Translated by Jiyoon Lee, Don Mee Choi, Jake Levine and Johannes GOransson. This collection brings together three of the most exciting voices in contemporary Korean poetry to the English language in translation. These three women poets shock and delight, entertain and de-familiarize, corrupt and contaminate traditional readings and stereotypical definitions of Asian women, Asian poetry, Asian-ness. While K-pop girl groups sell cuteness, marketing the female body as an object to be consumed by the male gaze, poems by these three women reveal how that manufactured cuteness is a state of acute deformity. If the male gaze strips the female body of significant social agency through a loss of authenticity or aura, these poets give us a world that shuts down the power behind that gaze.  This tenth volume in the Asia Pacific Series from Vagabond Press presents three essential women's voices in contemporary world literature with a selection of work from Kim Yideum, Kim Haengsook & Kim Min Jeong and gives English-language readers new access to the hybridity of genre and style representative of Korea's ("Future Wave") poets. Kim Min-Jeong was born in Inchon in 1976, received a B.A. in creative writing from Chung'ang University and studied at the graduate school of the same university. She made her literary debut in 1999 by winning the Munye chung'ang Rookie Writer's Award. Her publications include Flying Porcupine Maiden (2005) and She Began to Feel - for the First Time(2009). She is the recipient of the 2007 Pak In-hwan Literary Award. Kim Yi-Deum has published five books of poetry - A Stain in the Shape of a Star (2005), Cheer up, Femme Fatale (2007), The Unspeakable Lover (2011), Song of Berlin, Dahlem (2013), and Hysteria (2014) - and the novel Blood Sisters (2011). Her work has been adapted into a play (The Metamorphosis, 2014) and a film (After School, 2015). She has received numerous awards for her poetry, including the Poetry & the World Literary Award (2010), the Kim Daljin Changwon Award (2011), the 22nd Century Literary Award (2015) and the Kim Chunsoo Award (2015). She read at the Stockholm International Poetry Festival in 2014 and Biennale Internationale des PoEtes en Val-de-Marne in 2015. Having received her PhD for a thesis on Korean feminist poetics, she teaches at Gyeongsang National University. She is also a newspaper columnist and hosts a poetry-themed radio program. In 2012, she held a residency at the Free University of Berlin as part of the Writer-in-Residence Abroad Program of the Arts Council Korea (ARKO). Kim is currently finalizing her book of interviews with homeless people in Paris, as well as writing a new book of poems and essays, while in residence at the University of Ljubljana in Slovenia. Kim Haeng-sook (born in Seoul - 1970) is a Korean poet and professor. Her debut poem appeared in the quarterly Contemporary Literature in 1999. In 2000, she was named the recipient of the Daesan Creative Writing Fund. Her poetry collections include Adolescence (2003), The Ability to Part (2007), and she has also published book of prose including What Was Literature (2005), Traversing Creations and Ruins (2005). She also received the Solmoe Creative Writing Fund in 2007. Currently she is professor of Korean literature at Kangnam University.

Poems of Kim Yideum, Kim Haengsook & Kim Min Jeong (Asia Pacific)

Literature & Fiction

Kim, Min-Jeong

Kim, Yi-Deum

Kim, Haeng-Sook

Poetry

Vagabond Press

<p>In Beautiful and Useless, Kim Min Jeong exposes the often funny and contradictory rifts that appear in the language of everyday circumstance. She uses slang, puns, cultural referents, and ‘naughty, unwomanly” language in order to challenge readers to expand their ideas of not only what a poem is, but also how women should speak. In this way Kim undermines patriarchal authority by displaying the absurd nature of gender expectations. But even larger than issues of gender, these poems reveal the illogical systems of power behind the apparent structures that govern the logic of everyday life. By making the source of these antagonisms and gender transgressions visible, they make them less powerful. This skillful translation from Soeun Seo and Jake Levine, brings the full playfulness and intelligence of Kim’s lyricism to English-language readers.</p>

Beautiful and Useless (The Moon Country Korean Poetry Series)

History & Criticism

Black Ocean

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Books by Kim, Min-Jeong