Soon to be a Netflix documentary 
One of Slate’s Best Nonfiction Books of the Past 25 Years
A literary account of the lives and presumed serial killings of five “Craigslist” prostitutes, whose bodies were found on the same Long Island beach in 2010. Based on the New York Magazine cover story.
Shannan wanted acceptance. Maureen wanted a solution. Megan wanted love. Melissa wanted adventure. Amber wanted to be saved.
Over the course of three years, each of these young women vanished without a trace: Maureen in 2007, Melissa and Megan in 2009, and Amber and Shannan in 2010. All but one of their bodies was discovered on Gilgo Beach, Long Island, an unsettled, overgrown seven-mile stretch of shoreline on the string of barrier islands along South Oyster Bay.
Sharing the same profile—all were in their twenties, all but one was under five feet tall, and all were prostitutes who advertised on Craigslist—the police concluded they were all the victims of one murderer, the Long Island serial killer—the most skillful and accomplished serial killer in New York since the “Son of Sam,” David Berkowitz. But as intrepid young reporter Robert Kolker discovered, the truth about these women went far deeper than common assumptions. The victims weren’t outcasts; they weren’t kidnapped or enslaved. All came from a slice of America ignored by politicians and the media: the poor, often rural and white parts of the country hit hard by economics, where limited opportunities force people to make hard choices—choices that lead them to places like Gilgo Beach.
Working closely with the women’s families, Lost Girls tells the stories of their deaths and their lives, offering a searing portrait of crime and circumstance that goes to the heart of modern America itself.

Lost Girls: An Unsolved American Mystery

Self-Help

Kolker, Robert

Death & Grief

Harper

Soon to be a Netflix film
One of Slate’s Best Nonfiction Books of the Past 25 Years
A literary account of the lives and presumed serial killings of five “Craigslist” prostitutes, whose bodies were found on the same Long Island beach in 2010. Based on the New York Magazine cover story.
Shannan wanted acceptance. Maureen wanted a solution. Megan wanted love. Melissa wanted adventure. Amber wanted to be saved.
Over the course of three years, each of these young women vanished without a trace: Maureen in 2007, Melissa and Megan in 2009, and Amber and Shannan in 2010. All but one of their bodies was discovered on Gilgo Beach, Long Island, an unsettled, overgrown seven-mile stretch of shoreline on the string of barrier islands along South Oyster Bay.
Sharing the same profile—all were in their twenties, all but one was under five feet tall, and all were prostitutes who advertised on Craigslist—the police concluded they were all the victims of one murderer, the Long Island serial killer—the most skillful and accomplished serial killer in New York since the “Son of Sam,” David Berkowitz. But as intrepid young reporter Robert Kolker discovered, the truth about these women went far deeper than common assumptions. The victims weren’t outcasts; they weren’t kidnapped or enslaved. All came from a slice of America ignored by politicians and the media: the poor, often rural and white parts of the country hit hard by economics, where limited opportunities force people to make hard choices—choices that lead them to places like Gilgo Beach.
Working closely with the women’s families, Lost Girls tells the stories of their deaths and their lives, offering a searing portrait of crime and circumstance that goes to the heart of modern America itself.

Harper-perennial

New York Times Bestseller
Soon to be a Netflix documentary
The bestselling account of the lives of five young women whose fates converged in the perplexing case of the Long Island Serial Killer. Now updated, with a new afterword by the author.
 “Rich, tragic...monumental...true-crime reporting at its best.”—Washington Post 
One late spring evening in 2010, Shannan Gilbert—after running through the oceanfront community of Oak Beach screaming for her life—went missing. No one who had heard of her disappearance thought much about what had happened to the twenty-four-year-old: she was a Craigslist escort who had been fleeing a scene—of what, no one could be sure. The Suffolk County police, too, seemed to have paid little attention—until seven months later, when an unexpected discovery in a bramble alongside a nearby highway turned up four bodies, all evenly spaced, all wrapped in burlap. But none of them Shannan’s. 
There was Maureen Brainard-Barnes, last seen at Penn Station in Manhattan three years earlier, and Melissa Barthelemy, last seen in the Bronx in 2009. There was Megan Waterman, last seen leaving a hotel in Hauppauge, Long Island, just a month after Shannon’s disappearance in 2010, and Amber Lynn Costello, last seen leaving a house in West Babylon a few months later that same year. Like Shannan, all four women were petite, in their twenties, and had come from out of town to work as escorts, and they all had advertised on Craigslist and its competitor, Backpage. 
Lost Girls is a portrait of unsolved murders in an idyllic part of America, of the underside of the Internet, and of the secrets we keep without admitting to ourselves that we keep them. Long considered “one of the best true-crime books of all time” (Time), this edition is now updated, with an afterword about developments in the case, including the shocking fate of Mari Gilbert, Shannan’s mother, for whom this case became the crusade of a lifetime.

