Dieter Rams is one of the most influential product designers of the twentieth century. Even if you don&#8217;t immediately recognize his name, you have almost certainly used one of the radios, clocks, lighters, juicers, shelves or hundreds of other products he designed. He is famous not only for this vast array of well-formed products, but for his remarkably prescient ideas about the correct function of design in the messy, out-of-control world we inhabit today. These ideas are summed up in his &#8216;ten principles&#8217; of good design: good design is innovative, useful, and aesthetic. Good design should be make a product easily understood. Good design is unobtrusive, honest, durable, thorough, and concerned with the environment. Most of all, good design is as little design as possible. In that spirit, this monograph is as little book as possible. It is a clear, comprehensive and beautiful presentation of Dieter Rams&#8217; life and his work. It is a must-have book for anyone interested in Rams&#8217; work, his legacy, and his ideas about how to live.

Dieter Rams: As Little Design As Possible

Klemp, Klaus

Ive, Jonathan

Lovell, Sophie

Phaidon Press

"Chances are if you've shaved with an electric razor, blow-dried your hair, or sparked up a cigarette in the past 60 years, you owe a debt of gratitude to Dieter Rams." -&nbsp;New York Times <div>Made in close collaboration with Rams himself, this catalogue raisonné is the ultimate reference on one of the most influential product designers of all time </div> Dieter Rams is one of the most influential product designers of the twentieth century, who, for more than sixty years, has been defining the look, feel, and function of some of the world's best-loved consumer items. Using his 'ten principles for good design' as a philosophy and practice for improving the industry in a more holistic, responsible way, Rams has a stellar reputation with global resonance. This extraordinary book forms a catalogue raisonné of every product that Rams has designed in his lifetime - a true celebration of his seminal contribution to the field of industrial and product design. Including 300 color illustrations, the book is organized chronologically, each product is accompanied by a detailed description and specification breakdown, making this the ultimate reference guide for Rams fans and an ideal complement to Phaidon's global bestseller&nbsp;Dieter Rams: As Little Design as Possible. <div> </div>

Dieter Rams: The Complete Works

Biographies & Memoirs

Arts & Literature

Braun: Designed to Keep

Arts & Photography

Decorative Arts & Design

Unterwelten: Orte Im Verborgenen/Sites of Concealment

Sack, Manfred

Seidel, Peter

Architecture

Distributed Art Pub Inc

<div>Visitors were forewarned, a hand-written sign announcing: "The museum testifies to the thousand year history, work and labour of our ancestors. The exhibition extends for over 5000 m²." From the outset, it was a utopian undertaking. Not without reason does the lama monastery Shangri-La from James Hilton's novel Lost Horizon serve as namesake to this museum. Pietro Benzi (1931 - 2014) maintained the project from 1965 onwards. He collected what they no longer wanted, what had become antiquated or gone out of fashion: 2.7 million everyday objects, many of which were household effects, religious kitsch, knick-knacks, shoes and plastic toys. This photographic essay takes the viewer on a journey inside his unsystematic collection.</div>

Shangri-La: The Museum Beyond the Bridge (German Edition)

Meyer, Roland

Boehncke, Heiner

Schneider, Klaus

Danicke, Sandra

Flagmeier, Renate

Schneider, Cosima

Wagner K PhD, Matthias

Photography & Video

modo Verlag

"In the more than 40 years that he spent working at Braun, Dieter Rams established himself as one of the most influential designers of the twentieth century. His elegantly clear visual language not only defined product design for decades, but also our fundamental understanding of what design is and what it can and should do. Dieter Rams created ten rules of design more than twenty years ago. Sometimes referred to as the ten commandments, they are just as relevant today: Good design is innovative. Good design makes a product useful. Good design is aesthetic. Good design helps a product to be understood. Good design is unobtrusive. Good design is honest. Good design is durable. Good design is consistent to the last detail. Good design is environmentally friendly. Good design is as little design as possible. Less and More elucidates the design philosophy of Dieter Rams. The book contains images of hundreds of Rams's products as well as his sketches and models from Braun stereo systems and electric shavers to the chairs and shelving systems that he created for Vitsoe and his own company sdr+. In addition to the rich visual presentation of his designs, the book contains new texts by international design experts that explain how the work was created, describe its timeless quality, and put it into current context. In this way, the work of Dieter Rams is given a contemporary reevaluation that is especially useful in light of the rediscovery of functionalism and rationalism in today s design. Less and More shows us the possibilities that design opens for both the manufacturer and the consumer as a means of making our lives better through attractive, functional solutions that also save resources. "

Less and More: The Design Ethos of Dieter Rams

Ueki-Polet, Keiko

gestalten

“Less, but better”: The motto of the Frankfurt designer Dieter Rams is still topical today – and very much so. In the face of rapid globalization and an increasing number of premium product consumers, the question on the resources and the longevity of products inevitably arises. The book outlines the prevalent design trends in Frankfurt and in the Rhine-Main-area from the 1920s to the 1980s. For furniture, interior and graphic design made in and around Frankfurt over seven decades, functionality, visual strength, austerity, aesthetics in clear shapes and the visionary element always played a major role. This first compact illustration of regional design also raises the question, to what extent German design in the 20th century defined itself through decentralized but intensively interlinked places and institutions.

Design in Frankfurt 1920-1990: With a Contribution by Dieter Rams and a Prologue by Matthias K. Wagner (German and English Edition)

Rams, Dieter

Wagner, Matthias K.

Avedition Gmbh

The Usm Haller Furniture System (The Design Classics Series)

Art Books Intl Ltd

Enigma

Doll, Tatjana

Verbrecher Verlag

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