An accessible survey on a genius artist, published to accompany the 500th anniversary of Bosch's death Hieronymus Bosch (c. 1450–1516) lived and worked in 's-Hertogenbosch, the Netherlands, where he created enigmatic paintings and drawings full of bizarre creatures, phantasmagoric monsters, and terrifying nightmares. He also depicted detailed landscapes and found inspiration in fundamental moral concepts: seduction, sin, and judgment. This beautiful book accompanies a major exhibition on Bosch's work in his native city, and will feature important new research on his 25 known paintings and 20 drawings. The book, divided into six sections, covers the entirety of the artist's career. It discusses in detail Bosch's Pilgrimage of Life, Bosch and the Life of Christ, his role as a draughtsman, his depictions of saints, and his visualization of Judgment Day and the hereafter, among other topics, and is handsomely illustrated by new photography undertaken by the Bosch Research and Conservation Project Team.

Hieronymus Bosch: Visions of Genius

Arts & Photography

Koldeweij, Jos

Ilsink, Matthijs

History & Criticism

Mercatorfonds

Compiled by members of the Bosch Research and Conservation Project and published on the 500th anniversary of Hieronymus Bosch's death, this is the definitive new catalogue of all of Bosch's extant paintings and drawings. His mastery and genius have been redefined as a result of six years of research on the iconography, techniques, pedigree, and conservation history of his paintings and on his life. This stunning volume includes all new photography, as well as up-to-date research on the individual works. For the first time, the incredible creativity of this late medieval artist, expressed in countless details, is reproduced and discussed in this book. Special attention is being paid to Bosch as an image maker, a skilled draughtsman, and a brutal painter, changing the game of painting around 1500 by his innovative way of working.

Hieronymus Bosch, Painter and Draughtsman: Catalogue Raisonné

Hoogstede, Luuk

Erdmann, Robert G.

Gotink, Rik Klein

Nap, Hanneke

Veldhuizen, Daan

SPRONK, Ron.

Scholars have traditionally focused on the subjects and meanings of Hieronymus Bosch's works, whereas issues of painting technique, workshop participation, and condition of extant pictures have received considerably less attention. Since 2010, the Bosch Research and Conservation Project has been studying these works using modern methods. The team has documented Bosch's extant paintings with infrared reflectography and ultra high-resolution digital macro photography, both in infrared and visible light. Together with microscopic study of the paintings, this has enabled the team to write extensive and critical research reports describing the techniques and condition of the works, published in this extraordinary volume for the first time.

Hieronymus Bosch, Painter and Draughtsman: Technical Studies

Hieronymus Bosch: The Complete Paintings and Drawings

Published to coincide with a major exhibition of the artist's work in Europe, this loving tribute to one of the greatest, and most bizarre, of the medieval painters introduces readers to the often grotesque vision expressed in his work.

Vandenbroeck, Paul

Individual Artists

Harry N. Abrams

Jérôme Bosch : L'Oeuvre complet

Vandenbroeck, Paul and Vermet, Bernard

Ludion/Flammarion

•Accompanies the exhibition From Bosch's Stable: Hieronymous Bosch and the Adoration of the Magi, at the Noordbrabants Museum from December 12, 2018 to March 10, 2019 •Marks the rare display of the Adoration of the Magi from the Metropolitan Museum of Art (New York) in the city where Bosch was born •Presents the works in an accessible way for both art historians and the general public In Christian tradition, the feast of the Epiphany marks the revelation of the divine nature of Jesus to the three kings from the East. This feast was an extremely popular theme in fine art around the year 1500. Numerous artists depicted the Adoration of the Magi with exotic figures, elaborate clothing, and ornate objects. Hieronymus Bosch portrayed the theme a number of times. Two paintings known to be entirely by him have survived: one of them in the collection of the Metropolitan Museum of Art (New York) and the other in the Museo del Prado (Madrid). Both paintings were copied and imitated from early on. This early appreciation from Bosch's own time is striking. Over thirty early copies remain, making Bosch's interpretation one of the most popular compositions from the Low Countries of the later Middle Ages. The Bosch Research and Conservation Project has studied a number of these copies very closely. These important works by Bosch, and their influence, are examined here in their cultural and historic context.

From Bosch's Stable: Hieronymus Bosch and the Adoration of the Magi

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