"Hour of the Wolf" is a hypnagogic incantation from writer M Kitchell (Spiritual Instrument, Island, Apart From). Robed figures and furry men, ice caves and deserts, god and serpent, shapelessness and sacred geometry, mysterious artifacts and unfolding perceptions coalesce in a pentacle of overlaid story bodies, each sinking deeper into its own true consciousness, while at the same time constructing an indexical sequence of translation from raw sense to mediated artifice, a primer of the dissolution of life into text. "Hour of the Wolf" combine experience and meaning into a ritual object, a book that is not a place separate from this world, but an impossible place within it.

Hour of the Wolf

Literature & Fiction

Kitchell, M

Literary

Inside the Castle

In the Desert of Mute Squares; Or, Errors; Or, Dreams I Never Had; Or, Late Capitalism is the titanic new text object from M Kitchell. In it’s production is the escape from the spaces of indentured tedium where the time is measured only by the presence of the body, into a nonspace of pleasure in impossible architecture and bodily torment &amp; this book is the nonspace of its reception. Excessive insanity / Copious Fluid. 454 pages.

In the Desert of Mute Squares

This is Kitchell's CANTERBURY TALES, his DECAMERON... black, bleak, structured, gaping, soaking, haunted, lurking, monstrous, pure love.

Experimental Men

Over a decade's worth of M Kitchell's writing on film. The collection includes the novella Paul Garrior in Jacques Riverrun's "The Abyss is the Foundation of the Possible", a formalist collage story about the vampiric pull of the filmed image, the creative process, and the human voids of isolation and loss. The accompanying film essays that follow all expand cogently on Kitchell's vision, often locating alienation and isolation in seemingly utilitarian genre fare of the 80s and early 90s, erotica from Japan's pink cinema or the bloody edges of outsider horror films. As a whole, this collection explores the territory between desire and obsession, absence and presence, and the expression of what is often deemed inexpressible.

The Abyss is the Foundation of the Possible - Writing On and Through Film, 2007-2018

Arts & Photography

Photography & Video

Apocalypse Party

A compendium of out of print materials by M Kitchell

Prelude to Transgression

Architecture

"Kitchell's collection of fever dreams and fugue states map a hallucinatory rite of passage. Beautiful and strange, this is a book that dredges the sludge of one person's experience, from the mundane atrocity of religion to the cosmic horror of sex." -award-winning filmmaker Sophia Al-Maria, author of The Girl Who Fell To Earth

Spiritual Instrument

Civil Coping Mechanisms

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