An English translation from one of Latin America’s most distinguished poets.   José Kozer is one of the most influential contemporary Cuban poets working today. A key figure in the neobaroque movement within contemporary Latin American poetry, he is one of only three Cubans to ever win the Pablo Neruda Prize given by the Neruda Foundation in Chile. He is the author of close to ninety books, including Este judío de números y letras, Bajo este cien, La garza sin sombras, Carece de causa, and Y del esparto la invariabilidad. Kozer is also noteworthy as a key poet of the Cuban diaspora, having left Cuba in 1960 and residing ever since in the United States.Of Such a Nature/Índole is a bilingual edition translated into English by Peter Boyle. In addition, Boyle provides an extensive introduction placing Kozer’s work in a critical context. The Spanish word “índole” can be translated as: “a type,” “a sort,” or “that sort of thing.” The title, Índole, therefore suggests that the poems gathered in this collection, are all instances of specific types of situations, things, or experiences. Kozer has gathered a collection of poems about everyday life—cleaning one’s dentures, a woman leaning over a bowl of oatmeal, a salamander glimpsed while eating breakfast—but always with death not far away.Of Such a Nature/Índole is a remarkable collection of poems published in Cuba in 2012, covering such materials as Kozer’s Jewish heritage, his Cuban childhood and ongoing connection to the Island, Buddhist and East Asian traditions of spiritual practice, his everyday life in Florida with Guadalupe, ageing, illness, and the shadow of death. Irony and humor are there as well, and to read these poems is to be in the presence of the full seriousness of poetry and its playfulness, its ability to undercut all pretensions.

Of Such a Nature/Índole

Literature & Fiction

Kozer, José

Boyle, Peter

Poetry

University Alabama Press

<p>“Make It True meets Medusario brings together poets from divergent languages, cultures, and aesthetics to create a...conversation...a fertile meeting place for ongoing ideas about poetry that might trouble the all too-easy academic labels and the subsequent segregation those aesthetic and political divisions cause within the larger, global poetry community.” -From the book’s introduction by Matthew TreaseThis collaboration, spawned by two previous anthologies, includes the Spanish language poets of the Neobarroco school, as organized by José Kozer, a Cuban Neobarroco poet, together with poets from the Cascadia bioregion, arranged by Paul E Nelson, founder of the Seattle Poetics Lab (SPLAB) and Thomas Walton, editor-in-chief of Pageboy Magazine, Seattle, WA.Translated by Alejandro Carrillo and Dana Nelson; NEOBARROCO (Medusario) poets include: Carmen Berenguer, Marosa Di Giorgio, Roberto Echavarren, Eduardo Espina, Reynaldo Jiménez, Tamara Kamenszain, José Kozer, Pedro Marqués de Armas, Maurizio Medo, Néstor Perlongher, Soleida Ríos, Roger Santiváñeaz, and Raúl Zurita; CASCADIANS (Make It True) poets include: Stephen Collis, Elizabeth Cooperman, Sarah de Leeuw, Claudia Castro Luna, Nadine Maestas, Peter Munro, Paul E Nelson, John Olson, Shin Yu Pai, Clea Roberts, Cedar Sigo, Matthew Trease and Thomas Walton</p>

Make It True Meets Medusario: A Bilingual anthology of Neobarroco & Cascadian Poets (Pleasure Boat Studio)

Literary

Pleasure Boat Studio: A Literary Press

Poetry. Latino/Latina Studies. A tokonoma is an alcove in a traditional Japanese house, which serves to display a scroll, ikebana or a special painting or print. It is also a kind of code-word in neo-baroque Hispanic writing, having been much used by the movement's founder and inspiration, Cuban poet José Lezama Lima. Here the tokonoma is part of José Kozer's linguistic armoury: another Cuban poet, but this time one in exile in the USA and, by common consent, the doyen of the current Hispanic neo-baroque. Here Kozer engages with Japanese and Chinese poetry, learning, myth and much more besides. This is Kozer's second collection with Shearsman, following ANIMA (2011).

Tokonoma

Shearsman Books

De últimas horas / Of Last Hours

Rialta Ediciones

Y del esparto la invariabilidad: Antología (1983-2004) (Spanish Edition)

VISOR LIBROS, S.L.

&ldquo,Empecé, por instinto, a tomar apuntes en un primer cuaderno de tapas negras de pintor un 23 de diciembre del 64, hoy entiendo que lo hice para impedir que el idioma inglés me arrebatara por completo el español: pero defenderse de algo no es en sí una virtud, sólo una necesidad. Mis diarios, en última instancia, mejor

Una Huella Destartalada: Diarios (Libros En El Buro) (Spanish Edition)

Aldus

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