Natsuhiko: "Three Old Tales of Terror"</li>
<li>Miyabe Miyuki: "The Futon Room"</li>
<li>Okamoto Kidō: "Here Lies a Flute"</li>
<li>Tanaka Kōtarō: "The Face in the Hearth" </li>
<li>Kōda Rohan: "Visions of Beyond"</li>
<li>Inagaki Taruho: "The Inō Residence, Or, The Competition with a Ghost"</li>
<li>Yamamoto Shūgorō: "Through the Wooden Gate"</li>
<li>Sugiura Hinako: "Three Eerie Tales of Dark Nights" </li>
</ul>
Reviews
<ul>
<li>...an outstanding set of publications. This is an invaluable contribution to scholarship on the supernatural in literature and folklore in Japan and elsewhere. The stories are accessible and entertaining; they could easily be used in an undergraduate class where they would illuminate some of the sources and motifs so prevalent in contemporary Japanese horror film, manga, and anime. Moreover, these stories provide an introduction not only to a variety of important authors—many of whom are underappreciated even in Japan—but also tempt the reader to venture more deeply into the cultural and folkloric contexts that inform them. In short, the series is a perfect entree into some of the enduring traditions of Japanese supernatural folklore and supernatural literature, and the cross fertilization between the two.—Michael Dylan Foster, Journal of Folklore Research</li>
<li>The stories themselves are a wonderful mixed bag. Some tales are very odd in structure, sometimes without a conventional ending and with a lesson to be learnt. [ ... ] But be warned Western horror fans unfamiliar with Asian horror, these are not ordinary horror tales, not all involve terror and violence, they differ greatly from a collection of western tales of the same genre.—Elizabeth Vinton, Dark Matter</li>
<li>...a unique treat and a wonderful experience. [...] None of the entries here could be mistaken for horror. Although populated with ghosts and monsters, Japan's storytelling tradition lends more towards strange experiences and odd phenomena than chills and thrills. Kurodahan Press was very careful in choosing the term "uncanny tales" for the title."—Zack Davisson, Japan Reviewed</li>
<li>"Japanese genre fiction is largely unrepresented in English, and this book provides a taste of what we've been missing out on... there's something for everybody in this eclectic and unprecedented collection."—Adam Groves, fright.com</li>
<li>"Kaiki will cater to a clear gap in the market. Japanese supernatural fiction (in contrast to film and manga) is little known in the English language world. A whole new experience—yet one sometimes strangely familiar—is out there and waiting."—John Howard, writing in Wormwood No. 13</li>
</ul>

Tales of Old Edo - Kaiki: Uncanny Tales from Japan, Vol. 1

Literature & Fiction

Miyabe, Miyuki

Ueda, Akinari

Masao, Higashi

SUGIURA, Hinako

Okamoto, Kidō

Inagaki, Taruho

Yamamoto, Shugoro

Koda, Rohan

Genre Fiction

Kurodahan Press

El verano de la Ubume

Quaterni

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