Describes twenty-two romantic movies, from "Brief Encounter" to "Wuthering Heights," and shows a love scene from each one

Isn't It Romantic

Humor & Entertainment

Segaloff, Nat

Kimmel, Daniel M.

Movies

Longmeadow Pr.

Three Crows: Year One: Anthology of Weird Science Fiction and Fantasy (Three Crows Magazine)

Science Fiction & Fantasy

Barker, RJ

Smith Spark, Anna

Wang, Monica

Scott, Anna K.

Kellichner, Michael

Frostick, Luke

Daubs, Brandon

Sola, T.A.

Stremetska, Daryna

Fantasy

Independently published

First there was Jar Jar Binks Must Die, the Hugo-Award finalist collection of essays discussing science fiction film which Analog called "intelligent and entertaining" and F&amp;SF called "terrific." Then came Shh! It's a Secret, the comedy science fiction novel that Publishers Weekly called "a freewheeling, laugh-out-loud satire." Now Daniel M. Kimmel is back with Time On My Hands, his quirky take on time travel, lost love, divided loyalties, and the eternal search for really good scotch. Time On My Hands investigates the myriad time travel troubles over which most science fiction readers have pondered, but it presents a fresh take on the time travel novel by adhering to the Aristotelian Unity of Time: it all takes place within a single day. In the book, Professor Price tells the story of how he came to be in possession of a time travel device (which he may or may not have invented), and how he found his future hiding in his past. But the discovery of time travel will necessitate far more than just building a really cool machine: it'll take the efforts of many people to figure out how to talk about time travel, the requirements necessary to be an ethical time traveler, and just whose office it is when my yesterday becomes your tomorrow without the courtesy of a knock on the door. Film critic and professor Daniel M. Kimmel has taught film and media classes at Emerson College, Boston University, and Suffolk University. His book on the history of FOX TV, The Fourth Network, received the Cable Center Book Award. His other books include a history of DreamWorks, The Dream Team, and I'll Have What She's Having: Behind the Scenes of the Great Romantic Comedies. He earned his undergraduate degree from the University of Rochester (where much of Time On My Hands is set) and his law degree from Boston University.

Time On My Hands: My Misadventures In Time Travel

Science Fiction

Fantastic Books

Jar Jar Binks Must Die... and Other Observations about Science Fiction Movies

In 1818, Mary Shelley wrote Frankenstein, creating the iconic concept, and incidentally creating modern science fiction.
In 1935, Elsa Lanchester married the monster.
And now, Daniel M. Kimmel updates the myth, and tells us the tale from the point of view of the most important character: the Father of the Bride of Frankenstein.
This is not Ms. Shelley's monster, but (dare we say it?) a dazzling urbanite, literate and thoughtful... and Jewish?
Science has always outrun the guidelines of ethics. It's not unthinkable that interspecies relationships will be the next big question. And with those relationships will come a father's love for his daughter, and that father's fears for his bankbook when his doting daughter plans the most outrageous of weddings.
Making your daughter happy can be a wild ride when her fiancé is being called subhuman, sued because of his very existence, and trying to keep a good Jewish home.
Also includes the bonus, rarely seen short story "Cinema Purgatorio."
Film critic and award-winning author Daniel M. Kimmel is the author of the Hugo-finalist non-fiction volume Jar Jar Binks Must Die... and Other Observations about Science Fiction Movies, and the novels Shh! It's a Secret: a novel about Aliens, Hollywood, and the Bartender's Guide, and Time On My Hands: My Misadventures In Time Travel. He is the winner of the 2018 Skylark Award (formally known as the Edward E. Smith Memorial Award for Imaginative Fiction), which is given by the New England Science Fiction Association for lifetime contributions to science fiction.

Father of the Bride of Frankenstein

Literature & Fiction

World Literature

When Garth Ancier left NBC for the start-up FOX network, NBC head Grant Tinker told Ancier he was making a terrible mistake. "I will never put a fourth column on my schedule board," Ancier recalls Tinker telling him. "There will only be three." Today, fewer than twenty years later, FOX is routinely referred to as one of the "Big Four" television networks while more recent arrivals like UPN, PAX, and the WB strive to be number five. The Australian-born media mogul Rupert Murdoch, Barry Diller, and the many executives who have worked at the FOX network over the years changed the rules of the game. They showed it was possible to build and sustain a fourth American television network through innovations in prime-time shows, sports, children's entertainment, news, and new business models that challenged the assumptions of how the industry operated. Daniel Kimmel's lively account of the FOX story carries the reader from the launch of the ill-fated Joan Rivers Show in 1986 to the challenging media environment of the twenty-first century―an environment FOX helped create. The Fourth Network is filled with behind-the-scenes wheeling and dealing, outsized personalities, improbable risk-takers, and the triumphs and disasters that led to such signature television series as The Simpsons, Beverly Hills 90210, The X Files, and America's Most Wanted. For better or worse―or perhaps a bit of both―the story of the rise of FOX is the story of contemporary American television.

The Fourth Network: How FOX Broke the Rules and Reinvented Television

Business & Money

Industries

Ivan R. Dee

The Dream Team: The Rise and Fall of DreamWorks: Lessons from the New Hollywood

In The Dream Team, Daniel Kimmel investigates why an enterprise with such promise and guided by the celebrity leadership of Steven Spielberg, Jeffrey Katzenberg, and David Geffen failed to reach the heights. Was it the company's diffuse management style, or had the industry changed and consolidated so greatly that it was now impossible for new players to break into the ranks?