Lost Girls: The Unsolved American Mystery of the Gilgo Beach Serial Killer Murders

Lost Girls: An American Mystery

The Film, Form, and Culture CD-ROM serves as a multimedia glossary or dictionary to ANY film text. It is available separately, and it can be packaged at a discount with any McGraw-Hill film title. The CD-ROM illustrates film elements and concepts with QuickTime clips from a wide variety of classic films: Citizen Kane, Battleship Potemkin, Rear Window, The Plow That Broke the Plains, Vertigo, and many more. This new version adds modules on Sound and Genre to provide an even stronger tool for film study.

Film, Form, and Culture CD-ROM 1.03

Humor & Entertainment

Kolker, Robert Phillip

Movies

McGraw-Hill Humanities/Social Sciences/Languages

From screen kisses to gender roles, "Film, Form and Culture" explores the interaction between the movies and the society of which they are a part. Students are introduced to the elements of film - the shot, the cut, the soundtrack - and they are encouraged to think seriously about the means by which these elements shape an audience's understanding of the narrative. On a larger scale, students are asked to consider how a film can influence its viewer even after the last reel has run out - and the way that societal changes radically alter the course of film history.

Film, Form, and Culture

McGraw=Hill

This DVD-ROM enhances the discussions in the text with visual examples and provides close, interactive analysis of moving images from classic and recent film. It is designed to play in computer DVD drives - rather than standard DVD players - and can be used alone or in conjuntion with the text.

Film, Form, and Culture DVD-ROM

This text looks at film from part to whole--from the shot and the cut to the cultural, political, and economic contexts in which films are made. "Teaching Film is about getting control of the image and handing that control over to students," argues author Robert Kolker, and that's just what he does in his teaching and writing about film, including in this outstanding textbook and DVD-ROM package. 
 The new edition includes more detailed discussion of the shot, composition, editing, and genre; a thorough discussion of the technical and aesthetic changes resulting from film's digital transformation; and a revised discussion of the cultural context of film. The companion interactive DVD-ROM includes segments from classic and contemporary films, with explanatory text, stills, and animations illustrating key film elements and strategies.

Film, Form, and Culture w/ DVD-ROM

A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, Altman

In this twentieth-anniversary millennial edition, Kolker continues and expands his inquiry into the cinematic representation of culture by updating and revising the chapters on the directors discussed in the first edition-- Stanley Kubrick, Martin Scorsese, Robert Altman, and Steven Spielberg-- to include their most important works since 1988, analyzing those films which have made important advances in the directors' careers and which have given cause for rethinking the films that preceded them. Included is a profile of Arthur Penn's career followed by a new comparative study of Oliver Stone, who mirrors Penn's practice of drawing his films out of historical and ideological currents. Placing the films of Penn, Stone, Kubrick, Scorsese, Spielberg, and Altman in an ideological perspective, Kolker both illuminates their relationship to one another and to larger currents in our culture, and emphasizes the statements their films make about American society and culture. This edition includes a new preface, a requiem for Stanley Kubrick, updated filmography, and 48 images from various films discussed through the text.

Oxford University Press

See the best price to sell, buy, or rent books by Kolker, Robert. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Kolker, Robert

See the best price to sell, buy, or rent books by Kolker, Robert. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Lost Girls: An Unsolved American Mystery

Lost Girls: An Unsolved American Mystery

Lost Girls: The Unsolved American Mystery of the Gilgo Beach Serial Killer Murders

Lost Girls: An American Mystery

Film, Form, and Culture CD-ROM 1.03

Film, Form, and Culture

Film, Form, and Culture DVD-ROM

Film, Form, and Culture w/ DVD-ROM

A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, Altman

A Cinema of Loneliness: Penn, Stone, Kubrick, Scorsese, Spielberg, Altman