Sports & Outdoors

While film genres go in and out of style, the romantic comedy endures―from year to year and generation to generation. Endlessly adaptable, the romantic comedy form has thrived since the invention of film as a medium of entertainment, touching on universal predicaments: meeting for the first time, the battle of the sexes, and the bumpy course of true love. These films celebrate lovers who play and improvise together, no matter how nutty or at what great odds they may appear. As Eugene Pallette mutters in My Man Godfrey (1936), "All you need to start an asylum is an empty room and the right kind of people." Daniel Kimmel's book about romantic comedy is like watching a truly funny movie with a knowledgeable friend.

I'll Have What She's Having: Behind the Scenes of the Great Romantic Comedies

Dramas & Plays

On October 12, 1994, Steven Spielberg, Jeffrey Katzenberg, and David Geffen―three of Hollywood's biggest players―announced they would form a new studio to produce feature films, television series, and pop music recordings. It didn't have a name, though Katzenberg's reference to his partners as the "Dream Team" eventually led to the company being dubbed DreamWorks. What the three men were attempting hadn't been done in more than sixty years: create a movie studio that could compete with the already existing major players. In The Dream Team, Daniel Kimmel tells the behind-the-scenes story of DreamWorks' rise―and the end of the dream eleven years later, when most of the company was sold off or shut down. Its plan for 1,087 acres of studio facilities that would include residences and retail operations came to naught. Its animation division was split off and went public. Its principals had already begun to go their own ways. Mr. Kimmel explores DreamWorks' successes: best-picture Oscars for American Beauty and Gladiator; a near miss (but box office success) for Saving Private Ryan; a smash animated hit Shrek winning the first Oscar ever for best animated feature and pointing the industry toward computer animation. But he also investigates why an enterprise with such promise failed to reach the heights. Was it the company's diffuse management style, or had the industry changed and consolidated so greatly that it was now impossible for new players to break into the ranks? Mr. Kimmel offers intriguing answers, showing how, more often than not, the guys tilting at windmills usually end up on the ground.

As the title indicates, Daniel M. Kimmel is not only a film critic with strong opinions, he's also a fan. In this collection of essays, he covers movies from Metropolis (1927), answering the absurd claim that the restoration of this silent classic negated its status as a science fiction film, to how Star Trek, Avatar, Moon, and District 9 may have made 2009 a "miracle year" for the genre. Along the way he looks at neglected works like Things to Come (1936), explains why remakes aren't always bad, and how seeing E.T. in an empty screening room changed his mind about Steven Spielberg. Whether to rediscover old favorites or add new titles to your Netflix queue, this is a must-have for lovers of SF movies. Jar Jar Binks Must Die was a Hugo Award finalist in the category of Best Related Work in 2012. Kimmel is a past president of the Boston Society of Film Critics. He reviewed for the Worcester Telegram and Gazette and now writes for Northshoremovies.net. He is a correspondent for Variety, the "Movie Maven" for the Jewish Advoacate and teaches film—including a course on SF and horror—at Suffolk University. His essays on classic science fiction films have appeared in several publications including Clarkesworld, Space and Time, and the Internet Review of Science Fiction. He is the author of a history of FOX TV, The Fourth Network (2004) which received the Cable Center Book Award. His other books include a history of DreamWorks, The Dream Team (2006) and I'll Have What She's Having: Behind the Scenes of the Great Romantic Comedies (2008). Reviews: "Kimmel displays expertise on the subject along with a lively sense of humor—scarcely a page is turned that doesn't yield a few good laughs.… Readers who already take science fiction seriously will enjoy the book's panoptic breadth and its frank jubilation in its subject matter.… [Kimmel] makes it his business to guide his readers to science fiction films that are worthy of our attention as social commentary, whiz-bang spectacle, or works of entertainment that carry an extra edge.… keep your Netflix wish list at the ready. You're going to revisit movies you hadn't thought about in years and be irresistibly tantalized by films you've never seen." —Kilian Melloy, in Edge Boston, 13 April 2011. "…the leading film voice in fandom today… Dan's look at all the SF Films of the previous century-plus is powerful and serious and smart and even sassy at points.… His look at Metropolis and Things to Come are both brilliant and much deeper and broader than mine in these pages.… I thought it was the best written look at Destination Moon I've ever read.… I could spend a day heaping praise on the essay 'Our Batman'.… So many great pieces in here that I should just say this is the best book of essays about film of any nature that I've read in ages.… the best pieces of writing on SF Film you'll ever see!" —Chris Garcia, in The Drink Tank, #280 (April 2011). "[Kimmel's] writing is intelligent and entertaining.… his knowledge of SF movies is encyclopedic.… This is the guy you want sitting next to you when Channel 45 has a weekend 'sci-fi' movie marathon.… For anyone who likes SF movies, this volume is worth the price of admission." —Don Sakers, "The Reference Library", in Analog Science Fiction and Fact, July/August 2011. "…one is left wanting more, which is a testament to Kimmel's writing abilities.… Even when you find yourself not agreeing with Kimmel—his take on E.T. is just plain wrong damn it!—the book remains worthwhile and thought-provoking.… Jar Jar Binks Must Die is worth a purchase." —Sci-Fi Movie Page "Kimmel's a terrific guide to classic though underappreciated works such as Things to Come, and is especially sharp on 1950s sf movies, David Cronenberg, and the art (or lack of same) of movie remakes.… his brief essays are addictively readable and yes, a lot more fun than watching Revenge of the Sith." —Elizabeth Hand, "Books", in The Magazine of Fantasy & Science Fiction, July/August 2011

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